All user reviews for the Behringer Composer Pro MDX2200

Mars Music (out of business now) Currently $75 at Musiciansfriend.com.

Audio Geeks relax! Of course it's just a Behringer. But for $75 it's simply amazing what you can get these days.

I record acoustic instruments and vocals in my home studio. One main problem for self-recording is focusing on good playing and singing without clipping the signal. (Staring at the meters while you're performing just kills the emotion in the music!) The MDX 2200 is two-channel, inexpensive compressor/limiter that meets the challenge nicely.

It is relatively easy to use, if you understand the basics of using an audio compressor. It's another LONG article to explain their use, but essentially, their purpose is to keep sounds from be being too loud or too soft. Used properly they canb add desirable sustain to instruments and more pleasing dynamics to a recording.

I've used Alesis and DBX products with the same features, and the DBX is aurally better, but costs double and more. If you're on a budget, don't let the Audio Geeks scare you. This unit really does the trick nicely without discoloring your music, IF you learn how to use it.

The price point is for beginners, but the manual is not. Behringer should include a primer for first-timers. Inputs and outputs are laid out a bit awkwardly. It would be easy to put the wrong plug in the wrong jack. Read Carefully!

So far, it works great and seems built well. Built in power supply (no wall wart) with a typical computer-style power cord. Rackmount case.

Excellent beginner unit. Great for experimenting and learning about Compressor/Limiter/Noise Gate effects. And, by the way, I've used the MDX 2200 on several home CDs that have sold more than enough to pay for all my recording gear (and instruments) and no customer has noticed or whined about my "cheap compression."

This review was originally published on http://www.musicgearreview.com

Compressor / Limiter / Gate 2 channels (which can be coupled to a stereo source) with analog technology.

In addition to the selector Soft / Hard Knee compression, it has a circuit for IKA compression interactive depends on signal given.

It also has an auto mode to automatically set the attack time and release.

Can integrate a source of external compression through its side chain.

All settings are accessible knobs, very easy access.

The system has a hard bypass (relay) which is very convenient in the case of electrical problems (no risk of sending a big "flop" to the speakers).

Illuminated buttons and 12 LED bar graph for signal input / output and compression, so direct reading which is very pleasant.

Balanced XLR connectors on serious or Jack for all inputs and outputs (side chain included), with switch-level processed signal to the rear of the effect.

UTILIZATION

Nothing to say about the configuration, there is nothing easier! Everything is accessible from the first glance.

The edition is totally handy since no menus or other ...

The manual is OK, but I recommend however to read the English version, still more accurate (since no translation error).

SOUND QUALITY

The gate is correct.

The compressor efficient enough for this price range (it goes into effect in its own compressor). It has among others a selector to limit compression particularly appeal to serious (a practice not to cut the dynamic sounds very clear).

The limiter is still effective and practical to secure its system.

OVERALL OPINION

I use it for 4 years now and never had any problems.

I used to be the output table for amplification (and thus coupled) on either voices or instruments like guitars insert on my table.

What I like most is its simplicity of use and efficiency as well as information directly displayed and understandable first glance.

The value for money is in the best ...
In this price range, this choice I would do without hesitation!

Rackable

UTILIZATION

Manual light

SOUND QUALITY

Food peus reliable but the rest ok

OVERALL OPINION

Very good machine but no after sales service !!!!!
I've had 2 years and served 15 x can be (and one day it will not turn over
I returned for repair (allimentation)
for repair is already close to 75 euros for quotation on any device nimporte behringer
short a time past the warranty as a selling nTip ..... it works
matches .... trash because I have a new for the price
I prefer not to put a little more expensive but to see the stuff reliably

Users of these compressors (owns 2) over 3 years on live voice and the sound drum machine that works terribly well.

UTILIZATION

Very simple to implement, robust design (no problem so far)

SOUND QUALITY

Once properly adjusted it works very well.

