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ihshan « my guitar scene »
Published on 01/28/14 at 09:27manufacturing in France
floyd bridge under license ok but I'm not a pig on floyd therefore nag I do not know too
24 frets
one volume knob is all that is
on paper characteristics are envy, an original floyd and real microphones and it would be perfect
UTILIZATION
the handle is exceptional for me. I also thrashmaster a LAG with exactly the same handle. I love her profile, C thin enough, but not a breadboard so ibanez.
the frets are well finished, it does not hang from the first to the last cargo.
Access to acute is excellent, especially for a bolt-on neck, but the junction is profiled as the thrashmaster.
It is especially lightweight, making it a guitar really cut out for the stage, and then it look dam!
SOUNDS
I must admit that it sounds empty unless my thrashmaster let alone my the beast (yes I love lag). Certainly a matter of form, as the thrashmaster has a completely identical violin (mahogany body maple neck ebony fingerboard)
Once connected by against any worries, it has a good sustain and sounds heavenly. However, I've always had with the correct microphones, I've never had the original pickups. I got to start with a set of EMG (81 and 85), currently it is mounted with a X2n in Chavalet I will change to a box tone that sounds the death on my beast so I want to test.
I play on a Peavey Triple XXX and ultra sounds really metal, a bit too fat can be what pushes me to also test with a tone zone.
OVERALL OPINION
I have a great history with this guitar that I sold and regretted for years, and suddenly I had an archeology mission, I have found over the sellers that I had sold and I have acquired.
She is the sister of my thrashmaster making wiser and password everywhere, and I made my guitar center stage. To save him I still prefer my lag the beast, but it is the range above. And yet, sometimes I mix tracks with two guitars
I like its look, its lightness, its handle is really cut out for the guitar live.
floyd bridge under license ok but I'm not a pig on floyd therefore nag I do not know too
24 frets
one volume knob is all that is
on paper characteristics are envy, an original floyd and real microphones and it would be perfect
UTILIZATION
the handle is exceptional for me. I also thrashmaster a LAG with exactly the same handle. I love her profile, C thin enough, but not a breadboard so ibanez.
the frets are well finished, it does not hang from the first to the last cargo.
Access to acute is excellent, especially for a bolt-on neck, but the junction is profiled as the thrashmaster.
It is especially lightweight, making it a guitar really cut out for the stage, and then it look dam!
SOUNDS
I must admit that it sounds empty unless my thrashmaster let alone my the beast (yes I love lag). Certainly a matter of form, as the thrashmaster has a completely identical violin (mahogany body maple neck ebony fingerboard)
Once connected by against any worries, it has a good sustain and sounds heavenly. However, I've always had with the correct microphones, I've never had the original pickups. I got to start with a set of EMG (81 and 85), currently it is mounted with a X2n in Chavalet I will change to a box tone that sounds the death on my beast so I want to test.
I play on a Peavey Triple XXX and ultra sounds really metal, a bit too fat can be what pushes me to also test with a tone zone.
OVERALL OPINION
I have a great history with this guitar that I sold and regretted for years, and suddenly I had an archeology mission, I have found over the sellers that I had sold and I have acquired.
She is the sister of my thrashmaster making wiser and password everywhere, and I made my guitar center stage. To save him I still prefer my lag the beast, but it is the range above. And yet, sometimes I mix tracks with two guitars
I like its look, its lightness, its handle is really cut out for the guitar live.