john petrucci ibanez signing p3
made in japan 1998
lo pro edge for Mr
24 frets / fret jumbo / HH
DiMarzio 2: steve special in bridge and air norton in handle
and a volume tonalté
the handle is a bit thicker than RG trade, it is finely arched, but it allows a real wanders notes and a superb grip
access to acute bah c is like any big notch RG what.
what is impressive about this instrument, c is the balance that it imposes, by taking you imagine wearing a heavy instrument and the balance is done alone, it is lightweight yet it sends to its body is made of basswood
3 position selector button
for the sound c is nonetheless a unique and very specific character, Steve has a special output level and a very very high returns the game to perfection, as being master of the instrument before saying the opposite . very powerful rhythm perfect for the heavy and progressive.
the neck pickup when it was off a very impressive heat, it looks like a bang in warmer attacks are warm and c is a real pleasure.
here is 6 years that I have this beautiful guitar that is passed from collector that he is no longer in ibanez. I love playing bcp because of its position above the middle is even clearer and sweeter than that of a Strat. be loved, I like.
I play mainly melodic metal with a lot of harmonizing guitar and sometimes I ignite on the progressive.
I think this tool can actually reproduce the warmth and energy of dream theater, but the wiser it is to operate "on anything that has petrucci rig (we can be sure the way?)
for putting live in a 212 valevking, only ca ca dislocated, if j 'attack in a kindly and a DM 535 digitech then zoom in 8080 which is incorporated in its loop a digidelay. I can assure you that all these people in my return with my 212 p3 valve incredible power is issued in the heat and energy of his petrucci, but with my rig has me!
ps: the deco? we like it or not, basta, personal day when I discovered the story about his first jpm, I've had the same state of mind. p3 is the ivory and black, not white and black
by against his position selector c is "aiech" a 3-position as the 7-string have been even more useful when I put 9 to ca.
I love playing and watching this beast of his, I'd love to pay me the five of his collection, but it is not possible, then j 'took the opportunity to repaint one of my other reason for the RG p1 " advance "the collection of a certain way, only ca m 'has cost three times less than the true (I mean the deco) .....
by € 1,200 against AC socket Cygnus, 900 seems about right, 10 years ago I sold for 7,690 francs in new store
Made in Japan in 1997
24 frets, 2 humbuckers: steve's special in the bridge and air norton in neck, slecteur 3 positions: neck, bridge and split in two (single then), no piezo
lo pro edge tremolo
tonalitbr volume + /> handle JPM
bene colors / ivory (you can see the wood grain on the table too good lol)
I put 9 in the absence of piezo
Channel monstrous super comfortable, end, fast, beautiful ...
Access in acute trs very easy
Ergonomics gniale: not too heavy, although equilibrated vibrato hyper stable, slecteur at hand by playing ...
Idalie sound for what I play: the prog lol
used with digitech RP7, Marshall 1960AV cabinet 20/20 +
config bridge: large gain, prcis, not too runny, sound typical of Steve's special: bump in the mediums: Recognition in trs
config neck: maddening precision, gain more noise lev type and also tend to feedback from super lightweight on mdiums Notes: excellent
split config: crystal clear sound, also slammed the emphasis Start ... nice
Utlise since 1999
I love the most: all
like least: no piezo!!
I jou on Les Paul, Start, SG: every time it's nice but it lacks Always something about these guitars (apart from their typical sound obviously): vibrato, race, weight, micro config ... the JPM possde at least
bought the new era 7800frs (10490frs worth), is now around 1500 ngoc => report qualitprix trs good
I would do without this choice hsit would sell and I do not ever