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Fryette Amplification PittBull Ultra-Lead
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Fryette Amplification PittBull Ultra-Lead
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heavy_donuts heavy_donuts
Published on 10/18/12 at 12:18
head 60/120 watt KT88 power.
3 channels
Finally, two and a half because lead and rhythm possde the same EQ.
paramtrique 6 EQ bands.
crankset 5 switch (lead, rhythm, boost, EQ, FXs)
I dtaillerai later.

the amp is standard, heavy, lugging breaks testicle because the weight is very poorly rpartit, and ugly as a bass amp. (I must admit, a bass amp is very ugly) so do not expect to have the class of a mesa stilleto or Bogner, but rather something simple type transistor FM of 80 years granny.

but all this is that "Dtail" compare the rest.

USE

The facade looks very complicated, but we made it fast.

possde each channel "options" supplmentaires using switches.
not actionable in feet (okay) once we have what is sought is not key.

the crankset it, not too big, not too heavy (the owners of Hughes and Kettner Triamp will recognize)
it is well DETAILEDREPORT for live, over 5 switches allow you to use the background amp comple.
we can change 3 channels, activate a boost for the rhythm and clean, assign EQ paramtrique desire to channel any prior notice using a button on the crankset and the FX loop.

there is also the choice of the loop effect In parallel or in series; the possibility of using rhythm and lead channels in high gain or not separately (has it's terrible).


Briefly, the amp is full without complex being. (Less than knobs on a powerball and easier rgler rectifer a) (I had 2)



SONORITS

I play with ESP nt2 horizon duncan sh2 / SH6 and also with a Fender Tele us.
in cabinet, I have a 4/12 mesa recto.

the clean is good without being excellent. clearly, we never have the sound of a hotrod.
is straight and stiff, and treble quickly go live.

the "bright" option is very powerful.
saying that this focus Nevertheless rest of very good quality. it is not a must, but ...

Rhythm channel is the versatile channel: playing with the boost and the normal option / hi gain distortion goes crunch a kind jcm 800 that oats.
the attack, the game is very ben restitution.

the lead, everyone knows what that means, do not bother to make a drawing.
to the metal, I use it in this way: gain third and tube screamer in faade.
the sound is very, very clean. I say own to attack the mathcore, technical death.
EQ paramtrique is very powerful, in only 6 bands can deform the his wish.
and this is the slap. adcoupe fucking! precision what ever ...
the only way to do better I think would be the combination of 2 amps (the usual config groups) for the studio and live.




NOTICE GLOBAL

I'm a fan, fan, fan.

it is the revelation of my life scratch. I finally found the holy grail of the distortion of a tube amp, the epitome of brutality.

What a surprise when I saw that live Vogg gratteu of the decapitated play with!

I played on marshall JMP1 / 9100 - Hughues kettner Triamp - engl powerball - peavey 6505 - mesa dual front.

this amp fills the expectations I had on others and smashes. That said, special mention for peavey Nevertheless remains the cream of raw amps for most.
much better than a whore correct then yes I can say now that I sold mine !!!
versatile as a powerball, easier to use and more prcis in equalos.
short, tastes and colors that can not be discussed, so no need to declare it the squabble of the strongest amps in the world.

I chopp on audiofanzine OCCAZ 1250 euros without power tubes. new is virtually untraceable, and it must dbourser 3300 euros. both say that I made a case for life.


I wish each of kiffer his amp so. stay power!