Pushing the Envelope - Ableton’s Jesse Terry Talks Live, Push, and What’s Next
After its introduction in 2001, Ableton Live grew rapidly into a major force in the world of music production software. While many of its major competitors at the time were bogged down with legacy features, struggling to integrate new technology with old code, Live was newly written from the ground up. It offered a fresh approach, combining real...
- 04/22/14Getting started
Buying an Audio Interface - Part 1 - Demystifying the Specs and Features of an Audio Interface
Shopping for an audio interface can be daunting, due to the countless models on the market and the variations in inputs, outputs, formats, maximum sampling rates, and numerous other specifications. The aim of this 2-part article is to demystify the subject to make it easier for you to figure out which interface best suits your needs.
- 04/20/14Getting started
Mastering at Home - Part 5 - How to Use EQ when Mastering — In Practice
The latest installment of our Mastering at Home series deals with some common situations when using an equalizer.
- 04/17/14Getting started
Tips for Better Soloing - Make Your Solos More Interesting and Musical
Whether you play guitar, keyboard, saxophone or any other lead instrument, there’s more to being a good soloist than just having chops and knowing riffs. Playing fast is great, but speed by itself doesn’t make you a good lead player. No matter the musical genre, if you analyze good solos, even if they’re fast and frenetic, you’ll most often find...
Classic Amps the EZ Way - A Review of Toontrack's Classic Amps EZmix Pack
Toontrack recently released a new collection of amp models with effects called the Classic Amps EZmix Pack, which can be opened as presets in the company's EZmix 2 software. How do these emulations stand up in the competitive amp-modeling category?
- 04/14/14Getting started
Why Headroom is Important - Keep Your Levels Down and Your Headroom Up, and Your Music Will Sound Better
You’ve probably heard the term “headroom” thrown around a lot. What it is, essentially, is a margin of safety between the loudest peaks of your track — or tracks, in the case of a mix — and 0 dB on your DAW’s meter, where your signal starts to clip and digital distortion can rear its ugly head. The difference between the peaks and 0 dBFS is your...
- 04/11/14Getting started
Mastering at Home - Part 4 - How to Use EQ In Mastering — The Theory
In mastering, EQing could be your best friend or your worst enemy. Which of the two depends on your grasp of the word: subtlety!
- 04/09/14Getting started
Mixing: A 12-Step Program - A Helpful Approach for Efficiently Mixing Music
Here at Audiofanzine, we’ve covered many individual aspects of mixing, and offered detailed information on what to do in preparation for a mix. But we've also gotten requests for an overview of the entire mixing process. The problem is that there is no “right” way to mix; every mixer does things somewhat differently. Keeping that in mind, here's...
- 04/07/14Getting started
Learn From Other Mixes - How to Analyze a Mix
Just like painting, photography and, obviously, music — mixing is an art in itself. And, as such, it also requires some training.
- 04/05/14Getting started
Protect Your Hearing - Don't let your ears get damaged by high sound levels onstage
Did your ears ever ring after you played a gig, and not stop for a day or two? Now imagine that same scenario, but the ringing never stops. Pretty scary, right? And that's not an uncommon circumstance. Ringing in your ears, which is called "tinnitus," is only one of the occupational issues musicians face from repeated exposure to high sound pres...
Some of the results are not available here, please refine your search.