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Published on 12/18/05 at 15:39 (This content has been automatically translated from French)
4 inputs of high-quality preamps with high-quality Jensen transformers in and out!
input range of +32 dB to-32dB, (with a gain of up to 80dB)
48V phantom, 12V T-phase reversible
the pan pot for each, cutting down two positions super effective!
One of the very rare mixer equipped with standard P & G fader!
full of trick the meters on the right
two outputs left / right symmetric XLR3M-20dB
two outputs left / right asymmetrical TAF3M-18dB
output mix out asymmetric TAF3M-18dB
an input bus TAF3M-5dB 20 kOhms
an independent monitoring P & G-12dB
a complete connection camera recorder and return two outputs 10-pin standard (SQN, EAA, Sound device ,...)-20dB
an output...…
input range of +32 dB to-32dB, (with a gain of up to 80dB)
48V phantom, 12V T-phase reversible
the pan pot for each, cutting down two positions super effective!
One of the very rare mixer equipped with standard P & G fader!
full of trick the meters on the right
two outputs left / right symmetric XLR3M-20dB
two outputs left / right asymmetrical TAF3M-18dB
output mix out asymmetric TAF3M-18dB
an input bus TAF3M-5dB 20 kOhms
an independent monitoring P & G-12dB
a complete connection camera recorder and return two outputs 10-pin standard (SQN, EAA, Sound device ,...)-20dB
an output...…
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4 inputs of high-quality preamps with high-quality Jensen transformers in and out!
input range of +32 dB to-32dB, (with a gain of up to 80dB)
48V phantom, 12V T-phase reversible
the pan pot for each, cutting down two positions super effective!
One of the very rare mixer equipped with standard P & G fader!
full of trick the meters on the right
two outputs left / right symmetric XLR3M-20dB
two outputs left / right asymmetrical TAF3M-18dB
output mix out asymmetric TAF3M-18dB
an input bus TAF3M-5dB 20 kOhms
an independent monitoring P & G-12dB
a complete connection camera recorder and return two outputs 10-pin standard (SQN, EAA, Sound device ,...)-20dB
an output stage breathtaking!
with very soft limiters, adjustable triggering level and threshold and release (internal pots)
8 runs on batteries LR06 (10-12 hours of service) or 11-28 volts DC with an entry XLR4
UTILIZATION
Solid, sturdy, go anywhere
easy to use, user friendly, ergonomic, everything is to wear, without confusion, that simple switch, fader who cash, equity and bases resistant and very resistant aluminum knobs.
we had dreamed Cooper did it!
Manuel clear precise, with all the diagrams
SOUNDS
This gives a listening very soft, transparent, clear, sybiline on psuissante dynamic, but without a hand blows open the whole bottom bracket has a bottom! nothing!
Agrees very versatile micro variables of the Sennheiser MKH series Neumann U87, no worries.
no equalization
a first-6dB 70Hz low cut
a reinforcement of low cut-6dB 140Hz
giving pure number;
THD + N: 0.01%
20-20 kHz THD: Typ. 0.005%
EIN (150 ohms) (20-20 kHz): -128 dBu
EIN (150 ohms) "A" WT'D: -130 dBu
OVERALL OPINION
I did not take as much pleasure deriére a mixer!
a rare moment, made for my ears!
After you try or use mixers, Shure (FP series ever) the Sony Digital (a gas plant and fuck a EAA (very old), a mix of 2000 EATA any electronic pretty but fragile, and the 3 SQN 4, RA 42 SONOSAX very well, Russians and a Czech
I tried the cooper in disbelief and very septic, that was 8 years ago in reportage or documentary since it leaves me more ...
If it again, I buy the closed eyes and spend less time with other materials that do not suit me ...
input range of +32 dB to-32dB, (with a gain of up to 80dB)
48V phantom, 12V T-phase reversible
the pan pot for each, cutting down two positions super effective!
One of the very rare mixer equipped with standard P & G fader!
full of trick the meters on the right
two outputs left / right symmetric XLR3M-20dB
two outputs left / right asymmetrical TAF3M-18dB
output mix out asymmetric TAF3M-18dB
an input bus TAF3M-5dB 20 kOhms
an independent monitoring P & G-12dB
a complete connection camera recorder and return two outputs 10-pin standard (SQN, EAA, Sound device ,...)-20dB
an output stage breathtaking!
with very soft limiters, adjustable triggering level and threshold and release (internal pots)
8 runs on batteries LR06 (10-12 hours of service) or 11-28 volts DC with an entry XLR4
UTILIZATION
Solid, sturdy, go anywhere
easy to use, user friendly, ergonomic, everything is to wear, without confusion, that simple switch, fader who cash, equity and bases resistant and very resistant aluminum knobs.
we had dreamed Cooper did it!
Manuel clear precise, with all the diagrams
SOUNDS
This gives a listening very soft, transparent, clear, sybiline on psuissante dynamic, but without a hand blows open the whole bottom bracket has a bottom! nothing!
Agrees very versatile micro variables of the Sennheiser MKH series Neumann U87, no worries.
no equalization
a first-6dB 70Hz low cut
a reinforcement of low cut-6dB 140Hz
giving pure number;
THD + N: 0.01%
20-20 kHz THD: Typ. 0.005%
EIN (150 ohms) (20-20 kHz): -128 dBu
EIN (150 ohms) "A" WT'D: -130 dBu
OVERALL OPINION
I did not take as much pleasure deriére a mixer!
a rare moment, made for my ears!
After you try or use mixers, Shure (FP series ever) the Sony Digital (a gas plant and fuck a EAA (very old), a mix of 2000 EATA any electronic pretty but fragile, and the 3 SQN 4, RA 42 SONOSAX very well, Russians and a Czech
I tried the cooper in disbelief and very septic, that was 8 years ago in reportage or documentary since it leaves me more ...
If it again, I buy the closed eyes and spend less time with other materials that do not suit me ...
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Tech. sheet
- Manufacturer: Cooper Sound Systems, Inc
- Model: CS 104
- Category: Analog Mixers
- Added in our database on: 12/18/2005
We have no technical specifications for this product
but your help will be much welcomed
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Other names: cs 104, cs104