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Lâg Tramontane T333JCE
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All user reviews for the Lâg Tramontane T333JCE

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  • Pakal OnePakal One

    but happiness!

    Lâg Tramontane T333JCEPublished on 12/20/11 at 15:55
    (This content has been automatically translated from French)
    Franaise guitar made in China (if you want the Lag made in France are planning to invest 2.5 times)
    Jumbo body shape
    mahogany neck rosewood fingerboard 21 boxes
    preamp studiolag

    UTILIZATION

    A friend lent me a north wind for the weekend, I jou over two hours, I stopped five minutes and then I cry "I want one !!!!!!"
    It is very pleasant to play, sounded beautifully, it's too much
    its a bit hollow in the medium-low (it is frequent that parrait on jumbos) but once the branch studiolag any rule

    SOUNDS

    be all that can be played on a folk

    OVERALL OPINION

    We are husbands for two years and "until death do us part", or, in real bastard, I never left for a "y…
    Read more
    Franaise guitar made in China (if you want the Lag made in France are planning to invest 2.5 times)
    Jumbo body shape
    mahogany neck rosewood fingerboard 21 boxes
    preamp studiolag

    UTILIZATION

    A friend lent me a north wind for the weekend, I jou over two hours, I stopped five minutes and then I cry "I want one !!!!!!"
    It is very pleasant to play, sounded beautifully, it's too much
    its a bit hollow in the medium-low (it is frequent that parrait on jumbos) but once the branch studiolag any rule

    SOUNDS

    be all that can be played on a folk

    OVERALL OPINION

    We are husbands for two years and "until death do us part", or, in real bastard, I never left for a "young girl" end of the workshops of Lag Bedarieux (yes I know, it ' is despicable)
    Custom is my first "real" guitar but I had the opportunity to try many other guitars (elctriques, semi-hollow, classical, folk, Fender, Gibson, Ibanez, Aria, and in many Asian brands ) and for short: Lag is too much
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  • iancurtisiancurtis

    Lâg Tramontane T333JCEPublished on 04/16/09 at 05:18
    (This content has been automatically translated from French)
    • Tramontana head, rosewood with maple logo
    • mechanical oil bath, black satin
    • Graphite Nut, 43 mm
    Rod adjustment • Two-way
    • Neck Mahogany satin gold finish, sculpted heel original Lag
    • Rosewood button Indonesia, linseed oil finish
    • 20 frets, nickel-silver, medium
    Table • Solid Red Cedar
    • Tramontana rosette to cross Occitan
    Back & Sides • Mahogany (black finish) with nets rosewood, maple and mahogany
    Rosewood bridge • Indonesia
    • Saddle Tusq Compensated
    • Clear satin finish
    • Elixir Strings
    Electronics • STUDIOLÂG with microphone preamp Nanomag

    UTILIZATION

    Purchased after long hesitation with the Winter Series 400 I could try them simultaneously …
    Read more
    • Tramontana head, rosewood with maple logo
    • mechanical oil bath, black satin
    • Graphite Nut, 43 mm
    Rod adjustment • Two-way
    • Neck Mahogany satin gold finish, sculpted heel original Lag
    • Rosewood button Indonesia, linseed oil finish
    • 20 frets, nickel-silver, medium
    Table • Solid Red Cedar
    • Tramontana rosette to cross Occitan
    Back & Sides • Mahogany (black finish) with nets rosewood, maple and mahogany
    Rosewood bridge • Indonesia
    • Saddle Tusq Compensated
    • Clear satin finish
    • Elixir Strings
    Electronics • STUDIOLÂG with microphone preamp Nanomag

    UTILIZATION

    Purchased after long hesitation with the Winter Series 400 I could try them simultaneously and make my choice.
    The heat of the 333 Tramontana convinced me even if the handle is more comfortable on the 400 Winter.
    Aesthetics and unparalleled range of sounds that is well worth the guitars of famous brands sold sometimes twice.
    I only regret that LAG did not think to add a "neutral" position rotary switch which replaces the equalizer. Position 3 reflects for me the best sound "natural" to this marvel.
    Mini Jumbo is very pleasant to learn, not too heavy for an electric.

    SOUNDS

    From low to high through mediums that guitar is perfectly balanced.

    The perfect compromise for a versatile guitar that both acoustic electronica.

    I play on a 65W Carlsbro Sherwood StudioLag system and greatly facilitates the settings.

    OVERALL OPINION

    I would recommend this guitar to anyone who wants to have fun playing guitar on a beautiful original look.
    Matt lacquer finish of the finest afect
    No decision-head with versatile EQ and complex.
    Playing with comfort and sound equivalent to high-end guitars for a price more than correct.
    The only regret is the lack of pickguard which is vulnerable to the blows of the table picks a bit snug.
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