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yohda
Published on 10/06/05 at 08:39 (This content has been automatically translated from French)
The Cwejman S1 MK2 is a semi-modular analog synth mono 5 units high with all the controls on the front and some behind gate input and cv (in addition to traditional power cords (with interuptor 115 or 220V), midi and audio ( in jack or XLR)).
Very compact and looks very simple and neat.
willingness modules and jack (at the bottom so as not to be gn by cables)
one lfo but complete: trigger, rate, amplitude, slewed sample and hold (2 slew speeds)
dadsr two ultra fast and percussive to cre complex of revolutions (by combining and delaying one of two with the delay eg.) moreover it is fully controlled with cv. Two trigger noon dclancher indpendament both dadsr.
two filters that...…
Very compact and looks very simple and neat.
willingness modules and jack (at the bottom so as not to be gn by cables)
one lfo but complete: trigger, rate, amplitude, slewed sample and hold (2 slew speeds)
dadsr two ultra fast and percussive to cre complex of revolutions (by combining and delaying one of two with the delay eg.) moreover it is fully controlled with cv. Two trigger noon dclancher indpendament both dadsr.
two filters that...…
Read more
The Cwejman S1 MK2 is a semi-modular analog synth mono 5 units high with all the controls on the front and some behind gate input and cv (in addition to traditional power cords (with interuptor 115 or 220V), midi and audio ( in jack or XLR)).
Very compact and looks very simple and neat.
willingness modules and jack (at the bottom so as not to be gn by cables)
one lfo but complete: trigger, rate, amplitude, slewed sample and hold (2 slew speeds)
dadsr two ultra fast and percussive to cre complex of revolutions (by combining and delaying one of two with the delay eg.) moreover it is fully controlled with cv. Two trigger noon dclancher indpendament both dadsr.
two filters that sounds full and ultra trs differ in appearance: a 24/36 db and 24 dB lowpass quasibandpass and multimode 12/24/36 db lowpass, HIPASS bandpass with a mixer for each shuffled signals. Each of the mixer, when you put several signals substance saturates way diffrent
more distortion trs fat and warm
the prepatchage is very well thought: FM of CSOs, two sync (2 osc per osc1; OSC3 by OSC2) envs combinations of filters for the vca
MIDI converter cv Intgr fairly complete controllable by a small software (downloadable on the manufacturer's website)
UTILIZATION
Gnrale the config is very easy to access when you know the analog synthesis.
The edition also remains simple, despite the flexibility of the machine.
I find that the configuration functions using the Fast Fashion inspires new ides (at least in my case).
The manual is very well RALIS and pens, complete with diagram and all the technical numbers corresponding to the values of cv, and diffrent CHARACTERISTICS of each module.
SOUNDS
The sounds are varied trs is this synth is suitable for a lot of music because it can diffrent CRER a great diversity of sound. trs expression is good, the converter Intgr rpondant the VLOC aftertouch, mod wheel ...
The most impressive for me (aside from its ability synthtiser trs percussive sounds) is in the fact that it can both trs sound sweet (like fine dlicat) or tr s aggressive (or trs big, warm, pais) and be comfortable every time.
The big plus I think it's the filters that sound beautifully in all circumstances.
Moreover, when combined sound can REALLY become standard and trs diffrent combinations are expressive and provide access both sound "vintage" like others who are r solute no.
OVERALL OPINION
I do not use it since trs long few weeks but I am won over by his FLEXIBILITY possibility of sculpture and sound through the filters. I compared my other synths: studio electronics, evolver, kawai 100f-s and by far the one that allows me to achieve and crushing sounds I like.
Even if it is true that it is quite expensive (2550 euros in constructor that is helpful and trs trs rpond quickly to e-mail) I think he REALLY is and The report price is good quality.
Exprience with this choice I would do without hsiter, it remains for me to take advantage of its modularity to expand a little (I heard that prpar Cwejman modules ind for to broaden its product range available)
I have been anywhere the maximum because I think nothing is perfect in this world ...
