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jules_th « excellent and not only jazz »
Published on 08/18/10 at 00:46see below, or see the website of Maurice Smith. Nothing to say, superbly manufactured assembled - and thought. In France, unbelievable, no? At a time of globalization, but not crowing just quality.
Instead of both high and low impedance inputs I installed a continuously variable impedance. A Knob whatever. And a reverb, it also manufactured with care in Cognac.
UTILIZATION
flush with that side, except that between the input impedance, the volume and tone was full of interesting possibilities ...
SOUNDS
I plugged this amp on two completely different types of guitars: a Dupont (yeah right ...) St. Louis, a new model that Maurice Dupont launches at this time based on the Gibson ES-125. A P-90 Lollar, easel. Its very very interesting.
... and a Telecaster "Plus De Luxe", 3 Lace Sensor pickups, which we think what we want - that's not the issue.
The amp responds to each of these guitars differently, warm and round with a small grain ideal for St. Louis, still hot but more "aggressive" with the Telecaster. So much so that the term "Jazz for this amp does not pay tribute to his adaptability.
One can add the pedals, even without effects loop, and distal small tube screamer type running surprisingly well ...
The tone settings are for many, which is also that we should find another name that "tone" - or perhaps it is that really the key.
OVERALL OPINION
It's been few months that I use, and house scene (of St. Louis), I did dub in concert. I added a fly-box custom made for a little over a hundred euros a box near Moissac (Bach).
I almost bought a Fender before Priceton, it was already 1000 euros, but we must look for what is: nothing that the speaker already. And then design, hand-sewn. And the fact that in 3 years (when you bought it, even) your Priceton, Fender does not care. While an amp like this, if you go to Cognac you talk to the guy who made it, with his passion and involvement. And that's worth the extra cost very heavily ...
Instead of both high and low impedance inputs I installed a continuously variable impedance. A Knob whatever. And a reverb, it also manufactured with care in Cognac.
UTILIZATION
flush with that side, except that between the input impedance, the volume and tone was full of interesting possibilities ...
SOUNDS
I plugged this amp on two completely different types of guitars: a Dupont (yeah right ...) St. Louis, a new model that Maurice Dupont launches at this time based on the Gibson ES-125. A P-90 Lollar, easel. Its very very interesting.
... and a Telecaster "Plus De Luxe", 3 Lace Sensor pickups, which we think what we want - that's not the issue.
The amp responds to each of these guitars differently, warm and round with a small grain ideal for St. Louis, still hot but more "aggressive" with the Telecaster. So much so that the term "Jazz for this amp does not pay tribute to his adaptability.
One can add the pedals, even without effects loop, and distal small tube screamer type running surprisingly well ...
The tone settings are for many, which is also that we should find another name that "tone" - or perhaps it is that really the key.
OVERALL OPINION
It's been few months that I use, and house scene (of St. Louis), I did dub in concert. I added a fly-box custom made for a little over a hundred euros a box near Moissac (Bach).
I almost bought a Fender before Priceton, it was already 1000 euros, but we must look for what is: nothing that the speaker already. And then design, hand-sewn. And the fact that in 3 years (when you bought it, even) your Priceton, Fender does not care. While an amp like this, if you go to Cognac you talk to the guy who made it, with his passion and involvement. And that's worth the extra cost very heavily ...