OVERALL OPINION

If you watch a little bit of what it finds in the racks of groups (professional and amateur) that occur in live throughout the year to liven up your evenings, there is a good chance that you trouvier compressors or Behring Another périf this brand. So let's stop everything and say everything about anything on the produce Berhinger me I have my full racks, I used the quotidiennent and to this day (over 3 years) the only concern is I who have done (on a broken potentionnetre Equalizer 2x31)
It works very well and saw the price it does not worth to do without
If necessary, I buy Behring

See site behringer.

transistor analog compressor, 2 channels 1 rack unit.
settings conventional threshold, ratio, atack and release.
makeup gain adjustment (adjustment of output) per channel
limiter and more output per channel
a gate or not activated first compressor with adjustable threshold (interresting)

Ultra connectors complete:
- Input / Output TRS or XLR
- Side chain

integrated power supply,

Full brief!

UTILIZATION

Who knows a compressor, the config is simple, yes.
The volume pot is a bit small and the concept "a lot of functions on a unit only" has its limits, ie it should not have too big fingers and go like a nag on pain of moving a set in refining another.

Otherwise, very good point for me, signage and LED meters.
Each switch is turned on activation, perfect for getting together on a dark scene (not gadgets at all)
LED meter and large, reactive and assignable (2 LED meter per channel, assignable to input to output, gain reduction or output signal ... Everything is possible)
Briefly, in a very noisy environment, we already made many little adjustment to the views (it paradoxical for a sound processor but really, it helps)

So very positive point for me -> leds métreq the swichq bright.
Point a bit boring -> the knobs too closely spaced, and notched (boring to refine a setting that should be really accurate)

SOUND QUALITY

The sound quality directs this compressor
- To live (cif conc, groups that rotate in autoprod without letting on each date, repeat ...) it is perfect in this application.

- Home studio for a treatment that does not nessessite a huge sound quality
can range from mild to prevent a comp Converto of saturated, or you can really pump big beat loops if this is your ray ... he can do anything. (Some comp can not pump, not possessing a relatively high proportion)

- To familiarize themselves with a compressor / gate (all functions are there ... and the mastering, you'll be ready to move to the higher range, but I would not before. "Unnecessary to assign an Avalon type that does has never touched the compression)

I used to insert a long time before attacking the console Converto a sound card via the direct out of the console (not saturate), on
Battery
voice
bass

I used to live on a farm sub group (CG, CC, TOM1, TOM2, OH1, OH2)

Do not reversible, a comp to 200 euros will never do as a comp in 2000. While the features may look equivalent on paper, sound quality is different. This comp is fairly transparent in terms of tone color (no specific color)

it will make a comp or severe soft, cheap and with good quality. Not great, but good. In any case, ample for the home stud, for repeated use, caf conc, etc ...

OVERALL OPINION

I have 2 3 years.
no reliability problems, always rack ever since.

I like almost everything.
- The characteristic hyper-complete (side chain, LED meters, all possible settings, stereo utilisatoin possible for a submix)
- Compactness (I have small fingers)
- Good build quality (it's clean and nothing happens)
- Good sound quality for the ridiculous price (and the other alesis presonus 200 or 300 euros are no better after is just marketing)

Like any product, I try to APPRI on piece and not on rumors.
For me, this compressor is very much his job, especially for the price.
It does not get the moon for you, but you'll get your money (and a little more)

Compressors, rack

UTILIZATION

Super-easy!

SOUND QUALITY

-Effective

OVERALL OPINION

I bought 2 copies of this machine in 1999/2000.
A little over 300 euros a beast!
I have often met in racks of concert halls.
My first real compressor: all settings are there!
attack
threshold
rate
relaxation
Output Gain

There is even an expander / gate input of each channel and a limiter output.
Buttons and notched it ... it is not good ...

I would do this choice. Even at the time I broke the piggy bank for you ...
For sound, other high-end compressor are certainly better.
For this price (for the time!) Is what was best.

For years I used the model Behringer I'm not about to let this model I work for sound systems where space is sometimes difficult to sound systems. It is a fast processor dynamic expander and noise gate for the price why effective without private manifestly critical opinions I am a bit surprised by the reaction of certain provider. it is true orchestral concert is not clear but background music was carefully with this model can achieve good results in all areas.

UTILIZATION

For years I used the model Behringer I'm not about to let this model I work for sound systems where space is sometimes difficult to sound systems. It is a fast processor dynamic expander and noise gate for the price why effective without private manifestly critical opinions I am a bit surprised by the reaction of certain provider. it is true orchestral concert is not clear but background music was carefully with this model can achieve good results in all areas.

