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Vadorr
Published on 02/21/05 at 06:37
The pramp has 5 lights. 4 12AX7, I think, and a grinder.
Two channels, a rhythm a lead. An equalizer that can trigger or not, but common to both channels. It's a shame. APRS, the buttons rglage traditional (treble, gain, bass)
A reverb effective.
Bonton of distortion can leave a clearer, or more fat.
Two direct outputs, two outputs studio, it has what it takes ... switch twice, one enters.
The machine is heavy: the price of quality. The knobs are NICKEL although the machine is ge. Everything is done to not move a muscle and does not move! felt the handmade. That's tough.
I put this note for equalo common.
UTILIZATION
When you turn the beast, it's something going on. The trick is present. As if the pramp wanted to be your scratch. The sound is round, with lots of body. It DGIG an impression of power. That's what it's like the high end.
I still look the manual ....
We must hack to find the sound. Everything important is not like a jcm 900 ... you touch a button and the whole is changed.
SOUNDS
The clean is trs beautiful, clear, transparent, "fenderien" some say. In short, beautiful. The best I've ever heard.
As for the cons disto I can not find my feet. I used only one hour. I play metal, and apparently it's not really made for a. I would not metallic but refrain, IDAL is not either. My guitar (a Gibson SG spcial) is given at least one tone and a half below normal, and the amp is feeble in the bass. This lack of saturation for "cash in" the power chords. When multiple notes are played with the left hand by not scratching once the cord, the machine eats carrment notes. a lack of DEFINITIONS, especially when making agreements voluntarily disharmonic, it leaves a slurry. The sound is bold trs, to the best of saturation results in a big crunch. On this point I'm from, which explains the note.
But note that I have not used the pedals in boost, and that I have used the bte on my all-tube Marshall. Not too much has to tell me ... I know. But in the current config I prfre distortion of the TSL 602. I have high expectations of the rack ...
The distortion is magnificent solos: you immediately find that the knobs of your scratches are something. When you make a bend or trmolo it seems that the sound is convulsed with pleasure, as if he were in alchemy with the guitar. Ms. neighbors have a cot against their orgasmic gr.
OVERALL OPINION
I'll come edit to say what I think a little later.
Two channels, a rhythm a lead. An equalizer that can trigger or not, but common to both channels. It's a shame. APRS, the buttons rglage traditional (treble, gain, bass)
A reverb effective.
Bonton of distortion can leave a clearer, or more fat.
Two direct outputs, two outputs studio, it has what it takes ... switch twice, one enters.
The machine is heavy: the price of quality. The knobs are NICKEL although the machine is ge. Everything is done to not move a muscle and does not move! felt the handmade. That's tough.
I put this note for equalo common.
UTILIZATION
When you turn the beast, it's something going on. The trick is present. As if the pramp wanted to be your scratch. The sound is round, with lots of body. It DGIG an impression of power. That's what it's like the high end.
I still look the manual ....
We must hack to find the sound. Everything important is not like a jcm 900 ... you touch a button and the whole is changed.
SOUNDS
The clean is trs beautiful, clear, transparent, "fenderien" some say. In short, beautiful. The best I've ever heard.
As for the cons disto I can not find my feet. I used only one hour. I play metal, and apparently it's not really made for a. I would not metallic but refrain, IDAL is not either. My guitar (a Gibson SG spcial) is given at least one tone and a half below normal, and the amp is feeble in the bass. This lack of saturation for "cash in" the power chords. When multiple notes are played with the left hand by not scratching once the cord, the machine eats carrment notes. a lack of DEFINITIONS, especially when making agreements voluntarily disharmonic, it leaves a slurry. The sound is bold trs, to the best of saturation results in a big crunch. On this point I'm from, which explains the note.
But note that I have not used the pedals in boost, and that I have used the bte on my all-tube Marshall. Not too much has to tell me ... I know. But in the current config I prfre distortion of the TSL 602. I have high expectations of the rack ...
The distortion is magnificent solos: you immediately find that the knobs of your scratches are something. When you make a bend or trmolo it seems that the sound is convulsed with pleasure, as if he were in alchemy with the guitar. Ms. neighbors have a cot against their orgasmic gr.
OVERALL OPINION
I'll come edit to say what I think a little later.