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fly666
Published on 12/03/07 at 23:33
Made in Korea.
22 frets. Micros changed immediately (the microphones do not have basic personality). I set up a special Steve Chevallet in a blue velvet for the single milieur (rack version I believe, with reverse polarity, attention) and an air norton in fantastic handle. It's been a config to petrucci plus a single vintage for clean sounds.
The ZR tremolo bridge is a ball bearing, a bit special, it is a long time to adjust and find its setting (I have one year). The rhythmic "palm mute" are quite difficult to get at first, but you get done.
Standard settings, 5 pos (H1, splitH1 + middle, middle, middle + splitH2, H2). Incredible versatility, the Micro is a sharp little aggressive, but if you want to send metal riffs, must be ca.
Channel incredible, a little thicker than the handle of the basic versions (prestige). 5 wood, excellent sustain, no problem. The same mechanical imitation ivory plaque of real wood stem of a tree, very beautiful.
I put 8 microphones for change required in my opinion, if once changed, it is a 10 high hand.
UTILIZATION
Channel incredible, fast, accurate.
Access to acute perfect, missing two good frets, but I'm not a fan of the double octave.
The guitar is light and does not suffer from its lightness.
The sound kills good with Triax and a 50/50 is not very hard to ring. But the sound of the guitar is very noticeable, I keep the details for the next point.
SOUNDS
I play rock-soul-metal guitar super versatile.
Generally triaxis-50/50 of 4 * 12 "(for metal ENGL, Framus for rock).
Miros round (air norton Sun) - its super hot, jazzy, and even solo solo clear distortion. Saturates the sound a little crunch. My advice to everyone at least try this microphone.
in possession IV, half air norton and Blue Velvet (Pol S). Hum canceling and yet sound very single and very hot. little attack. perfect for riffs or solos clear strat type. There are also very good pos IV stratos.
III in possession, the blue velvet gives all its fishing, despite the buzz single standard. Do not expect to turn up the gain too high. Very good for rhythm and blues-rock riffs small.
in pos II (blue + velvet split steve Sun-special) is the area of funk. Rhythmic slap on the first 3 strings, beautiful with a little compression. The special steve is very good split and goes very well with a single microphone (my main concern in my choice micro).
I in possession, we play metal and heavy distortion only. The special steve is very aggressive and a little break in the ears clean and crunch. As soon as you pass the overdrive, it is beautiful and sharp as a razor. It's my choice, but I still have four positions for clean sounds and crunchy, so I recommend it for solo because it is top notch.
Once the pickups changed, I put a 10 as the mahogany body of a strat-type guitar, it's really my thing. I like Gibson, but they are too heavy and above the handle lacquered rhâaaaaaa, it will not!
OVERALL OPINION
3 years
universality goes everywhere, beautiful
With the Ibanez S, I think I found my shoe off. I try many other guitars, but none satisfied me as much for everyday use and versatile.
I had three guitars before, a Fender Start (zero metal), a jackson (zero for anything other than metal) and an S-shop custom ibanez. I have not returned.
Purchased on-line on thomann, money was hard to judge. But the level is the top finisher of the range. For a corresponding quality, it is easy to double or even triple the price.
I might quickly fall for me to buy a third, just for fun to change from time to time
22 frets. Micros changed immediately (the microphones do not have basic personality). I set up a special Steve Chevallet in a blue velvet for the single milieur (rack version I believe, with reverse polarity, attention) and an air norton in fantastic handle. It's been a config to petrucci plus a single vintage for clean sounds.
The ZR tremolo bridge is a ball bearing, a bit special, it is a long time to adjust and find its setting (I have one year). The rhythmic "palm mute" are quite difficult to get at first, but you get done.
Standard settings, 5 pos (H1, splitH1 + middle, middle, middle + splitH2, H2). Incredible versatility, the Micro is a sharp little aggressive, but if you want to send metal riffs, must be ca.
Channel incredible, a little thicker than the handle of the basic versions (prestige). 5 wood, excellent sustain, no problem. The same mechanical imitation ivory plaque of real wood stem of a tree, very beautiful.
I put 8 microphones for change required in my opinion, if once changed, it is a 10 high hand.
UTILIZATION
Channel incredible, fast, accurate.
Access to acute perfect, missing two good frets, but I'm not a fan of the double octave.
The guitar is light and does not suffer from its lightness.
The sound kills good with Triax and a 50/50 is not very hard to ring. But the sound of the guitar is very noticeable, I keep the details for the next point.
SOUNDS
I play rock-soul-metal guitar super versatile.
Generally triaxis-50/50 of 4 * 12 "(for metal ENGL, Framus for rock).
Miros round (air norton Sun) - its super hot, jazzy, and even solo solo clear distortion. Saturates the sound a little crunch. My advice to everyone at least try this microphone.
in possession IV, half air norton and Blue Velvet (Pol S). Hum canceling and yet sound very single and very hot. little attack. perfect for riffs or solos clear strat type. There are also very good pos IV stratos.
III in possession, the blue velvet gives all its fishing, despite the buzz single standard. Do not expect to turn up the gain too high. Very good for rhythm and blues-rock riffs small.
in pos II (blue + velvet split steve Sun-special) is the area of funk. Rhythmic slap on the first 3 strings, beautiful with a little compression. The special steve is very good split and goes very well with a single microphone (my main concern in my choice micro).
I in possession, we play metal and heavy distortion only. The special steve is very aggressive and a little break in the ears clean and crunch. As soon as you pass the overdrive, it is beautiful and sharp as a razor. It's my choice, but I still have four positions for clean sounds and crunchy, so I recommend it for solo because it is top notch.
Once the pickups changed, I put a 10 as the mahogany body of a strat-type guitar, it's really my thing. I like Gibson, but they are too heavy and above the handle lacquered rhâaaaaaa, it will not!
OVERALL OPINION
3 years
universality goes everywhere, beautiful
With the Ibanez S, I think I found my shoe off. I try many other guitars, but none satisfied me as much for everyday use and versatile.
I had three guitars before, a Fender Start (zero metal), a jackson (zero for anything other than metal) and an S-shop custom ibanez. I have not returned.
Purchased on-line on thomann, money was hard to judge. But the level is the top finisher of the range. For a corresponding quality, it is easy to double or even triple the price.
I might quickly fall for me to buy a third, just for fun to change from time to time