«  FRO »

She is Australian, the Australian pine wood and the builder offers it without finishing. It is rough around the edges. Caution must be like ... it marks the slightest touch, even light. It is not too agreements often requires re-tuning.

UTILIZATION

The handle is very good. Excellent ergonomics making it one of the nicest guitars I've played for 40 years (gibson, martin, taylor, Fouquet)
She is not heavy, but attention given its size, it's best to be a bit big to play with on stage ... No cutaway, therefore, access to treble is reduced.
Beware frets, they're huge, they must be sanded, and attention to string height, there also must be a setting in the neck luthier to lower them if we hope to play at the top of the handle solo.

SOUNDS

The sound is very disappointing when not connected. The sound is muffled. It is quite surprising given the size of the fund. Even with a pick, it looks more .. Most comes from it is connected. Very powerful and well balanced. Again, one of the best sounds, so I believe my experience. Attention to feedback on stage. It is better to cap off the rose.

OVERALL OPINION

I played 6 months before selling, sold off, because nobody wanted it. Anybody who were tried were stopped by his shabby not connected. I think that the amplification system is its main asset. The 2 pickups are really good. Not connected, it is really insufficient. And when we play on stage, people spend their time to give it.
It is better to opt for more expensive models, made with wood more noble than the Australian pine, which must be good for making boomerangs MDR .....