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ZikosLilleAn amplifier for electro convenient and nice as a floor
Published on 02/01/13 at 07:50 (This content has been automatically translated from French)Transistor amp for electric guitar acoustic tilt for use as a stage monitor, 30 Watts, a chorus of good quality and reverb;
Connections: Guitar input jack, a microphone input jack, XLR input for microphone. Line two outputs (Left and Right), a footswitch input.
Settings: volume for guitar, microphone volume, 3-band EQ, adjustable speed and depth of chorus, reverb setting.
UTILIZATION
Simple configuration, I did not read the manual.
With an electro-acoustic guitar sound is easy to obtain, the settings are effective.
With a microphone to dub another amp sound is also quite easy to obtain.
Singing with a microphone is not terrible but the amp is not made for it, but I tested...…
Connections: Guitar input jack, a microphone input jack, XLR input for microphone. Line two outputs (Left and Right), a footswitch input.
Settings: volume for guitar, microphone volume, 3-band EQ, adjustable speed and depth of chorus, reverb setting.
UTILIZATION
Simple configuration, I did not read the manual.
With an electro-acoustic guitar sound is easy to obtain, the settings are effective.
With a microphone to dub another amp sound is also quite easy to obtain.
Singing with a microphone is not terrible but the amp is not made for it, but I tested...…
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Transistor amp for electric guitar acoustic tilt for use as a stage monitor, 30 Watts, a chorus of good quality and reverb;
Connections: Guitar input jack, a microphone input jack, XLR input for microphone. Line two outputs (Left and Right), a footswitch input.
Settings: volume for guitar, microphone volume, 3-band EQ, adjustable speed and depth of chorus, reverb setting.
UTILIZATION
Simple configuration, I did not read the manual.
With an electro-acoustic guitar sound is easy to obtain, the settings are effective.
With a microphone to dub another amp sound is also quite easy to obtain.
Singing with a microphone is not terrible but the amp is not made for it, but I tested the feedback occurs very quickly, we feel that the frequencies are not suited to this use. A low volume that troubleshoots for singing, no more.
I've used it with two guitars plugged into the guitar input and microphone input in a Jam is a robust beast, it holds up without worry. sound power is more than sufficient for use in training acoustic and transplanting back stage.
SOUNDS
The sound of the guitar is returned, the brightness is ensured by the piezo tweeter and the speaker is sending. the chorus is very nice, the reverb is good too. the amp is a bit of a sound travel, but this is not typical for electro acoustic amp is high quality.
OVERALL OPINION
I used it from 2007 to 2009 but I'm using the plus.Je nevertheless retains its value as used is low and as stated above back stage it remains convenient. I no longer need acoustic amp so long I do'm not used to it but it is still there and reappeared from time to time to help with the micro and transplanting.
The Tolex is poorly finished on the bottom of mine, he is off and it's tough, but not stiffened with glue recoverable. I stapled on the bottom, and you see nothing is better than seeing the Tolex than on the side.
It is very robust, a little heavy and bulky (back stage) but the advantages make the medicine go down. The best feature is the position back stage that allows even direct play good sound diffusion, no need to tweak it a very diffuse.
I do not redeem it today because I do not use it enough but I do not regret it did a good job at the time.
Connections: Guitar input jack, a microphone input jack, XLR input for microphone. Line two outputs (Left and Right), a footswitch input.
Settings: volume for guitar, microphone volume, 3-band EQ, adjustable speed and depth of chorus, reverb setting.
UTILIZATION
Simple configuration, I did not read the manual.
With an electro-acoustic guitar sound is easy to obtain, the settings are effective.
With a microphone to dub another amp sound is also quite easy to obtain.
Singing with a microphone is not terrible but the amp is not made for it, but I tested the feedback occurs very quickly, we feel that the frequencies are not suited to this use. A low volume that troubleshoots for singing, no more.
I've used it with two guitars plugged into the guitar input and microphone input in a Jam is a robust beast, it holds up without worry. sound power is more than sufficient for use in training acoustic and transplanting back stage.
SOUNDS
The sound of the guitar is returned, the brightness is ensured by the piezo tweeter and the speaker is sending. the chorus is very nice, the reverb is good too. the amp is a bit of a sound travel, but this is not typical for electro acoustic amp is high quality.
OVERALL OPINION
I used it from 2007 to 2009 but I'm using the plus.Je nevertheless retains its value as used is low and as stated above back stage it remains convenient. I no longer need acoustic amp so long I do'm not used to it but it is still there and reappeared from time to time to help with the micro and transplanting.
The Tolex is poorly finished on the bottom of mine, he is off and it's tough, but not stiffened with glue recoverable. I stapled on the bottom, and you see nothing is better than seeing the Tolex than on the side.
It is very robust, a little heavy and bulky (back stage) but the advantages make the medicine go down. The best feature is the position back stage that allows even direct play good sound diffusion, no need to tweak it a very diffuse.
I do not redeem it today because I do not use it enough but I do not regret it did a good job at the time.
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Tech. sheet
- Manufacturer: Washburn
- Model: WA30
- Category: Acoustic-Electric Guitar Amplifiers
- Added in our database on: 05/21/2005
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Other categories in Guitar amplification
Other names: wa 30