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VicMacKey
Published on 01/13/05 at 04:04
It's an amp simulator that mule amps and effects of prestigious brands, most of these are vintage equipment. For more information go to the line6 site.
Everything is numrique. Everything is ditable PC via the USB port.
The connection is complte trs. Impossible to take into default this unit, anywhere can connect and synchronize with all other devices in a studio. There are jacks, XLR, MIDI, SPDIF, USB and RJ45 for a specially adapted type pdalier FBV.
It is a 2U rackmount MODEL.
UTILIZATION
Gnrale configuration is very simple at first: one arm, turn a few knobs, you can play: it works.
The effects are chainable and accumulated over a preset, evolution from the Bass POD Pro. It is active and disables these effects at the touch.
Editing sounds is very simple. But better read the manual to see what we do. One provided is in English but a silent French version available at line6.
EDIT 03/2011.
I have just buy one, I had a dj in 2004/2005 had little APRS its release, also bought used.
The main use I will make this machine is recording, at least I do not use it in concert or even rptition only in home studio. In rptition or in concert, I stay with my amp and my pedals plug and play.
SOUND QUALITY
EDIT 03/2011:
I have just buy one, I had a dj in 2004/2005 had little APRS its release, also bought used.
This is my drummer, and a golden opportunity to lower price (150euros, I saw the price of Pod Pro XT but not) that convinced me to take one, yet I had no jur modlisation never come back. Well, I have exactly the same sensations that the era is to say that for me the sound is not as good as that of a SansAmp PSA1.1 but I recognize that this trs machine is flexible and allows you to record the bass and quickly.
As for the sonic possibilities, it was available amps moult, moult speakers, microphones and moult moult effects. This multitude of possibilities that we find ourselves in great menus and some buttons that provide functions moult. In the era, I found it trsrbarbatif. Today, I will take the time to build sound that I like, even if I do not know why, the machine gives me a constant feeling of neat sound any evidence, at least that is my impression for me who loves the bass sounds a bit analogue or cradingues Lo Fi.
So a sound plutt own, we have recording capabilities, covering almost all needs (its clear his line simultaneously), and can be r-Amping abundance. I REALLY redcouvre this machine at an angle diffrent, but I focus on the record, no way to use it outside.
If we want the same sonic possibilities and the same connectivity and better, it will make an investment out of proportion to the l.
OVERALL OPINION
EDIT 03/2011:
I have just buy one, I had a dj in 2004/2005 had little APRS its release, also bought used.
I had the Bass Pod Pro before this one and I was well liked that machine. I also test the SansAmp PSA1.1 which is very well.
What I see is that many studios are pro team! The success of this machine RSID is that it can record sound from a quality quite impressive for the price. In any case now can be used to trs deals, the era I found it less true because of the side lifted the machine.
In the end, a working srieux for the studio. Watch the second hand market as there are good business to do, especially since the Pod X3 Pro is on the march and that principle, does not normment of revolutions and am ments if you only play the bass.
Everything is numrique. Everything is ditable PC via the USB port.
The connection is complte trs. Impossible to take into default this unit, anywhere can connect and synchronize with all other devices in a studio. There are jacks, XLR, MIDI, SPDIF, USB and RJ45 for a specially adapted type pdalier FBV.
It is a 2U rackmount MODEL.
UTILIZATION
Gnrale configuration is very simple at first: one arm, turn a few knobs, you can play: it works.
The effects are chainable and accumulated over a preset, evolution from the Bass POD Pro. It is active and disables these effects at the touch.
Editing sounds is very simple. But better read the manual to see what we do. One provided is in English but a silent French version available at line6.
EDIT 03/2011.
I have just buy one, I had a dj in 2004/2005 had little APRS its release, also bought used.
The main use I will make this machine is recording, at least I do not use it in concert or even rptition only in home studio. In rptition or in concert, I stay with my amp and my pedals plug and play.
SOUND QUALITY
EDIT 03/2011:
I have just buy one, I had a dj in 2004/2005 had little APRS its release, also bought used.
This is my drummer, and a golden opportunity to lower price (150euros, I saw the price of Pod Pro XT but not) that convinced me to take one, yet I had no jur modlisation never come back. Well, I have exactly the same sensations that the era is to say that for me the sound is not as good as that of a SansAmp PSA1.1 but I recognize that this trs machine is flexible and allows you to record the bass and quickly.
As for the sonic possibilities, it was available amps moult, moult speakers, microphones and moult moult effects. This multitude of possibilities that we find ourselves in great menus and some buttons that provide functions moult. In the era, I found it trsrbarbatif. Today, I will take the time to build sound that I like, even if I do not know why, the machine gives me a constant feeling of neat sound any evidence, at least that is my impression for me who loves the bass sounds a bit analogue or cradingues Lo Fi.
So a sound plutt own, we have recording capabilities, covering almost all needs (its clear his line simultaneously), and can be r-Amping abundance. I REALLY redcouvre this machine at an angle diffrent, but I focus on the record, no way to use it outside.
If we want the same sonic possibilities and the same connectivity and better, it will make an investment out of proportion to the l.
OVERALL OPINION
EDIT 03/2011:
I have just buy one, I had a dj in 2004/2005 had little APRS its release, also bought used.
I had the Bass Pod Pro before this one and I was well liked that machine. I also test the SansAmp PSA1.1 which is very well.
What I see is that many studios are pro team! The success of this machine RSID is that it can record sound from a quality quite impressive for the price. In any case now can be used to trs deals, the era I found it less true because of the side lifted the machine.
In the end, a working srieux for the studio. Watch the second hand market as there are good business to do, especially since the Pod X3 Pro is on the march and that principle, does not normment of revolutions and am ments if you only play the bass.