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rollandh
Published on 12/21/09 at 03:53
Mono compressor comprehensive and compact.
XLR Connectors and input / output, which contrasts compared to other brand models.
The model is not rack mountable, it needs a suitable block (all models of FMR are like that though).
UTILIZATION
Simple manual in English though.
A bypass button, and a thick button to change the color of the compressor.
By pressing these 2 buttons at once you can access the functions of the sidechain of the compressor and the sync between 2 PBC.
Anyway, apart from the connection between two PBC and the sidechain that I have not used, the setting sounds like any compressor is: attack, release, knee, no threshold, however, but a button to drive the metering amount of signal that goes into compression.
SOUND QUALITY
Effects very effective. The vast difference from the plugin's musicality in (almost) all circumstances, and for spending in the Masters, the full respect of the spectrum including the low frequencies that most swallow the plugin still slightly pushing the compression.
Even in the extreme, it keeps a nice color.
I have not yet found a bug on the wrong settings, yet I am back in it on several occasions'.
It is immediately apparent that he loves, he is very comfortable in that situation as extreme soft position.
OVERALL OPINION
Used in recent months in small studio pro.
In fact I do not know much about the world of compressors because few opportunities to compare.
The color, however, a Urei or a Distressor is very recognizable. Here it is not exactly the same thing but I can assure you that the record is stunning. I can cite in this connection the words of a famous manufacturer "if it sounds good, it IS that good."
And this little there, it sounds very very very good.
Well the attack is slower than 1776, it is a vintage lamp color. Very effective on bass, voice, but also on percussion, drums, guitar, with this you'll understand a lot of instrumentals is now going through this unit and expanded emerge, accurate, musical.
Value for money now unbeatable in my ear and better, I do not even think to compare with others since I use it.
As soon as the means to me I can buy another for a stereo set.
It is truly regrettable that the French market has no distributor for this brand, offering high quality products at affordable rates when paying attention to budgets. That said there may be exclusive in the air for the European market: /
XLR Connectors and input / output, which contrasts compared to other brand models.
The model is not rack mountable, it needs a suitable block (all models of FMR are like that though).
UTILIZATION
Simple manual in English though.
A bypass button, and a thick button to change the color of the compressor.
By pressing these 2 buttons at once you can access the functions of the sidechain of the compressor and the sync between 2 PBC.
Anyway, apart from the connection between two PBC and the sidechain that I have not used, the setting sounds like any compressor is: attack, release, knee, no threshold, however, but a button to drive the metering amount of signal that goes into compression.
SOUND QUALITY
Effects very effective. The vast difference from the plugin's musicality in (almost) all circumstances, and for spending in the Masters, the full respect of the spectrum including the low frequencies that most swallow the plugin still slightly pushing the compression.
Even in the extreme, it keeps a nice color.
I have not yet found a bug on the wrong settings, yet I am back in it on several occasions'.
It is immediately apparent that he loves, he is very comfortable in that situation as extreme soft position.
OVERALL OPINION
Used in recent months in small studio pro.
In fact I do not know much about the world of compressors because few opportunities to compare.
The color, however, a Urei or a Distressor is very recognizable. Here it is not exactly the same thing but I can assure you that the record is stunning. I can cite in this connection the words of a famous manufacturer "if it sounds good, it IS that good."
And this little there, it sounds very very very good.
Well the attack is slower than 1776, it is a vintage lamp color. Very effective on bass, voice, but also on percussion, drums, guitar, with this you'll understand a lot of instrumentals is now going through this unit and expanded emerge, accurate, musical.
Value for money now unbeatable in my ear and better, I do not even think to compare with others since I use it.
As soon as the means to me I can buy another for a stereo set.
It is truly regrettable that the French market has no distributor for this brand, offering high quality products at affordable rates when paying attention to budgets. That said there may be exclusive in the air for the European market: /