Note : 10 sur 10
« Very transparent, forgives nothing »
Published on 10/31/11 at 02:51
Best value:
Excellent
Optical compressor mastering.
XLR connectors.
UTILIZATION
Not too simple configuration. Threshold fixed and variable input gain.
SOUND QUALITY
This compressor is very transparent, it is necessary to master mixes that are blameless and who have an interesting grain (that is to say that each track has already been properly colored équalisée and compressed).
It should also traking to compress a voice, or bass, for example.
There is no WYSIWYG for extreme-6dB is too many.
OVERALL OPINION
The device has a very good value for money, but it is comfortable in a configuration rather high-end, combined with other analog devices.
Do not invest in an mla-2 as the first compressor.
XLR connectors.
UTILIZATION
Not too simple configuration. Threshold fixed and variable input gain.
SOUND QUALITY
This compressor is very transparent, it is necessary to master mixes that are blameless and who have an interesting grain (that is to say that each track has already been properly colored équalisée and compressed).
It should also traking to compress a voice, or bass, for example.
There is no WYSIWYG for extreme-6dB is too many.
OVERALL OPINION
The device has a very good value for money, but it is comfortable in a configuration rather high-end, combined with other analog devices.
Do not invest in an mla-2 as the first compressor.