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Rosenrot
Published on 02/27/09 at 11:39
Guitar French (Bédarieux) which dates from 1995 (I am inquiring about).
It has 22 frets, 5 hits with acute scalloppés (from the 18th fret.
On my model I have a simple stick microphone Seymour Duncan SSL-6, and a double Di Marzio Tone Zone Floyd (zebra) in bridge.
There is an easel by Floyd LAG, and it is very effective for me ca me.
There is a volume and a 3-position selector.
The maple neck with maple fingerboard suits me perfectly. Neither too rounded nor too flat, can stretch easily.
The body is basswood, for big sound.
The mechanical type LAG, they hold well.
The head is thrown back, Hendrix style.
What can I say? On paper it sure is good. All to tackle any type of music.
9 / 10 => I like the look, the visual, and on paper it's a beautiful machine. But nothing is perfect, but must tell the price I got it, it is 2000/10 (see more)
A 24th case would have been nice (I go ...)
UTILIZATION
The handle is great. I have small hands, and I can do many things and other stunts.
Access to acute is good without being perfect of the perfect, but that's fine. Scalloppées keys are useful in the quick game. A small adjustment period is required. And then look for AC throws: p
It is well balanced and the weight is reasonable. This is not a parka, or a Gibson, but a Fender.
This gives a good sound on.
9 / 10 => is a handle that I was looking for. Good access to acute, rapid and comfortable handle, great.
SOUNDS
I play everything. I need sound Jazz, Blues, Funk, but also Rock, Hard Rock and even Metal.
I have an amp Peavey ValveKing 212, certainly not a killer, but for the lamps, and its price, this is enough to see the potential of the beast.
Otherwise I AmpliTube metal on my pc, I have not tested it yet, I'd be EDIT.
In his clear, Seymour Duncan is ideal. Although round, and singing, it's a beautiful mic. I like to pair it with the Tone Zone for more brightness and punch.
In saturated, crunch and distortion of the death, Seymour is good for blues solos and even hard rock. But it is the Tone Zone, necessarily, has fared best.
Big sound hot! From Van Halen, Steve Vai through by going to the Metal very sharp, the TZ is wonderful. Precise, dynamic, biting, clean, and especially hot, I'm finally happy with my sound.
I do not have any effect, a little would do the trick flanger, or phaser ... I tell you
9 / 10 => The raw sound great, I'll be with EDIT effects etc. ...
OVERALL OPINION
I bought it yesterday (Feb. 26) in Used Guitar Village (ad ^ ^) to 480 euros, in very good condition.
I like the sound, the look.
The least? A 24th case would have been perfect, but it makes a nice bend: p
I tried other models like the G290 (or 260) of Cort with the pack above EMG => no character. There was a Dean ML 79, ca sent the potato but the comfort was zero points.
I tested all kinds of Ibanez, too flat, there are similarities across ...
And then one day, the GAL passed, and I hung above 200%.
A guitar with a character made in France, which casts serious!
A guitar has tried, without hesitation, it's a good experience.
It has 22 frets, 5 hits with acute scalloppés (from the 18th fret.
On my model I have a simple stick microphone Seymour Duncan SSL-6, and a double Di Marzio Tone Zone Floyd (zebra) in bridge.
There is an easel by Floyd LAG, and it is very effective for me ca me.
There is a volume and a 3-position selector.
The maple neck with maple fingerboard suits me perfectly. Neither too rounded nor too flat, can stretch easily.
The body is basswood, for big sound.
The mechanical type LAG, they hold well.
The head is thrown back, Hendrix style.
What can I say? On paper it sure is good. All to tackle any type of music.
9 / 10 => I like the look, the visual, and on paper it's a beautiful machine. But nothing is perfect, but must tell the price I got it, it is 2000/10 (see more)
A 24th case would have been nice (I go ...)
UTILIZATION
The handle is great. I have small hands, and I can do many things and other stunts.
Access to acute is good without being perfect of the perfect, but that's fine. Scalloppées keys are useful in the quick game. A small adjustment period is required. And then look for AC throws: p
It is well balanced and the weight is reasonable. This is not a parka, or a Gibson, but a Fender.
This gives a good sound on.
9 / 10 => is a handle that I was looking for. Good access to acute, rapid and comfortable handle, great.
SOUNDS
I play everything. I need sound Jazz, Blues, Funk, but also Rock, Hard Rock and even Metal.
I have an amp Peavey ValveKing 212, certainly not a killer, but for the lamps, and its price, this is enough to see the potential of the beast.
Otherwise I AmpliTube metal on my pc, I have not tested it yet, I'd be EDIT.
In his clear, Seymour Duncan is ideal. Although round, and singing, it's a beautiful mic. I like to pair it with the Tone Zone for more brightness and punch.
In saturated, crunch and distortion of the death, Seymour is good for blues solos and even hard rock. But it is the Tone Zone, necessarily, has fared best.
Big sound hot! From Van Halen, Steve Vai through by going to the Metal very sharp, the TZ is wonderful. Precise, dynamic, biting, clean, and especially hot, I'm finally happy with my sound.
I do not have any effect, a little would do the trick flanger, or phaser ... I tell you
9 / 10 => The raw sound great, I'll be with EDIT effects etc. ...
OVERALL OPINION
I bought it yesterday (Feb. 26) in Used Guitar Village (ad ^ ^) to 480 euros, in very good condition.
I like the sound, the look.
The least? A 24th case would have been perfect, but it makes a nice bend: p
I tried other models like the G290 (or 260) of Cort with the pack above EMG => no character. There was a Dean ML 79, ca sent the potato but the comfort was zero points.
I tested all kinds of Ibanez, too flat, there are similarities across ...
And then one day, the GAL passed, and I hung above 200%.
A guitar with a character made in France, which casts serious!
A guitar has tried, without hesitation, it's a good experience.