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Avilla « Multipurpose »
Published on 12/23/11 at 14:43Transistor amplifier (60 W)
Face (left to right):
Channel 1:
Input High / Low (impdance)
Clip / Gain / Colour / Bass / Middle / Treble
Between 6.3 mm jack. Switch to the sensitivity dajuster dentre. High (high impdance): only for instruments quipsdun pizo sensor. Low (low impdance) pramplificateurs active team of instruments and microphones magntiques. Indicator of saturation. CONTRL dentre level. Mdiums contour filter. CONTRL serious. Mdiums of CONTRL. CONTRL treble.
Channel 2:
Input Line / Mic
Clip / Gain / Bass / Treble / Eff. Pan / Select / Return / Power / Master
With combination XLR and XLR jack 6.3 mm mle. Switch to the sensitivity dajuster dentre. Line: sources with line level, instruments with active and pramplificateurs magntiques microphones, Mic: Microphone symtrique fantme powered 30V. Indicator of saturation. CONTRL dentre level. CONTRL serious. CONTRL treble. CONTRL distribution of effects between the two channels. Switch to two programs deffet (rverbration, rverbration / time limit). Levels of CONTRL leffet house. Indicator of power. CONTRL gnral volume level.
Rear (left to right):
Phones / Tuner / Line-out / DI-Out / Send / Return / F / S Power
Headphone output. Tuner Output APRS Master the CONTRL. Output (line) pramplificateur the APRS CONTRL Tone with effect from the APRS and CONTRL Master (this output can be used to lenregistrement). XLR (DI) APRS to the CONTRL Tone but no effect and before the Master CONTRL. Output for external gnrateur deffet. Between gnrateur deffet for external or other source, eg CD. Footswitch connection for a double with which the effects can be enabled / disables. Switch mains with fuse compartment (1A slow).
UTILIZATION
Configuration extremely simple!
I have a version of the manual in French quite clear to those who know the minimum amplification.
Moreover, the basic use (voice, guitar, for example) is quite intuitive and it's almost plug / play. The knobs are fairly standard across: Gain, EQ, effects, effects pan (to add or remove in one of two channels), effect level (I MODEL old with only one option rverb or a single option with Dlay rverb) and master. There are some switches to change the imput in low / high (impdance) or if line / mic on channel 2. A troisime options for both effects.
There are good sound quite easily!
SOUNDS
This amp should totally my style of music.
I play plutt of MPB (Popular Music brsilienne), but not that of bossa and samba. So I use the guitar mainly nylon, with enough rhythm Submitted (many samba-funk, samba-rock, the more traditional genres as well, finally a broad range of rhythms and styles brsiliens). has meant that I dj branch of the voice and guitar Scheer (amplifies Obviously), but also percussion instruments with mic clip, violin rustic micro- contact, and even bass in situations galres o bassist did not take his amp!
And plays! The small bbte is really versatile! Obviously dpend this context and I do not mean that it replaces a bass amp. Far from the but the question is that for small spaces with prsentations plutt informal and quiet (small rception or bar), it works well in gnral trs for voice and guitar in particular.
And that's not all because I use it also as a return of both DI and scne, especially for rabeca (rustic violin), and my guitar (but not the two branches together of course).
For instruments (from line), this little amp is spcial for Electroacoustic guitar, especially for nylon strings. So my case, my choice lpoque do.
I use a Godin Multiac and sound from the amp is more than simply correct. It gives us back what we play.
For microphones and instruments including voice, those prfrent effects, color or warm voice or anything like that, it is better to take a further option pedals or amp. It gives back a sound quite right.
I bought long ago for playing in small bars, and for this it is very well. Not just in terms of sound but also for the practicable (lightweight, no clutter and powerful enough to be heard without breaking the ears of customers ct of the amp).
OVERALL OPINION
I have over 10 years (it is the old models), bought used a friend.
Adj He traveled extensively and took shots of yours forever.
Excellent voice and guitar to play in small spaces without major compromises.
But it is really versatile because I use it for some time for plutt scne as a return and DI. And this is the "most" because the analog signal processor AER Compact 60 is a dot limit, a subsonic filter and enhancer. In short, a means for Godin, just like the guitars piezo magntique dots capture the clicks of the attack of the fingers, mdiateurs or nails are partially limitsdj the source. This can be really embtant for some styles of music (with distortion, for example), but with a guitar Electroacoustic capture piezo gnral it is an asset. Just an EQ pedals and you're jou. You could almost open hand dun compressor. In any case, no longer exclusively dpend possibilities of hardware (table mix, etc.) o rooms you play for this kind of problem rgler frquent enough.
