Guitar bought in the 80s (1983?) Paris, bd du Montparnasse in a store today and closed the era the seller does not able to tell me this was o guitar although neither is either on its equipment. I thought to be the only one of its kind possder ...
21 frets, 3 single coil pickups, fixed bridge and string through body guitar, a slecteur five positions, one volume and two tone.
Body and handle multi-laminated idem; round beam by the length of the guitar. Trs heavy guitar.
Beam by the neck the entire length of the guitar, bevelled at the junction of the body, Access in acute very easy, trs round handle in hand and just wide.
Ergonomics is a stratum with dcoupe dcoupe stomach and the body angle to put the forearm. Weight is important and play trs standing shoulder fatigue, but the sustain and personality are l.
My style of music is "any key" and this guitar is INTERESTED share the density of its dja empty. A short tour (there are more than 15 years ...) for the maker Nicolas Petitbon have some changes in order to assert his personality: Mcaniques Schaller, three single coil pickups, Schecter, and change slecteur knobs, solder and clean mass worthy of the name.
And I changed the world, the sound is round, warm, Dfine, with a grain soft and sustain SPECIFICATIONS wood, bridge and nut is expressed.
The full range of sounds in the stratosphere is a little more flexible, round and pais.
All types of music can be played with the exception of extreme type nomtal (and again, micro acute compression and distortion, a password!)
Guitar whose sound is Submitted trs, trs good basis for rhythmic or for arpges ars, interventions chorus spring without effort or too many effects.
The guitar amp sounds on transistors or lamps. Obviously, the lights ...
So I use it for twenty years. I do not play it, I play it!
Sustain its weight and go together and combined with the schecter pickups is well trs. The handle end Ragit well, is enjoyable. I "sense" that will give the note plays.
It was a favorite purchase, pay about 2000 francs, if I remember correctly. Once all the electronic exchange that gives a guitar and endearing particulire trs.
Since I tried one other six-string fiddles and lots of tempting me MODELS (SRV Start, Les Paul Black Beauty etc.). Complment but in the latter.
The initial price-quality ratio is bad in terms of electronic and excellent in terms of wood, empty and sustain grip.
Twenty years APRS, stability is exemplary.
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labouysse's review (This content has been automatically translated from French)
Factory pre-earthquake (Kob 1995),
t dtruite the plant,
I never met the other owner of this model
buy Suresnes (92) in 1982
bnisterie a rare, multi laminated species tannes
latral profile brings up the beautiful wood structure
3 pickups, 2 volume 1 SETTINGS
the handle is also against al structural several species
A little old now, the handle is not as pleasant as the instruments of current sciècle
The overall weight of the instrument is unusually heavy, I think the range Elmaya so,
solidbody construction associated with the first cargo is mtallique, profre a sustenuoso long enough, and allows the instruments classified as current very
my only regret is not having a rod vibrato
The handle, above, is very strait, and the set does not allow arpge,
but it is well known for this type of (strato. ...)
the quality of this series of micro n'taient not very good, it will be desirable to change
but with a Marshall MG30 DFX combo the result is quite satisfactory
Used since 1982
its appearance is certainly the most interesting particularity,
all in fact, a copy strato
j'tais young and not very rich, but a long credit was enough to dissuade me from trying other models
I wish to own an instrument as AIM that it!