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Camillemille
Published on 07/10/09 at 06:32
Violin:
Alder-COPR
Bolt-24 boxes
-Maple neck with maple fingerboard wide and flat
Pink-floyd
Email:
-Seymour Duncan TB-4 bridge
-Seymour Duncan SH-2 to handle
-A volume knob, one tone and a three position switch type Start, knobs and switches perfectly placed
Very nice shovel Jackson signed and made in japan: p
Only slight downside, the licensed floyd whose painting of the router is not tip top.
Failure of the series for which I refer to the manufacturer Cheaz: /
UTILIZATION
The neck is super nice, very flat, suitable for large and rythiques Shred, I never had as good a handle in the hands of that is a real highway, it's very annoying when you are e found, a nsuite have to play a les paul <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_mrgreen.gif" alt="mrgreen" /> , Weight not important or too low, you can feel it on us without dislocating the shoulders for all that, classic games as standard authorized access to the latest frets about right without being that of sg, the floyd is not super , fixation of the stem is unscrewed from below (I remove the back plate to tighten or remove the stem), but for the price just can not be perfect, fasteners straps are very good, to hell with ugly straps locks She has never taken down.
SOUNDS
So that's where it will bleed, I start to play a blank, when buying a vacuum sound was relatively average, but over time it became beautiful, reflecting the quality of wood which the princess is made, I branch, and then is happiness, I first see what sent by the sh-2 (race) in clean, enough but not too bold, tone knob very effective, it is sublime , a rich, delicate, lightly smacking, very good for the picking, arpeggios, or agreements relatively mild j'enclenche the crunch, the microphone output level quite low, a very slight crunch, a small amount blues the tone knob to for a more slamming is sublime, a chouilla stratabound, it takes the guts, a little chubby and a wonderful sound Bents, I go into overdrive, a etit AC / DC and the grain be really , a delight, we never tire of it, then I type in a little metal distortion, ca tent very well the road condition to manage his sound, so micro, rather round, slightly fat and slightly slamming.
I go into micro chvalet, a Seymour Duncan TB-4, whose reputation is well established, it is very clean in slamming, incisive and bold, for the funk is a very good condition to the tone at max, very bluesy crunch is also good, but more incisive, heavy, clean in it tends to quickly cruncher for something delicious, but with a bit of distortion we start soon on a small riff with a lot of the muscle zztop and energy, with a very large distortion the guitar reveals his soul, I think she is possessed <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_mrgreen.gif" alt="mrgreen" /> It sends the wood, sound super powerful, muscular, fat, rich, and incisive, harmonics that come out very well, a wide vibrato, and dive bombs, ca sends very clear, the ah do well provided they are specific, it's a bit harder than a scratch on a tom with a slightly less long sustain.
The middle position does nothing more, its a fairly rich and full, a configuration that sends in all areas, but never as good as one of only two microphones.
Assets:
versatility, quality of metal that look good harmonics.
Minimum:
Lack of light sustain.
OVERALL OPINION
I use it every day since Christmas I tried some 08 ltd ec-1000 aquérir before, I much prefer the incisiveness and the muscular side of alder, this choice I would do a lot of times s' he needed was a sublime scratches, some finishing details and the quality of floyd leave may be slightly to be desired, but at her I have not found any scratches below the € 1,000 that can even compete with, so he put an Ibanez Edge Zero tremolo and you have an extremely good scratch, has completely the opposite of a les paul, which can offer a couple of scratches extremely complementary (ask Randy Rhoads what he thinks ), I fell madly in this scoop, I can be stumbled upon one of the best guitars in the series, because it really sends, the other scratch my group has an Epiphone Les Paul Ultra is in the same range price and absolutely no comparison.
I commend the firm Rican jackson for this little gem made in japan.
Alder-COPR
Bolt-24 boxes
-Maple neck with maple fingerboard wide and flat
Pink-floyd
Email:
-Seymour Duncan TB-4 bridge
-Seymour Duncan SH-2 to handle
-A volume knob, one tone and a three position switch type Start, knobs and switches perfectly placed
Very nice shovel Jackson signed and made in japan: p
Only slight downside, the licensed floyd whose painting of the router is not tip top.
Failure of the series for which I refer to the manufacturer Cheaz: /
UTILIZATION
The neck is super nice, very flat, suitable for large and rythiques Shred, I never had as good a handle in the hands of that is a real highway, it's very annoying when you are e found, a nsuite have to play a les paul <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_mrgreen.gif" alt="mrgreen" /> , Weight not important or too low, you can feel it on us without dislocating the shoulders for all that, classic games as standard authorized access to the latest frets about right without being that of sg, the floyd is not super , fixation of the stem is unscrewed from below (I remove the back plate to tighten or remove the stem), but for the price just can not be perfect, fasteners straps are very good, to hell with ugly straps locks She has never taken down.
SOUNDS
So that's where it will bleed, I start to play a blank, when buying a vacuum sound was relatively average, but over time it became beautiful, reflecting the quality of wood which the princess is made, I branch, and then is happiness, I first see what sent by the sh-2 (race) in clean, enough but not too bold, tone knob very effective, it is sublime , a rich, delicate, lightly smacking, very good for the picking, arpeggios, or agreements relatively mild j'enclenche the crunch, the microphone output level quite low, a very slight crunch, a small amount blues the tone knob to for a more slamming is sublime, a chouilla stratabound, it takes the guts, a little chubby and a wonderful sound Bents, I go into overdrive, a etit AC / DC and the grain be really , a delight, we never tire of it, then I type in a little metal distortion, ca tent very well the road condition to manage his sound, so micro, rather round, slightly fat and slightly slamming.
I go into micro chvalet, a Seymour Duncan TB-4, whose reputation is well established, it is very clean in slamming, incisive and bold, for the funk is a very good condition to the tone at max, very bluesy crunch is also good, but more incisive, heavy, clean in it tends to quickly cruncher for something delicious, but with a bit of distortion we start soon on a small riff with a lot of the muscle zztop and energy, with a very large distortion the guitar reveals his soul, I think she is possessed <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_mrgreen.gif" alt="mrgreen" /> It sends the wood, sound super powerful, muscular, fat, rich, and incisive, harmonics that come out very well, a wide vibrato, and dive bombs, ca sends very clear, the ah do well provided they are specific, it's a bit harder than a scratch on a tom with a slightly less long sustain.
The middle position does nothing more, its a fairly rich and full, a configuration that sends in all areas, but never as good as one of only two microphones.
Assets:
versatility, quality of metal that look good harmonics.
Minimum:
Lack of light sustain.
OVERALL OPINION
I use it every day since Christmas I tried some 08 ltd ec-1000 aquérir before, I much prefer the incisiveness and the muscular side of alder, this choice I would do a lot of times s' he needed was a sublime scratches, some finishing details and the quality of floyd leave may be slightly to be desired, but at her I have not found any scratches below the € 1,000 that can even compete with, so he put an Ibanez Edge Zero tremolo and you have an extremely good scratch, has completely the opposite of a les paul, which can offer a couple of scratches extremely complementary (ask Randy Rhoads what he thinks ), I fell madly in this scoop, I can be stumbled upon one of the best guitars in the series, because it really sends, the other scratch my group has an Epiphone Les Paul Ultra is in the same range price and absolutely no comparison.
I commend the firm Rican jackson for this little gem made in japan.