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lolopratPublished on 02/19/08 at 01:28 (This content has been automatically translated from French)Professional saxophonist with a variety with good experience in jazz, I use a tenor III depus his ten or so years, in a super action 80 alto and a soprano in the III.
Before that I had two tenors his two, and of course I tried several switches of models (Selma, khon, amatti, bufet-lug, keilverth, Yanagisawa, yam, ..)
this instrument is very pleasant to play, slight, fair, with ease of emission in all registers, the harmonics come out by themselves, it offers the opportunity to play "Subtone" a high-volume and ciuvré PPP, WHEN wants is the the problem is a VERY fragille sax!
a night on the stand, a finger is a tense, the slightest shock and voila adjustment.
is that price, we would h…Read moreProfessional saxophonist with a variety with good experience in jazz, I use a tenor III depus his ten or so years, in a super action 80 alto and a soprano in the III.
Before that I had two tenors his two, and of course I tried several switches of models (Selma, khon, amatti, bufet-lug, keilverth, Yanagisawa, yam, ..)
this instrument is very pleasant to play, slight, fair, with ease of emission in all registers, the harmonics come out by themselves, it offers the opportunity to play "Subtone" a high-volume and ciuvré PPP, WHEN wants is the the problem is a VERY fragille sax!
a night on the stand, a finger is a tense, the slightest shock and voila adjustment.
is that price, we would have expected a BOILERMAKING quality.
With experience, I trover a sax that the same versatility, comfort of the same games, and the strength of a mark ... 6See less00