Very compact and looks very simple and neat.
willingness modules and jack (at the bottom so as not to be gn by cables)
one lfo but complete: trigger, rate, amplitude, slewed sample and hold (2 slew speeds)
dadsr two ultra fast and percussive to cre complex of revolutions (by combining and delaying one of two with the delay eg.) moreover it is fully controlled with cv. Two trigger noon dclancher indpendament both dadsr.
two filters that sounds full and ultra trs differ in appearance: a 24/36 db and 24 dB lowpass quasibandpass and multimode 12/24/36 db lowpass, HIPASS bandpass with a mixer for each shuffled signals. Each of the mixer, when you put several signals substance saturates way diffrent
more distortion trs fat and warm
the prepatchage is very well thought: FM of CSOs, two sync (2 osc per osc1; OSC3 by OSC2) envs combinations of filters for the vca
MIDI converter cv Intgr fairly complete controllable by a small software (downloadable on the manufacturer's website)
UTILIZATION
Gnrale the config is very easy to access when you know the analog synthesis.
The edition also remains simple, despite the flexibility of the machine.
I find that the configuration functions using the Fast Fashion inspires new ides (at least in my case).
The manual is very well RALIS and pens, complete with diagram and all the technical numbers corresponding to the values of cv, and diffrent CHARACTERISTICS of each module.
SOUNDS
The sounds are varied trs is this synth is suitable for a lot of music because it can diffrent CRER a great diversity of sound. trs expression is good, the converter Intgr rpondant the VLOC aftertouch, mod wheel ...
The most impressive for me (aside from its ability synthtiser trs percussive sounds) is in the fact that it can both trs sound sweet (like fine dlicat) or tr s aggressive (or trs big, warm, pais) and be comfortable every time.
The big plus I think it's the filters that sound beautifully in all circumstances.
Moreover, when combined sound can REALLY become standard and trs diffrent combinations are expressive and provide access both sound "vintage" like others who are r solute no.
OVERALL OPINION
I do not use it since trs long few weeks but I am won over by his FLEXIBILITY possibility of sculpture and sound through the filters. I compared my other synths: studio electronics, evolver, kawai 100f-s and by far the one that allows me to achieve and crushing sounds I like.
Even if it is true that it is quite expensive (2550 euros in constructor that is helpful and trs trs rpond quickly to e-mail) I think he REALLY is and The report price is good quality.
Exprience with this choice I would do without hsiter, it remains for me to take advantage of its modularity to expand a little (I heard that prpar Cwejman modules ind for to broaden its product range available)
I have been anywhere the maximum because I think nothing is perfect in this world ...
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61
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le barde
Published on 04/18/08 at 10:47 (This content has been automatically translated from French)
Synth Rack 5 units.
3 oscillators which can be used in an LFO.
LFO 1
2 Gnrateurs envelope
2 DIFFERENT bus to two filters, although sr is little to SERIES.
Ring modulator
Midi connection, various input-output CV, 6.35 mm audio output jack (asymtrique) or XLR (symtrique)
No effect.
mono mono
Utility (used by Windows) to assign a CONTRL changes on a CV so, five possible assignments 2 with CV output on mini-jack.
UTILIZATION
APRS dballe have a looked a little rough as ergonomics, but we just spend a little time makes case for Settings, then the logic is more visual qu'vidente.
It happens easily have its first sound, then it's hours and hours exploring the bte and...…
3 oscillators which can be used in an LFO.
LFO 1
2 Gnrateurs envelope
2 DIFFERENT bus to two filters, although sr is little to SERIES.
Ring modulator
Midi connection, various input-output CV, 6.35 mm audio output jack (asymtrique) or XLR (symtrique)
No effect.
mono mono
Utility (used by Windows) to assign a CONTRL changes on a CV so, five possible assignments 2 with CV output on mini-jack.
UTILIZATION
APRS dballe have a looked a little rough as ergonomics, but we just spend a little time makes case for Settings, then the logic is more visual qu'vidente.
It happens easily have its first sound, then it's hours and hours exploring the bte and...…
Read more
Synth Rack 5 units.
3 oscillators which can be used in an LFO.
LFO 1
2 Gnrateurs envelope
2 DIFFERENT bus to two filters, although sr is little to SERIES.
Ring modulator
Midi connection, various input-output CV, 6.35 mm audio output jack (asymtrique) or XLR (symtrique)
No effect.
mono mono
Utility (used by Windows) to assign a CONTRL changes on a CV so, five possible assignments 2 with CV output on mini-jack.
UTILIZATION
APRS dballe have a looked a little rough as ergonomics, but we just spend a little time makes case for Settings, then the logic is more visual qu'vidente.
