All user reviews for the TC-Helicon Correct XT

compressor, gate, antiFB, shape, compressor, pitch.
Note 10

UTILIZATION

simple configuration and easy editing.
Note 10

SOUND QUALITY

compressor anti feedback shape, gate are effective even if I do not use these two.
I have not used the pitch.
Note 9.

OVERALL OPINION

I use the correct XT to boost my gypsy guitar with a condenser mic AT PRO70 so via the XLR microphone input XT.
I really had problems with feedback to amplify my gypsy guitar. this couple micro AT PRO70 + TC Helicon Correct XT is really very good. anti feedback really plays his role well and the compressor also. I do not use neither the shape nor the pitch or the gate.
on the other hand here is a little expensive setup but I can amplify very comfortably in a deluxe fender amp HR without feedback.
Note 10.

Compressor, de-esser, EQ, EQ.
Everything necessary for correct singing oneself, in the form of "pedal".

All digital, XLR and Jack, XLR output jack double.

USB connector for firmware updates.

UTILIZATION

Very simple configuration, the name and function of the buttons is obvious.
Be careful to not want to push too hard the compressor, otherwise generate a feedback which will bypass the filter for this purpose.

SOUND QUALITY

Everything works great (it's still TC Helicon).
Sennheiser E835S my mates there regularly.

OVERALL OPINION

Used in small and repeated scenes, it will be tested in the machine local sound engineer on larger scenes to take it seriously when you tell him everything-to-go "all tape about noon, I'll handle the rest ... "

it's good to become master of his song ...

See data and instructions.

UTILIZATION

Extremely simple, not need the manual. No edition I think.

SOUND QUALITY

See below

OVERALL OPINION

First a clarification: I do not rate it, because I know nothing about singing and indeed I can not compare. I just give a feeling on this machine I use.

Well there is first the context: I do not pretend to be a "singer", I'm a scraper. And sometimes that pushes the song to accompany the guitar (yes, I know, usually the reverse).

So next gear, it's a little song cut issue: a microphone, an HP-type amplified stage monitor and voila.
Though I set as I wanted, or it was too serious or too sharp, or left it in feedback, and in any case, the sound was not clear enough to pass over the instruments.

On the same configuration, with just the CoorectXT and more ... was light.

All knobs at noon and the automatic features on it. This now passes the voice, and even well. It's not too serious, it's not too steep, it slams into the HP. Youpeee.
This gear is terrible for what it does.

The correction pitch now: Ya a lot of people who do not need, and who will watch very high by the poor, who use dung. But then, in a group, are musicians who sometimes push the song or the hearts and who, like me, have neither the desire nor the time to invest in singing lessons. So yes, it does help and it does a good job and it's not too intrusive if one does not push the knob too high.

It's really a good tool. And who can forget once in place, it is left over. I like.

Pre-amp
Compressor / de-esser
EQ
Chromatic Correction
Anti feedback

Firmware updatable via USB (I have not succeeded yet I am a computer scientist job)

Format pedal

All digital

XLR microphone connectors

UTILIZATION

Configuration ultra minimalist and that's good

Manual very clear

Easy use

SOUND QUALITY

Efficient compressor
Auto EQ bluffing
Effective color correction but this is not why I bought it.

Used with an AKG D7 and a Shure SM58.

I love the sound quality of the compressor and EQ. I like the anti feedback (feedback)
I like the least esser which tends to eat my intonation strong.

OVERALL OPINION

Very good product become almost impossible to find in France, I did not lie two dozen stores before found. (Marseille, Montpellier, Toulouse ... to finally buy the Place Pigalle in Paris).

I use it for one month in rehearsals and live. I have not had any problems for integration into the PA with sound engineer, he was amazed. I said "You put everything at noon with the comp to 15% and it has really made.

I have not had the opportunity to test many processor except a TC Helicon Voice "touch I do not know what" a real gas works and I see something wrong grind in front of my audience between songs ...

As I said earlier, I like the comp and EQ, and also the anti feedback.
that is my least favorite (I sing of metal and guttural screamé) is the fact that the strong esser eat my intonation. When you make guttural is not cool. The esser and the comp are on the same channel, so if we want good comp you are forced to type the esser ... A bit dumb but as a principle requires size pedal ...

