Canadian Manufacturing
21 frets, micro quantum EQ II
Table pica massive funds and wicker covers solid rosewood, mahogany neck, rosewood fingerboard

And is maaaagniiiifiiiique!

UTILIZATION

Handle typical of the brand (my quatrime, and probably my DEFINITIONS)
Access in acute trs ais because of the cutaway
Gnrale good ergonomics, the object "is well in hand"
perfect finish (like all Canadians, for that matter)

And the sound ...

SOUNDS

Ideally suited my style (folk) The bass / treble / mdiums s'quilibrent perfectly without prdominance particulire of a frequency drives; the guitar is trs prcise, heat Bass and mdiums, crystal highs ...

Unplug, average power, but sufficient, because the depth and width of the spectrum envelop enough (I do not know if I am clear trs, l but I can not find other words)

Perfectly versatile (arpges, picking, agreements to brosss mdiator, everything goes without problem) particulirement enjoyable dli fingers into play, where one feels a subtle musicality .

Also comfortable playing (well, the handle must love Seagull can be daunting to some, either love or you excreta, I'm a fan, so forcment subjective - I have big fingers and There's a place ..

I like also the "depth" of his gnral (of the very massive).

Branch (in the studio console) has sent an open well and many Dfine

OVERALL OPINION

I've had about 6 months.
I love everything I evokes above.
I have tried many other models before, during, and APRS (I can still compare home since I also a 00,016 GT and MARTIN NORMAN B18, both are excellent dernires also - especially Martin - but that's another mind - especially MARTIN. bis).

SEAGULL (which I am a fan) the proceeds of any excellent fawn guitars, whatever the MODEL (and everyone can not be said so ...), but the top.

I also like Simon & Patrick (the woodland SPRUCE cutaway A 3.2, a rgal too!)
NORMAN, and even Art & Lutherie (from scratch for great guitars so-called study), but that's another story ...