pitore
Published on 07/04/07 at 02:31
85W lamps, two channels (see preceding)
Two HP
Booth output
Vibrato
Reverb
No distortion.
downside: the directivity of HP (phase problem?). Maybe some see an advantage?
UTILIZATION
Settings-simple. No need to book.
SOUNDS
Amp very typical (if any that are not) clear sound crystal-clear to be impressive and dynamic. Obviously we must raise the volume to enjoy it. I use a gibson nighthawk with a preamp and V-Twin mess (mainly for distortion). For jazz is just a bit brighter compared to the sound of muffled rigor but I like that sound. For the blues, blues / rock is just awesome (clear / overdrive / distortion). For reggea / dub, casseroles hell + reverb very / too deep. For metal, not to use the V-Twin ...
For more experimental music, the definition of sound is, I think, well suited
OVERALL OPINION
I bought 6 years ago ocaz 750 euros. It took me two years to choose my amp. I arpanté pigalle and the province. I broke too late for a groovetube (no longer produced). I enjoyed the classic pevey 30 W. But I preferred the clarity of his sound ...
The click when I got a salesman told me shut the door, you must try its distortion. Pushed back ...... it's too too good.
Of course, it is heavy, too powerful for a little training but once you are 6 or 7 to hit a little is good.
For two entries, I rarely use it by connecting two guitars. That said I do not know if it's a good idea because the volume of one depends on the volume of the other. It helps out.
A again, I turn towards a less powerful and more high end Fender or Rivera (if memory serves).
Two HP
Booth output
Vibrato
Reverb
No distortion.
downside: the directivity of HP (phase problem?). Maybe some see an advantage?
UTILIZATION
Settings-simple. No need to book.
SOUNDS
Amp very typical (if any that are not) clear sound crystal-clear to be impressive and dynamic. Obviously we must raise the volume to enjoy it. I use a gibson nighthawk with a preamp and V-Twin mess (mainly for distortion). For jazz is just a bit brighter compared to the sound of muffled rigor but I like that sound. For the blues, blues / rock is just awesome (clear / overdrive / distortion). For reggea / dub, casseroles hell + reverb very / too deep. For metal, not to use the V-Twin ...
For more experimental music, the definition of sound is, I think, well suited
OVERALL OPINION
I bought 6 years ago ocaz 750 euros. It took me two years to choose my amp. I arpanté pigalle and the province. I broke too late for a groovetube (no longer produced). I enjoyed the classic pevey 30 W. But I preferred the clarity of his sound ...
The click when I got a salesman told me shut the door, you must try its distortion. Pushed back ...... it's too too good.
Of course, it is heavy, too powerful for a little training but once you are 6 or 7 to hit a little is good.
For two entries, I rarely use it by connecting two guitars. That said I do not know if it's a good idea because the volume of one depends on the volume of the other. It helps out.
A again, I turn towards a less powerful and more high end Fender or Rivera (if memory serves).