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Ampeg PB250
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Ampeg PB250

Bass Guitar Amp Head from Ampeg belonging to the PortaBass series

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MGR/Jazzykitty MGR/Jazzykitty

« Ampeg PB 250 »

Published on 11/27/03 at 15:00
I bought this unit in October 2003 from N-Tune Music. I blew the speaker in my GK- 200MB, and the estimated time for repair/replacement was longer than expected. I had a gig less than two weeks away, and I had read good things about Ampeg. I had been researching the Portabass series for some time. I also purchased the PB 212 cabinet at the same time (see separate review). I paid approximately $550 for the PB250 head unit.

I LOVE the portability of this amp! The head weighs approximately 14 lbs., and it pumps out a healthy 250 watts RMS, which is more than enough for the venues that I play. I haven't tried it outdoors, but I'm looking forward to it. Due to the unit's small size, I can put it in my shoulder bag and go. Also, my upright bass sounds smooth and clean through this unit using a Fishman pickup with NO preamp. Finally, I like the bright, blue power switch in contrast to the usual red or amber switch.

I'm not sure why, but the amp has no headphone jack.

There are two instrument inputs on the front of the amp (0db and -12db) which has been a very useful feature. The head unit weighs approximately 14 lbs., and it pumps out a LOUD 250 watts RMS. The knobs are clearly labeled and very straightforward. There are rubber feet on the bottom of the amp and on the side, which is very cool because you can set the amp horizontally or vertically. The unit is rugged, yet elegant in its simplicity, and flexible in tone control, adapting very well to the different styles of playing (Latin, jazz, funk, gospel, country, etc.). The sound is very clean through the Ampeg cabinet that I'm using. And again I liked it so much I'll reiterate: I dig the bright blue power switch.

The PB 250 is a great amp for any bassist that is looking for a powerful head unit that is small, lightweight and attractive (in my opinion. I expect this unit to serve me well for many years to come.

This review was originally published on http://www.musicgearreview.com