I certainly would do the same choice.
Face (left to right):
Channel 1:
Input High / Low (impdance)
Clip / Gain / Colour / Bass / Middle / Treble
Between 6.3 mm jack. Switch to the sensitivity dajuster dentre. High (high impdance): only for instruments quipsdun pizo sensor. Low (low impdance) pramplificateurs active team of instruments and microphones magntiques. Indicator of saturation. CONTRL dentre level. Mdiums contour filter. CONTRL serious. Mdiums of CONTRL. CONTRL treble.
Channel 2:
Input Line / Mic
Clip / Gain / Bass / Treble / Eff. Pan / Select / Return / Power / Master
With combination XLR and XLR jack 6.3 mm mle. Switch to the sensitivity dajuster dentre. Line: sources with line level, instruments with active and pramplificateurs magntiques microphones, Mic: Microphone symtrique fantme powered 30V. Indicator of saturation. CONTRL dentre level. CONTRL serious. CONTRL treble. CONTRL distribution of effects between the two channels. Switch to two programs deffet (rverbration, rverbration / time limit). Levels of CONTRL leffet house. Indicator of power. CONTRL gnral volume level.
Rear (left to right):
Phones / Tuner / Line-out / DI-Out / Send / Return / F / S Power
Headphone output. Tuner Output APRS Master the CONTRL. Output (line) pramplificateur the APRS CONTRL Tone with effect from the APRS and CONTRL Master (this output can be used to lenregistrement). XLR (DI) APRS to the CONTRL Tone but no effect and before the Master CONTRL. Output for external gnrateur deffet. Between gnrateur deffet for external or other source, eg CD. Footswitch connection for a double with which the effects can be enabled / disables. Switch mains with fuse compartment (1A slow).
UTILIZATION
Configuration extremely simple!
I have a version of the manual in French quite clear to those who know the minimum amplification.
Moreover, the basic use (voice, guitar, for example) is quite intuitive and it's almost plug / play. The knobs are fairly standard across: Gain, EQ, effects, effects pan (to add or remove in one of two channels), effect level (I MODEL old with only one option rverb or a single option with Dlay rverb) and master. There are some switches to change the imput in low / high (impdance) or if line / mic on channel 2. A troisime options for both effects.
There are good sound quite easily!
SOUNDS
This amp should totally my style of music.
I play plutt of MPB (Popular Music brsilienne), but not that of bossa and samba. So I use the guitar mainly nylon, with enough rhythm Submitted (many samba-funk, samba-rock, the more traditional genres as well, finally a broad range of rhythms and styles brsiliens). has meant that I dj branch of the voice and guitar Scheer (amplifies Obviously), but also percussion instruments with mic clip, violin rustic micro- contact, and even bass in situations galres o bassist did not take his amp!
And plays! The small bbte is really versatile! Obviously dpend this context and I do not mean that it replaces a bass amp. Far from the but the question is that for small spaces with prsentations plutt informal and quiet (small rception or bar), it works well in gnral trs for voice and guitar in particular.
And that's not all because I use it also as a return of both DI and scne, especially for rabeca (rustic violin), and my guitar (but not the two branches together of course).
For instruments (from line), this little amp is spcial for Electroacoustic guitar, especially for nylon strings. So my case, my choice lpoque do.
I use a Godin Multiac and sound from the amp is more than simply correct. It gives us back what we play.
For microphones and instruments including voice, those prfrent effects, color or warm voice or anything like that, it is better to take a further option pedals or amp. It gives back a sound quite right.
I bought long ago for playing in small bars, and for this it is very well. Not just in terms of sound but also for the practicable (lightweight, no clutter and powerful enough to be heard without breaking the ears of customers ct of the amp).
OVERALL OPINION
I have over 10 years (it is the old models), bought used a friend.
Adj He traveled extensively and took shots of yours forever.
Excellent voice and guitar to play in small spaces without major compromises.
But it is really versatile because I use it for some time for plutt scne as a return and DI. And this is the "most" because the analog signal processor AER Compact 60 is a dot limit, a subsonic filter and enhancer. In short, a means for Godin, just like the guitars piezo magntique dots capture the clicks of the attack of the fingers, mdiateurs or nails are partially limitsdj the source. This can be really embtant for some styles of music (with distortion, for example), but with a guitar Electroacoustic capture piezo gnral it is an asset. Just an EQ pedals and you're jou. You could almost open hand dun compressor. In any case, no longer exclusively dpend possibilities of hardware (table mix, etc.) o rooms you play for this kind of problem rgler frquent enough.
I certainly would do the same choice.