It's still a very good material, a bit expensive. It is not the "Messiah" I expected but I think I was doing illusions before buying. Kind you plug and everyone turns around and say "Whoa! Your sound is wonderful." No no it better it's true but not wonderful.

With experience ... yes but certainly cheaper .. a quarter of potatoes for a pedal ... it's still a bit expensive for rendering.


Conclusion: Good but overpriced hardware.

Preamp / compressor suppressor feedback, pitch correction and noise gate all in a pedal format. She is also a direct box for guitar.
It is digital, an XLR mic input, instrument input jack, two XLR outputs, one for the microphone, the other for the instrument. There is also a USB connection for firmware update. It really is the preamp for a singer to be without démerder engineer. I put 10 because it has everything you need and nothing superfluous.

UTILIZATION

Operation is super simple. Before, I used a dbx 166a compressor, an anti larsen Roland the equalizer on my table and my preamp multi digitech vocal 300 effects. Needless to say it was bulky to transport and difficult to resolve for me who am not a sound engineer. I spent much time in books, forums and manuals, I tried various combinations, but I never reached a conclusive result.
Here in 5 minutes, I got a better result than anything I've experienced in 3 years.
Of course, purists will say you do not really control and that do not really know what you do, but the result is there.
Simple operation, I put 10!

SOUND QUALITY

The sound quality is just fantastic. With the function Warmth is added roundness and warmth to his voice. You can activate a noise gate to avoid the chopper noise. The Feedback Detection is super efficient. It works much better than my old roland af70 which was dedicated to it yet. As a result, we have a equalizer. I do not know exactly how it works, there is only one knob and a program button. It is an equalizer that constantly adapts to your voice. The knob is used to give the general direction you want (more acute, more serious) and it is the processor that does everything. If you select the Fit, the equalizer adapts well depending on your distance from the microphone. It's really very effective and the sound is great.
Comes after the party compression / de-esser. Again a single knob and a button. Personally, I use the knob to 12. It's very effective, much easier to adjust my dbx and the sound is really pushed in front of the mix.
Last part of the pitch corrector. Use in moderation, otherwise, the effects are weird, but it works pretty good. It can help in some cases where you have to hold a note for a long time if we voice a little tired. It does not transform a bad singer good singer, but it can help.
I put 9, I would just like to have a little more control over eq.

OVERALL OPINION

I use it for two days, but I was really amazed by the quality of the device. He replaced my compressor, my anti feedback. I plugged into my desk by putting all the knobs at 12 o'clock, I voice my n'utlise more than 300 effects. In fact, I sell my dbx and my anti feedback.

Maybe we can achieve a better result with a series of elements properly adjusted, but for those like me who have slaved because they do not fully mastered all the complicated stuff, it's the foot. In addition, live, hard to steer to the stage to turn a knob. There was just under the foot. It's really great.
I put 10!

this is not a gear that produces effects for the song, but it gives your voice a production studio.
pedal format, rather beefy
USB connection via your computer, including phantom power, if I plugged directly into the PA

UTILIZATION

is simple, and that's good, I do not fiddled for hours about the stuff.
To serve this function, just read the manual (which is also in French) manual clearly explained and not long to read (like when it's simple)

SOUND QUALITY

The effects are pretty effective I explain your vote will be brighter, more balanced and fair, I plug in a microphone SM58 above for the scene (also in rehearsal course) the sound of my voice is nikel as if it was amended by tons of rack a recording studio, the only serious drool over, and you have an anti-feedback (be the trigger) over every sentence I utter means superbly well, things change, I also used to clear throat singing.
If not indeed an equalizer that adapts to the vote, a compressor, a correct pitch (like a metronome for guitar except that it is for voice-can always be fair) a gate, an anti feedback and a die -esser which smooths the peaks and whistling with the compressor biensur.
footswitch to function separated TONE PITCH

OVERALL OPINION

and I use it for a week, otherwise I love everything about it, and especially its ease of use, I sort of mix with the group terribly
a tad expensive, but good for a singer was a wise investment