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2.5/5(2 reviews)
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transition_chrisPublished on 06/02/07 at 11:15 (This content has been automatically translated from French)
The Audio Logic MT66 Compressor is a dynamic two-channel with a gate and a Link option to operate in stereo.
Inputs and outputs 1 / 4 and coaxial (RCA) - yes, yes, no XLR -
Fits in a 1U rack space.
UTILIZATION
Relatively easy to use.
SOUND QUALITY
It thickens here. To have had two in my possession (for a short time - I got rid of the two for 50 euros on eBay), the compressor does not just deserve the title of studio compressor. Even with minimal compression, the signal is overwritten in a very low noise. Gate way too harsh, almost hysterically. The connection is done in 1 / 4 Unbalanced consumer level (-10dB). To add to the frustration, the MT66 adds incredible noise of the...…
Inputs and outputs 1 / 4 and coaxial (RCA) - yes, yes, no XLR -
Fits in a 1U rack space.
UTILIZATION
Relatively easy to use.
SOUND QUALITY
It thickens here. To have had two in my possession (for a short time - I got rid of the two for 50 euros on eBay), the compressor does not just deserve the title of studio compressor. Even with minimal compression, the signal is overwritten in a very low noise. Gate way too harsh, almost hysterically. The connection is done in 1 / 4 Unbalanced consumer level (-10dB). To add to the frustration, the MT66 adds incredible noise of the...…
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The Audio Logic MT66 Compressor is a dynamic two-channel with a gate and a Link option to operate in stereo.
Inputs and outputs 1 / 4 and coaxial (RCA) - yes, yes, no XLR -
Fits in a 1U rack space.
UTILIZATION
Relatively easy to use.
SOUND QUALITY
It thickens here. To have had two in my possession (for a short time - I got rid of the two for 50 euros on eBay), the compressor does not just deserve the title of studio compressor. Even with minimal compression, the signal is overwritten in a very low noise. Gate way too harsh, almost hysterically. The connection is done in 1 / 4 Unbalanced consumer level (-10dB). To add to the frustration, the MT66 adds incredible noise of the signal. Even with the gate activated.
For use on an RCA home theater - not in a studio, as "home" would it -.
OVERALL OPINION
We love to see him, you hate it by plugging it. NOT N'achtez this compressor, despite its low price (justified)
Inputs and outputs 1 / 4 and coaxial (RCA) - yes, yes, no XLR -
Fits in a 1U rack space.
UTILIZATION
Relatively easy to use.
SOUND QUALITY
It thickens here. To have had two in my possession (for a short time - I got rid of the two for 50 euros on eBay), the compressor does not just deserve the title of studio compressor. Even with minimal compression, the signal is overwritten in a very low noise. Gate way too harsh, almost hysterically. The connection is done in 1 / 4 Unbalanced consumer level (-10dB). To add to the frustration, the MT66 adds incredible noise of the signal. Even with the gate activated.
For use on an RCA home theater - not in a studio, as "home" would it -.
OVERALL OPINION
We love to see him, you hate it by plugging it. NOT N'achtez this compressor, despite its low price (justified)
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41
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Yannick le NantaisPublished on 04/11/09 at 15:34 (This content has been automatically translated from French)
What are the effects, types of effects available?
- Analog compressor, with controls traditional 19-inch rack
- Noise Gate simplified with only one threshold setting
- Can be coupled in stereo
- Insert jack sockets on the back of the unit allowing the connection of an equalizer (to make a goddess, for example).
- Input and output TRS and RCA + 4db-10db.
UTILIZATION
The general configuration is simple?
This device is very classic in its operation. Its controls are those that are found on all modern compressor.
Adjusting the noise gate with only command line is not always very useful, except percussion type sounds. Compressor controls however are complete and can cope...…
- Analog compressor, with controls traditional 19-inch rack
- Noise Gate simplified with only one threshold setting
- Can be coupled in stereo
- Insert jack sockets on the back of the unit allowing the connection of an equalizer (to make a goddess, for example).
- Input and output TRS and RCA + 4db-10db.
UTILIZATION
The general configuration is simple?
This device is very classic in its operation. Its controls are those that are found on all modern compressor.
Adjusting the noise gate with only command line is not always very useful, except percussion type sounds. Compressor controls however are complete and can cope...…
Read more
What are the effects, types of effects available?
- Analog compressor, with controls traditional 19-inch rack
- Noise Gate simplified with only one threshold setting
- Can be coupled in stereo
- Insert jack sockets on the back of the unit allowing the connection of an equalizer (to make a goddess, for example).
- Input and output TRS and RCA + 4db-10db.
UTILIZATION
The general configuration is simple?
This device is very classic in its operation. Its controls are those that are found on all modern compressor.
Adjusting the noise gate with only command line is not always very useful, except percussion type sounds. Compressor controls however are complete and can cope with almost any situation. However, this requires some experience to find the right dosages. This unit does not have the automatic encountered on compressors such as Behringer Autocom. This can confuse beginners.
SOUND QUALITY
The effects are they effective, responsive and realistic enough?
Subject to master the use of a traditional compressor, this unit is very effective on voice, bass guitar, drums, etc. ...
OVERALL OPINION
I use this compressor for almost 19 years (already!). He has always given me satisfaction. Contrary to previous opinion, it will find its place in any professional audio installation "hardware" in the studio and live sound. Naturally, one should not compare it to a super high-end gear like the optical tube compressor manufactured by hand in ten numbered then modeled to be sold plugin! But it will do its job properly for that will tame it.
- Analog compressor, with controls traditional 19-inch rack
- Noise Gate simplified with only one threshold setting
- Can be coupled in stereo
- Insert jack sockets on the back of the unit allowing the connection of an equalizer (to make a goddess, for example).
- Input and output TRS and RCA + 4db-10db.
UTILIZATION
The general configuration is simple?
This device is very classic in its operation. Its controls are those that are found on all modern compressor.
Adjusting the noise gate with only command line is not always very useful, except percussion type sounds. Compressor controls however are complete and can cope with almost any situation. However, this requires some experience to find the right dosages. This unit does not have the automatic encountered on compressors such as Behringer Autocom. This can confuse beginners.
SOUND QUALITY
The effects are they effective, responsive and realistic enough?
Subject to master the use of a traditional compressor, this unit is very effective on voice, bass guitar, drums, etc. ...
OVERALL OPINION
I use this compressor for almost 19 years (already!). He has always given me satisfaction. Contrary to previous opinion, it will find its place in any professional audio installation "hardware" in the studio and live sound. Naturally, one should not compare it to a super high-end gear like the optical tube compressor manufactured by hand in ten numbered then modeled to be sold plugin! But it will do its job properly for that will tame it.
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Tech. sheet
- Manufacturer: Audio Logic
- Model: MT66
- Category: Studio compressors
- Added in our database on: 02/22/2006
We have no technical specifications for this product
but your help will be much welcomed
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Other categories in Dynamic Processors
Other names: mt66, mt 66