This is a copy tl Japanese body 2 pices of frnes, handle all 22 Saddle boxes.
Two microphones for dual Seymour Duncan PAF 59 in a serious and a hot rails aige.
Fittings, a fixed bridge bridges 6 and 6 mcaniques kind vintage.
CONTRL volume and tonal slecteur and 3 positions.

UTILIZATION

The handle is round and Troit, the key is lgrement bomb.
For me it's the IDAL, Access in Aiges is good thanks a cut on the body much thought.
The guitar is really comfortable, saw the muzzle to his right arm, in short, it is top.

SOUNDS

It is ultra versatile. I play good or not Benson's nomtal. But my plans for blues, funk, rock, country and hard, it's all good.
Plugs into a marshall, I come out wrong.
Its clear it is but I'm not more excited. (Because of the amp?)
But this is too much saturation on all mic positions.
The solos come out really well, incisive and prcis.
In aige was not the acidity of tl is in my opinion softer ear.

EDIT

It is a good tool to do everything. Not a guitar with all sounds, not to be confused.

OVERALL OPINION

I've had little time. But I found my Holy Grail. Sounds like cracked like.
With this guitar you can jou in a lot of style, just by varying the rglages.
Compar other guitars of Gibson, Fender, G & L, Godin, Ibanez of ...
It's one that I most comfortable playing to the sounds by Galit cons (in my heart) with the G & L.
And frankly, as always, Yamaha is the report qualitprix trs good.
If I had the same one as I achter deuxime, and I ngocierai to buy a beautiful tui.

EDIT

I had sold to pay my IMPT (as the least research c'tait collectors so I sacrifice) and I bought a rcemment. My opinion has not changed worse in hindsight I find it even better than I remembered.