yes DJ7 the rack is in 19 ", however the connectors located under the table and this dernire with a large chest, you should be deep enough flycase (150mm minimum) or opt for a fly with prsentation the table height and 45 indoor minimum of 130mm. (small tip: I use RCA, XLR and Jack sew the rear of the table)
It features seven slices (2 channels / slice) with two microphones are only feature (/ line), all in all it is possible to connect three microphones, line level 9 peripherals 2 CD players with minimum (maximum 7), two vinyl turntables, sailed to the entries.
its connectivity is the professional standard: readers RCA, XLR mic in, line-edged DJ1 and DJ2 Jack in 6.35, other lines in the RCA, 2 XLR outputs Stros format and a single format (back cab for example) by Jack 6.35.
correction by a triple and classical (low, midum, high) that trs effective, the choice of beaches frequency drives is exceptional for this type of product and production era (a cut as well that some current products, but does not kill like a Rane example, do not ask for the moon either).
there is an insert effect by DJ Micro (2) bote your welcoming effect in Jack and 6.35 which is the commissioning order faade forward by push button.
last dtail a push button under the table to enable or disable support of the masses of turntables, his intrt is that you can connect your son mass (ground) on a other means of dlestage to avoid the effect of rumble encountered many times when a mass goes into a loop, especially if all your devices are connected to a single line and even electric.

UTILIZATION

The configuration of this table is simple and offers only the Elementals required to set a disco or animation gnraliste: gain, triple correction, cost-per pr, fader start (on Jack 6.35) for 5 bands, voice over for 2 slices and microphones DJ1 DJ2 with rglages time of attacks and degree of intervention, indpendant gain for each output (3 total), balance on each Stereo output, and the icing on the cake famous rglage discosound Freevox patent by reinforcing the bass without attnuer the rest of the spectrum (a kind of intelligent loudness, the Listen it make you want to you give the vinyl, lol).
the headphone output as it offers a pre-normal costs, with accumulation of source or split (a source in the right ear, the sound output in jou left work without good for trs d store next door).
each rglage intervenes potentiomtre rotating each select (tracks, sources etc.) push button.
the linear potentiomtre communment calls "fader" are "ALPS" 110mm and 120mm stroke oc, which allows to perform determinations prcis mix at a tempo ( IDAL for techno, trance, house etc ...) in addition to srigraphie per proposes a stopping the fader 0dB to avoid any saturation between (very effective on large system I), leaving a margin of 30mm, however, so before reaching the full opening of the knob.
all functions are simple and accessible faade by Dj.
the manual is sufficient for dpouill and Technical Specifications of implementation, especially for those who employ the fader ® religion-starts etc ...

SOUNDS

In any case the sound state of the table is excellent and rarely itch, even current products can shadow him on this point except a few manufacturers (Rane, Allen & Heath Amix; dpourvus but all are the famous "discosound" discovering absolutely '80Srules type 'in the search engine Dailymotion)
the sound is crystalline and dnu any parasite, but it is nevertheless a breath trslger trs high level in the headset pr-cost and when you play the part silent pr cdent The beginning of your paths for fans of vinyl (as well say that this level of costs in your headphone, your tomorrow you deaf, lol).
correction per trs is effective in the cutting of frequencies and dynamics in the mix it provides is extraordinary.

OVERALL OPINION

I use this for a year DJ7 (Dj purchase a mobile enthusiast, too), but I used this brand (DJ6 V.2, Club DJ) o the era j'officiais club in 1987 1993 vis a vis in Power "PMP403"
the most: the discosound (you must really listen, it's powerful set trs electronics and funk), 100mm faders for precision mixes and Linares in gain, Systm prcoute complete and correct by.
Cons: until now I do not see the beasts of effects, pfff. I learned not mix and that's good, tired of hearing the effects galore and every second in the bedroom "DJs" that make noise and not the mix for some (learn to use your hardware Read the instructions and manuals).
I tried Pioneer (DJM600, sold three years ago) and I also currently a possde Rane "TTM57 sl" for other reasons, but this remains for me Freevox trs a good working tool, among the best and some of my former collgues always are mixing in their club complment "DJM800" is a sign!.
this product can not be used or found that clearance, the best qualitprix is ​​for me a SrieII made in France, of course! in very good state, as far as Aesthetics of operation, for a fee of approximately Euro 900 maximum (prfrez opportunities for mobile DJs or amateur, as the smoky clubs taient trs once).
I would not repeat that choice, because once a product is purchased virtually indestructible if used and maintained properly.
In addition, yes, I do it again if I continue this choice mixer, as it should with a supper and crativit effect.