Tech. sheet
- Manufacturer: DDA
- Model: Serie Q
- Category: Analog Mixers
- Other names:serie q, serieq
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User reviews
5.0/5(1 reviews)
5
100 %
Bruno REYEXCELLENT!
Published on 03/28/11 at 13:43 (This content has been automatically translated from French)A 32/8/2 120kg Rackable is NOT
- By: XLR mic and XLR line. insert send and return, direct out to be controlled from the 1 if you want.
- 8 to BUT only 6 simultaneous (ie 1 & 2 OR 3 & 4) with EQ: Hi & Lo shelf, and a sweepable mids
- 8 groups (or subgroups), 4 matrix outputs and 8 line inputs mono (or 4 stereo) to be routed directly to the mix, either to the group that is on the same slice
UTILIZATION
Operation is simple, but some excellent functions require us to dig a little head.
The manual is in English ... Me, I'm fine. Hyper detailed.
SOUNDS
Yes, the console is transparent, when the equalizer ... Let us not forget that she called "Q Series", which means that a large...…
- By: XLR mic and XLR line. insert send and return, direct out to be controlled from the 1 if you want.
- 8 to BUT only 6 simultaneous (ie 1 & 2 OR 3 & 4) with EQ: Hi & Lo shelf, and a sweepable mids
- 8 groups (or subgroups), 4 matrix outputs and 8 line inputs mono (or 4 stereo) to be routed directly to the mix, either to the group that is on the same slice
UTILIZATION
Operation is simple, but some excellent functions require us to dig a little head.
The manual is in English ... Me, I'm fine. Hyper detailed.
SOUNDS
Yes, the console is transparent, when the equalizer ... Let us not forget that she called "Q Series", which means that a large...…
Read more
A 32/8/2 120kg Rackable is NOT
- By: XLR mic and XLR line. insert send and return, direct out to be controlled from the 1 if you want.
- 8 to BUT only 6 simultaneous (ie 1 & 2 OR 3 & 4) with EQ: Hi & Lo shelf, and a sweepable mids
- 8 groups (or subgroups), 4 matrix outputs and 8 line inputs mono (or 4 stereo) to be routed directly to the mix, either to the group that is on the same slice
UTILIZATION
Operation is simple, but some excellent functions require us to dig a little head.
The manual is in English ... Me, I'm fine. Hyper detailed.
SOUNDS
Yes, the console is transparent, when the equalizer ... Let us not forget that she called "Q Series", which means that a large design work was done on the EQ!
Having worked for quite some time, I love the rotary knobs slightly notched, which allows ultra precise restoration.
No breath, or rather quite normal when you open ANY ..
OVERALL OPINION
I know for 20 years.
I worked with Soundcraft 1S, the 400B, 800B, 8000, 6000, VIENNA, Series 4, MH4 ... and all the Yamaha, Midas (especially early in the 70's) and Co. .. but really, I love the DDA ..
What I like least is its weight!! But once it's up ....
I would do this choice without hesitation. "The attempt is to rediscover the sound. A dash of EQ just ...
- By: XLR mic and XLR line. insert send and return, direct out to be controlled from the 1 if you want.
- 8 to BUT only 6 simultaneous (ie 1 & 2 OR 3 & 4) with EQ: Hi & Lo shelf, and a sweepable mids
- 8 groups (or subgroups), 4 matrix outputs and 8 line inputs mono (or 4 stereo) to be routed directly to the mix, either to the group that is on the same slice
UTILIZATION
Operation is simple, but some excellent functions require us to dig a little head.
The manual is in English ... Me, I'm fine. Hyper detailed.
SOUNDS
Yes, the console is transparent, when the equalizer ... Let us not forget that she called "Q Series", which means that a large design work was done on the EQ!
Having worked for quite some time, I love the rotary knobs slightly notched, which allows ultra precise restoration.
No breath, or rather quite normal when you open ANY ..
OVERALL OPINION
I know for 20 years.
I worked with Soundcraft 1S, the 400B, 800B, 8000, 6000, VIENNA, Series 4, MH4 ... and all the Yamaha, Midas (especially early in the 70's) and Co. .. but really, I love the DDA ..
What I like least is its weight!! But once it's up ....
I would do this choice without hesitation. "The attempt is to rediscover the sound. A dash of EQ just ...
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