Made in France, Mahogany body with shapely table, 24 jumbo frets Extra, config HSH (DiMarzio Air Zone / Seymour Duncan SSL-5 / Dimarzio Air Classic) pickups and split (ie a total of 9 positions)
Licensed Floyd LAG
Settings: a volume knob push / pull
Bolt Saddle fret rosewood satin varnish scallops (peak button) in boxes 18 -> 24

Note that there have been several versions of Metalmaster (an HH config basswood, linden yet another config MSM, it's short .. I get lost there were at least 3 or 4. On this page are the opinions of Metalmaster dating from 91, 93, 98 .. therefore CHARACTERISTICS change!) Mine is the last MODEL: the 2000-2001

UTILIZATION

Channel trs end like Ibanez, but not as flat (an ibanez neck a tiny bit rounder wholesale)
Access in acute trs ais thanks plutt heel slim body profile.
Super lgre for scratching mahogany! (3 kg just prs), the body is 4.5 cm thick.
With such a violin, and these microphones, how to have a dirty sound?
The floyd is good agreement, yet I often dive-bomb and I trs mnage not the poor.

SOUNDS

I play progressive mtal, it perfectly matches my style of music: D
The sound is warm and prcis with the Air Zone, with the crystalline duncan, and air classic retains some Clarete between notes (plutt in fact difficult to explain ..) A super versatile scraper gr to the microphones and split.

OVERALL OPINION

I've had almost a month, I like his ptite boils, its sounds (and I'm not saying its sound: the scratching is so versatile despite its name ..) can be warm, aggressive, clear and crystalline ..
Qualitprix excellent: it is unfortunately over, but sometimes to find and as the Lag down 50% in OCCAZ ..
This choice I would do (well I've had 20 days, but for now I am far from me tired!)