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defrey « The must »
Published on 01/05/11 at 10:46I use this mic on a guitar gypsy, a Spanish folk and a lute. This micro adapts to these different instruments with the same quality.
I used it after trying many models: from Schertler Basik, the FWF magneton, piezo cells. I even had sabotaged a micro Pro Mag with Di Marzio.
The Dyn-G is located directly on the table using an adhesive paste blue. Do not hesitate to tweak and find the place on the table that will allow for better sound resolution. Once found, you connect the XLR, which is at the end of a cable (very fragile!) Of about 1.50m or directly to an amp or a DI, or directly on a table (with the help of cable).
The sound is a rare fidelity. Anyone who could get along with me confirmed this impression. Personally, I do not separate, I installed this final version (DYN-L) on one of my guitars, I keep it for the lute and folk or to troubleshoot potential musicians. The guitarist with whom I play also adopted the coup.
Price level, it is slightly expensive but you keep it long ...
I used it after trying many models: from Schertler Basik, the FWF magneton, piezo cells. I even had sabotaged a micro Pro Mag with Di Marzio.
The Dyn-G is located directly on the table using an adhesive paste blue. Do not hesitate to tweak and find the place on the table that will allow for better sound resolution. Once found, you connect the XLR, which is at the end of a cable (very fragile!) Of about 1.50m or directly to an amp or a DI, or directly on a table (with the help of cable).
The sound is a rare fidelity. Anyone who could get along with me confirmed this impression. Personally, I do not separate, I installed this final version (DYN-L) on one of my guitars, I keep it for the lute and folk or to troubleshoot potential musicians. The guitarist with whom I play also adopted the coup.
Price level, it is slightly expensive but you keep it long ...