I use it for one month and I thank all who have an opinion DPOS before me, I was much aid for the choice.
I did not think a headphone could have such importance for the balance of a mix, I thought with my Genelec 1030 and my headphone Carrefour bought 30 euros I went out pretty plutt . Still I could see that I had a problem when I listened to my tracks other than at home (too low is unclear)
Anyway Dranga ca me too to the extent all this was going to remix in big studios.
O The first day I got it, I did not immediately understood what was happening.
I put the headphone and I found it comfortable.
Then I did and I never left RALIS Fully with a title, even without controlling the Genelec (I note in passing that we can work with for hours without being tired) .
The next day I come back fresh ears, and send the Genelec and I fall on my ass ... Everything sounds perfectly and not only on my speakers.
So to make sure I listen to the HD265 RALIS titles before buying it and of course I hear all dfaults as big as a house.
For me today I would say it is better to have a headphone that only good quality plutt costs with poor acoustics (which is my case)
I did not intend to buy a headphone and it was by chance that I am tomlb on the opinions of this site and started asking me questions.
Not having had the opportunity to compare it with other models of this award I think is the sutout port on the importance of having a headphone of this quality to arrange and mix a project.
Thanks to the HD265 I made a huge step towards the finished product home (well at least for small prods)