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iancurtis
Published on 04/16/09 at 05:18
• Tramontana head, rosewood with maple logo
• mechanical oil bath, black satin
• Graphite Nut, 43 mm
Rod adjustment • Two-way
• Neck Mahogany satin gold finish, sculpted heel original Lag
• Rosewood button Indonesia, linseed oil finish
• 20 frets, nickel-silver, medium
Table • Solid Red Cedar
• Tramontana rosette to cross Occitan
Back & Sides • Mahogany (black finish) with nets rosewood, maple and mahogany
Rosewood bridge • Indonesia
• Saddle Tusq Compensated
• Clear satin finish
• Elixir Strings
Electronics • STUDIOLÂG with microphone preamp Nanomag
UTILIZATION
Purchased after long hesitation with the Winter Series 400 I could try them simultaneously and make my choice.
The heat of the 333 Tramontana convinced me even if the handle is more comfortable on the 400 Winter.
Aesthetics and unparalleled range of sounds that is well worth the guitars of famous brands sold sometimes twice.
I only regret that LAG did not think to add a "neutral" position rotary switch which replaces the equalizer. Position 3 reflects for me the best sound "natural" to this marvel.
Mini Jumbo is very pleasant to learn, not too heavy for an electric.
SOUNDS
From low to high through mediums that guitar is perfectly balanced.
The perfect compromise for a versatile guitar that both acoustic electronica.
I play on a 65W Carlsbro Sherwood StudioLag system and greatly facilitates the settings.
OVERALL OPINION
I would recommend this guitar to anyone who wants to have fun playing guitar on a beautiful original look.
Matt lacquer finish of the finest afect
No decision-head with versatile EQ and complex.
Playing with comfort and sound equivalent to high-end guitars for a price more than correct.
The only regret is the lack of pickguard which is vulnerable to the blows of the table picks a bit snug.
• mechanical oil bath, black satin
• Graphite Nut, 43 mm
Rod adjustment • Two-way
• Neck Mahogany satin gold finish, sculpted heel original Lag
• Rosewood button Indonesia, linseed oil finish
• 20 frets, nickel-silver, medium
Table • Solid Red Cedar
• Tramontana rosette to cross Occitan
Back & Sides • Mahogany (black finish) with nets rosewood, maple and mahogany
Rosewood bridge • Indonesia
• Saddle Tusq Compensated
• Clear satin finish
• Elixir Strings
Electronics • STUDIOLÂG with microphone preamp Nanomag
UTILIZATION
Purchased after long hesitation with the Winter Series 400 I could try them simultaneously and make my choice.
The heat of the 333 Tramontana convinced me even if the handle is more comfortable on the 400 Winter.
Aesthetics and unparalleled range of sounds that is well worth the guitars of famous brands sold sometimes twice.
I only regret that LAG did not think to add a "neutral" position rotary switch which replaces the equalizer. Position 3 reflects for me the best sound "natural" to this marvel.
Mini Jumbo is very pleasant to learn, not too heavy for an electric.
SOUNDS
From low to high through mediums that guitar is perfectly balanced.
The perfect compromise for a versatile guitar that both acoustic electronica.
I play on a 65W Carlsbro Sherwood StudioLag system and greatly facilitates the settings.
OVERALL OPINION
I would recommend this guitar to anyone who wants to have fun playing guitar on a beautiful original look.
Matt lacquer finish of the finest afect
No decision-head with versatile EQ and complex.
Playing with comfort and sound equivalent to high-end guitars for a price more than correct.
The only regret is the lack of pickguard which is vulnerable to the blows of the table picks a bit snug.