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Jean-Yves 75
Published on 01/23/08 at 16:08
Best value:
Poor
No problem!
SUITABILITY/PERFORMANCE
1G RAM 500
dd: 250 G
Athlon
OVERALL OPINION
I use the same type of product for 4 months and the samples are great but not good there to eat and drink in the art of making instruments sound!
Features I like least:
The fltes are Nules and some wood (eg clarinet). Explanation: you do not feel the breath of the musician, the instrument mcanisme derrire and vibrato in the case of fltes.Le piano is zero, I prfre that of Steinberg and then it does not matter too much, it is better to take a numrique!
Good point: some samples are gigantic prsence. For example, all sets of strings, the string chamber. For brass, no question of making brass jazzouille! they are still brass orchestra and some are inflating the console.
Conclusion: I who habitu silent through the technique of sample E-MU 2 / 3, the margin of quality and thickness of sample is still working for the technicians who take the tune with these samples of Vienna . Therefore, if all samples had the quality of the sound recording of GForce M-Tron, I say ok!
Given the price lev Reserved for large studios if they have a minimum of derrire classical culture, such as: how the guy plays the bassoon and the connatre Difference between a horns and a bass trombone.
In short, the great intrt the trick is to arrange or deal with small groups and not so much to compose a symphony virtual because for this, the wallet in ralisations studio by far outnumbered in the box , so taking a sound quality homogne s'avre indispensable.
SUITABILITY/PERFORMANCE
1G RAM 500
dd: 250 G
Athlon
OVERALL OPINION
I use the same type of product for 4 months and the samples are great but not good there to eat and drink in the art of making instruments sound!
Features I like least:
The fltes are Nules and some wood (eg clarinet). Explanation: you do not feel the breath of the musician, the instrument mcanisme derrire and vibrato in the case of fltes.Le piano is zero, I prfre that of Steinberg and then it does not matter too much, it is better to take a numrique!
Good point: some samples are gigantic prsence. For example, all sets of strings, the string chamber. For brass, no question of making brass jazzouille! they are still brass orchestra and some are inflating the console.
Conclusion: I who habitu silent through the technique of sample E-MU 2 / 3, the margin of quality and thickness of sample is still working for the technicians who take the tune with these samples of Vienna . Therefore, if all samples had the quality of the sound recording of GForce M-Tron, I say ok!
Given the price lev Reserved for large studios if they have a minimum of derrire classical culture, such as: how the guy plays the bassoon and the connatre Difference between a horns and a bass trombone.
In short, the great intrt the trick is to arrange or deal with small groups and not so much to compose a symphony virtual because for this, the wallet in ralisations studio by far outnumbered in the box , so taking a sound quality homogne s'avre indispensable.