SOUND QUALITY

For years I used the model Behringer I'm not about to let this model I work for sound systems where space is sometimes difficult to sound systems. It is a fast processor dynamic expander and noise gate for the price why effective without private manifestly critical opinions I am a bit surprised by the reaction of certain provider. it is true orchestral concert is not clear but background music was carefully with this model can achieve good results in all areas.

OVERALL OPINION

For years I used the model Behringer I'm not about to let this model I work for sound systems where space is sometimes difficult to sound systems. It is a fast processor dynamic expander and noise gate for the price why effective without private manifestly critical opinions I am a bit surprised by the reaction of certain provider. it is true orchestral concert is not clear but background music was carefully with this model can achieve good results in all areas.

Characteristics already described.

UTILIZATION

Compressor with standard controls, no specific comments.

SOUND QUALITY

Let's cut to the chase, sound: Compression is rather "hard", it distorts the sound and pump merrily. Usable in PA but not in the studio, on instruments electro / electric but I think to outlaw the vocal or acoustic instrument.

I had one 3 months and I sold.

The sound is really - and strangely - different series mdx2000 and 2100 (I own both). These series there are real compressors, versatile and transparent if properly adjusted.

The MDX2000 served a few years ago the voice recording of a musical with static (AKG "The Tube, NT2 ...). The catch bluffed sounds of experienced engineers ...

Since the FMR and I JOEMEEK. The mdx2000 or 2100 still serve me. They are a whole step down but does not spoil (main use drums). It is very clean and the patches are relatively well respected.

OVERALL OPINION

In conclusion, I advise MDX2000 or 2100 instead of 2200.

Compressor transistors, gate / expander, a limiter unit 19. It can operate in two independent mono channels or linked stereo. An order of side-chain channel.

UTILIZATION

Configuration is very simple when you know how to use a compressor, everything is clear. The buttons are small but easy to handle. Being ribbed fine adjustments are impossible, and so personally I do not have this problem (the opposite), some might take offense.

SOUND QUALITY

The sound quality, the nerve!
The thing to point out immediately is that the MDX2200 is not the only home studio compressor-ist demanding. Why? Simply because it is anything but transparent, it is a little colorful and is easily capable of pumping a bit like how an Alesis 3630, only better. I used it with bass, guitar and drums. On these instruments, I loved: no noise, the sound is round, balanced and rather the ability to pump the beast itself adds enough, I think, a plus. You either love or hate! To be perfectly honest, I must say that it will not necessarily suited to certain types of voice catches and he definitely prefers a more transparent compressor. But otherwise, it's been very well his job.
The side-chain is effective and complements the range of use of the effect.

OVERALL OPINION

+ Sound (Note: The creature pump easily. You like it or not)
+ The multiple uses (gate, compressor, limiter, de-esser via side-chain, etc. ...)
+ The value for money

- Lack of versatility

I do it again without hesitation that choice because it is entirely appropriate for what I did. It is found used for cheap and it would be a shame to deny, especially if you already have a compressor rather transparent and you want to slum it a bit!

A nice Swiss Army knife.

UTILIZATION

The manual is not bad after it's a matter of taste.
Me I like the number of possibilities, it is visual and efficient.

SOUND QUALITY

The eternal question ... "It will not be colored or", "it will not pump or pump," I confess that my favorite reply is "the cauliflower to 1 kg sub will never approach that sold 10 in"
Well ... I'd say it does its job with good will, I do not find him unique color and without adjustment wild not especially effective pump ...
Now it's all about school, I find in some cases and I said well in some cases better than super high end stuff.
It is obviously subjective to the time of "over-compression" everywhere and on everything ...

OVERALL OPINION

I like that one, it starts to lag behind several years that more or less together but obviously the world is too small for us both.
Whatever I do, I find it everywhere and I know why:
Not very expensive, solid (after several falls during transport and a glass of whiskey / cola spilled on him by a charming assistant, he is still alive) and relative effectiveness, what more?
A Universal Audio compensate for my old 57 sm poorly positioned in front of the ugly singer?
Nah I'm kidding ...
I'm making the same choice without hesitation.

This is a compressor, but the gate and limiter are more practical.

UTILIZATION

Very easy to use, light switch practices. Note the notched Knob, which limit the sharpness of tuning (but at that price ...)

SOUND QUALITY

I did that for some time, and have not yet had the opportunity to really use it. However I tested it, and it is clear he is far from transparent.

