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Epiphone PR-7E
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Epiphone PR-7E

Acoustic-electric Folk/Western guitar from Epiphone belonging to the PR series

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thiervin thiervin
Published on 05/21/05 at 11:01
Value For Money : Excellent
MODEL nS 96040002. Fabrication? I would go for the Coren, but without putting my hand in fire. However, the manufacture for treating trs era (late 1990: 96 APRS to the serial number?) Suggests to me that this is not a chinoiserie (Taiwan or for that matter) ... 21 Frets, sensor and prampli Shadow (here dnom Epi 5) with volume, bass, treble, medium and possibility of modulating them in frquence, + light or battery 9 V Complete the classic era but now. (Ni feedback suppression or tuner Intgr Bridge trs also with a conventional attaching ropes no less classic. Trs beautiful and effective mcaniques (3X2) Gotoh bicolor. (Dores and chrome) The neck is mahogany with rosewood fingerboard and abalone taken in I think. I put a good 9 / 10 because the guitar is beautiful (Sunburst Orange with a box made of Saddle "ondquot; superb. The proper violin Corenne provide, somewhat in the style Crafter.

UTILIZATION

Channel quite enjoyable. I managed to string enough rgler prs of the handle and hit the bars do not pose a problem. Please note this handle is not too late (or type fender acoustic Yamaha for example) if you try one of Takamine EN 10, cel comes close slightly and the relative thickness is not a problem of all. A bit like if you spent a Gibson Ibanez electric one, if you know what I mean, a surprise a little dpart but you get it well. Good Access in acute, excellent ergonomics and excellent comfort of the small thickness of cash. It's great, it almost seems to play a gibson 335 or any other type of semi-hollow electric elsewhere. Sound: Trs important of course ... Pure acoustics: not terrible terrible actually ... It sounds a little folk with little serious and a little gypsy (This is more fun). Once a branch is good and trs ca restores the quality of the violin. In addition, little or no feedback.

SOUNDS

I play a bit in all styles, but let's say, acoustic, folk and ballads plutt Goldman Cabrel Voulzy and stuff like that if you see ... For this type of ziq not bad. We can make some inroads in jazz ca not go wrong but the basic quality of the guitar stand (more acute and severe than high mdiums however). The blues also passes without problem. In Ralite branch once I insist on it, this skyscraper is versatile trs. I prcise I have a nice little amp, but very cheap (Ibanez Troubadour 25 WATTS) I put 8 / 10 because I place on a level with my Galit Corenne Fender DG 22. The effect, depending on the cut, I put a little chorus or a bit of Dlay for "fill" the sound space and it works well. Caution is not TAYLOR MARTIN or not, must not RVer ... But I think it is worth some 500 Takamine or Yam. On occasion, because it must be manufactured more ca can be a good plan trs.

OVERALL OPINION

I wanted to give my opinion on this scratch because I did not found on this MODEL. I try to be the most prcis and "honnte. So, I use the scratch for 4 years. I wanted to sell it to buy a high enough lctro range by Martin, Taka or Yam, but for the price that I might learn ... In short, I care and I play another time. It does not dsaccorde and as the body is mass should still improve. Anyway j'espre (Laughter. ..) I said, I especially like his easily be played, its excellent ergonomics and good prampli. J 'MODELS'd try a few before trying it and I possdais a pure high-end Yamaha acoustic (Made in china though) I bought this PPE occas around 2000 CHF (For the nine double) the era, so if you find a 300 or 350 on occasion is a good plan as I mentioned above. I would do this choice because the time I needed a electro CHRE little and it did not due ... I put a good 8 / 10 because I usually enough to note STRID, 9 or 10 As the guitars Reserved Top Level. GO ziq all good.