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elritonPublished on 06/12/11 at 13:10 (This content has been automatically translated from French)For over 26 years, I use the Apple / / e.
First to introduce me to computer, I quickly exploited the poor sound possibilities of the camera: "cloc" on the HP and the port K7 = peek (49200), captures "cloc" on K7 entry.
Once mastered in assembler, it is possible to have very interesting effects trash: grow up, the beast can talk (SAM Speech Synthesizer) or polyphonic (Call Duet, Music Construction Set)
With a MIDI card, it is possible to control a battery of synthesizers.
The must: a Yamaha FB01 with the program developed at the Conservatory of Amiens in 1990 that manages the intervals: a range of 15 colors it changes everything!
In short, a computer simple and efficient and qu…Read moreFor over 26 years, I use the Apple / / e.
First to introduce me to computer, I quickly exploited the poor sound possibilities of the camera: "cloc" on the HP and the port K7 = peek (49200), captures "cloc" on K7 entry.
Once mastered in assembler, it is possible to have very interesting effects trash: grow up, the beast can talk (SAM Speech Synthesizer) or polyphonic (Call Duet, Music Construction Set)
With a MIDI card, it is possible to control a battery of synthesizers.
The must: a Yamaha FB01 with the program developed at the Conservatory of Amiens in 1990 that manages the intervals: a range of 15 colors it changes everything!
In short, a computer simple and efficient and quiet (no fan, no hard drive), which is programmed on the metal.
Finally: PROOF
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