A big worry to report: the simple act of connecting one output to the console and electrically connected sends a significant buzz in the sound! Even MDX2200 off!
This behavior is intolerable for me (ds compressor is connected to a rack and console permanently powered), I sought a solution. The outsourcing of the transformer power supply solved the problem. I do not think it's a problem but to wave interference between the sector (or ground) and output amplifiers on the MDX. The fact is that leaving the transformer to the buzz disappeared.

This buzz of power supply removed, bypassed nothing to say, but once you activate the channel, you'd almost turn an equation!
As Lenoir said in its opinion, it is not the tool's home studio demanding.
Anyway, in my case, for the price and use that I'll have (voice evening entertainment) are not killed.

OVERALL OPINION

For the price (especially used), it is a good device, with gate and practice independent limiters (minimum, but it helps out).
Live, where to bcp channel dynamics processor that can be fitted neatly enough for a small budget.
But I think his lack of transparency makes it unusable for complex signals, and also monitor instru serious impact because the color in my opinion much lower frequencies.

What are the effects, types of effects available?
What technology is used? (Analog, digital, tube ...)
Are they edited? Via a publisher Mac / PC?
What is the connection? (Audio / MIDI)
Is this a rack or rack-mount model?

UTILIZATION

The general configuration is simple?
Editing sounds and effects is easy?
The manual is clear and sufficient? ...

SOUND QUALITY

The effects are they effective, responsive and realistic enough


Which instruments do you use?
Which ones do you prefer, you hate?

OVERALL OPINION

For how long have you been using it?
I use it more because I invested in a model much higher in terms of compression.

What thing do you like most/least about it?
It is very easy to use

Did you try many other models before getting this one?
not

What is your opinion about the value for the price?
Interresting Used

Knowing what you know now, would you make the same choice?
Yes, it still has the opportunity to use it for voice or instrument whatsoever in the studio by repeating or to enhance live sound in particular.

+ + compressor limiter expander 2x1 channels for stereo linkable
side-chain
-10dBv / +4 dBu Input
orders are honest.

UTILIZATION

Manual clear
Simple config
edition ... bin there, it has a direct relationship with the next paragraph! NIL NIL NIL

SOUND QUALITY

!

Editing the sound is delicate PCQ this compressor is an effect "lo-fi" a compressor!
The deterioration of the sound is intolerable!

I have a config studio with electro synths and BAR hardwares, all that connected to my console.

I wanted to use it as an insert on my kicks Drumstation and I also tried the master of my console with a kick in the side-chain: the same low ratio and low threshold (without much in return, what) and regardless of the settings attack / release or even soft knee, lower frequencies are hot (and not an illusion, anyone can quickly realizing it) and there is a spike (a kind of "clack" or "peck" according to the settings) intolerable generated at each start of compression!

In summary, even with soft settings (almost no compression):
-Transient intolerable beginning of each compression
Completely hot-low frequencies (even with the optional SC FILTER enclanchée)
Bcp-raising too pronounced mids.

The only source with which it does not pose a major problem (as far as I've tried) is the voice. But again, it might help on the rock or other music that is not too thin!

OVERALL OPINION

I cry for 6 months now!

I tried several compressors (soft & hard) and I know how it rules!

What I like most ... er ... I see it!
What I like least: MDX 2200 Composer Pro!

This filth can not be resolved, IT MAY NOT DROP!
For me, it has served me throw 50 euros out the window! I can not even resell PCQ I feel scammed qq'un!

NIL NIL NIL!

Possibilities: Expander / Gate / Compressor / Limiter interactive upscale 2 channels.

Rack model. Analog technology.
Connectors: Jack, XLR
Using

UTILIZATION

for two mono tracks. Getting started is simple with easy to make adjustments.

Use to compress the signals of two tracks (songs) or release level amplifiers.

Within reach of any beginner who is starting a little sound.

SOUND QUALITY

Effects are notable but not extraordinary either.
The low-cut filter is useful in particular to avoid the drone. The peak limiter also work correctly.

But IKA compression Hard Knee is soft and slightly noticeable and feels little difference when changing settings.

The countervailing power loss is correct, but soon causes a feedback loop or saturation when you push too much.

OVERALL OPINION

Correct compressor for the price but this is the entry-level equipment.