It happens easily have its first sound, then it's hours and hours exploring the bte and traffic routing in the possible DIFFERENT.
The edition can be easy, but it can also be complicated .. it's a modular, if an oscillator is connected to the output is not complicated on the other hand can patch a little while on anything, and we start laughing.
Namely it is a semi-modular, the modules are pre-patch, and change routings using the cables mini-jack.
The mini-jacks are INTERESTED in terms of ergonomics, but looks more fragile.
of. com, must be a super tough ct.
But hey, it's a bte 2800 euros, we will not go there like an idiot.
English manual well damn, it rpondu me every time I asked him qqchose.
SOUNDS
Not much sound do with all that I have had the hands forward.
(All kinds of VA, virusC, G2 Clavia, Waldorf Q ..) In the same time as the Cwejman, a friend told me a prt Andromeda A6 and 777 FutureRetro .. it is clear, the analog has charm.
The sound is fat, feed, and it has coos of candy for the ear. I spent hours turning the BTE, and even if we abuse ... has still sounds good ... Ms when it's dirty.
Well, it's a monophonic synth, single and without effects, so the work is not the same as a plugin that gives you something coutable with over 36 effects. The work is the source, and that's what I was looking for something dry and coarse.
I am Fully served.
I am a techno DIFFERENT styles, electro, psytrance, chillout, and also a little trip-hop.
OVERALL OPINION
I use it for just over six months.
The most: the sound, the sound, the possibilities for the source of its Fast Fashion
Cons: when you start with a, it becomes dpendant, and we would like to have a cockpit of analog modules.
I bought without trying I read a lot of things before acqurir, and I knew I could not be of.
Sr, the quality award. But hey, if you want to do a good job, we achte the right tools.
I would do this choice, absolutely!
3 oscillators which can be used in an LFO.
LFO 1
2 Gnrateurs envelope
2 DIFFERENT bus to two filters, although sr is little to SERIES.
Ring modulator
Midi connection, various input-output CV, 6.35 mm audio output jack (asymtrique) or XLR (symtrique)
No effect.
mono mono
Utility (used by Windows) to assign a CONTRL changes on a CV so, five possible assignments 2 with CV output on mini-jack.
UTILIZATION
APRS dballe have a looked a little rough as ergonomics, but we just spend a little time makes case for Settings, then the logic is more visual qu'vidente.
It happens easily have its first sound, then it's hours and hours exploring the bte and traffic routing in the possible DIFFERENT.
The edition can be easy, but it can also be complicated .. it's a modular, if an oscillator is connected to the output is not complicated on the other hand can patch a little while on anything, and we start laughing.
Namely it is a semi-modular, the modules are pre-patch, and change routings using the cables mini-jack.
The mini-jacks are INTERESTED in terms of ergonomics, but looks more fragile.
of. com, must be a super tough ct.
But hey, it's a bte 2800 euros, we will not go there like an idiot.
English manual well damn, it rpondu me every time I asked him qqchose.
SOUNDS
Not much sound do with all that I have had the hands forward.
(All kinds of VA, virusC, G2 Clavia, Waldorf Q ..) In the same time as the Cwejman, a friend told me a prt Andromeda A6 and 777 FutureRetro .. it is clear, the analog has charm.
The sound is fat, feed, and it has coos of candy for the ear. I spent hours turning the BTE, and even if we abuse ... has still sounds good ... Ms when it's dirty.
Well, it's a monophonic synth, single and without effects, so the work is not the same as a plugin that gives you something coutable with over 36 effects. The work is the source, and that's what I was looking for something dry and coarse.
I am Fully served.
I am a techno DIFFERENT styles, electro, psytrance, chillout, and also a little trip-hop.
OVERALL OPINION
I use it for just over six months.
The most: the sound, the sound, the possibilities for the source of its Fast Fashion
Cons: when you start with a, it becomes dpendant, and we would like to have a cockpit of analog modules.
I bought without trying I read a lot of things before acqurir, and I knew I could not be of.
Sr, the quality award. But hey, if you want to do a good job, we achte the right tools.
I would do this choice, absolutely!
See less
51
»
Tech. sheet
- Manufacturer: Cwejman
- Model: S1
- Category: Analog Synth Racks/Sound Modules
- Added in our database on: 04/08/2004
We have no technical specifications for this product
but your help will be much welcomed
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Other categories in Synthesizers/Racks/Modules
Other names: s1, s 1