View other reviews for this product:
jlv58
Published on 06/20/08 at 06:04
As for the caratristiques everything is said by many homeowners who have given notice below.
I like the EQ, CD input, the limiter, the inclined output XLR, and the number of knobs Reduces reasonable. No effect and it Intgr trs well as a.
UTILIZATION
Rglages could not be more simple. The sounds are easy to find (the dry net big sound hard). The manual is useless except to learn that we must not let him eat by the infant and put the finger in the socket ....
For rglage with an active bass, The variety of sounds is trs tense. With a passive, you have to play with the EQ very simple and effective.
SOUNDS
I play mostly at the moment of rock - blues seventies, lez zep, Kravitz, ZZ Top, etc ... I find little prs all sounds I want. Basses used: 72 Jazz bass, Precision active Frettless Washburn or amplified acoustic bass.
I never tire of the sounds Varis. And power is good, playing in clubs 100. The only time limit j'tais, That was in the open air in front of 200,300 people. Bottom knobs, the sound n'tait top .... not just when even normal!
OVERALL OPINION
I've had a year and has replaced my FenderBassman 70 of 1968 which is a dead donkey and carry around less than half the performance of the Hartke. J'ailme much versatility, its own, its size, and of course its unbeatable price-perf.
When I use it on scne, my partners that I find a better sound than the big Krueger or Ampeg new one has in-good-studio to rehearse.
Maybe because I know him better ... but I tend to share their opinions. So much so that I plan to buy a plug in deuxime parallle for scnes greater.
Finally, playing bass on this amp vintage 300 has nothing incohrent!
PS in the meantime, I bought an amp deuxime exactly the same, that I plug into a slave on the rear output, so only the first rglages serve both.
So, we can play to more people, with the lower volume and a cleaner sound. My musicians are complaining it's too hard. Like that, is modulated according to the size of the scenes. When will a troisime?
I like the EQ, CD input, the limiter, the inclined output XLR, and the number of knobs Reduces reasonable. No effect and it Intgr trs well as a.
UTILIZATION
Rglages could not be more simple. The sounds are easy to find (the dry net big sound hard). The manual is useless except to learn that we must not let him eat by the infant and put the finger in the socket ....
For rglage with an active bass, The variety of sounds is trs tense. With a passive, you have to play with the EQ very simple and effective.
SOUNDS
I play mostly at the moment of rock - blues seventies, lez zep, Kravitz, ZZ Top, etc ... I find little prs all sounds I want. Basses used: 72 Jazz bass, Precision active Frettless Washburn or amplified acoustic bass.
I never tire of the sounds Varis. And power is good, playing in clubs 100. The only time limit j'tais, That was in the open air in front of 200,300 people. Bottom knobs, the sound n'tait top .... not just when even normal!
OVERALL OPINION
I've had a year and has replaced my FenderBassman 70 of 1968 which is a dead donkey and carry around less than half the performance of the Hartke. J'ailme much versatility, its own, its size, and of course its unbeatable price-perf.
When I use it on scne, my partners that I find a better sound than the big Krueger or Ampeg new one has in-good-studio to rehearse.
Maybe because I know him better ... but I tend to share their opinions. So much so that I plan to buy a plug in deuxime parallle for scnes greater.
Finally, playing bass on this amp vintage 300 has nothing incohrent!
PS in the meantime, I bought an amp deuxime exactly the same, that I plug into a slave on the rear output, so only the first rglages serve both.
So, we can play to more people, with the lower volume and a cleaner sound. My musicians are complaining it's too hard. Like that, is modulated according to the size of the scenes. When will a troisime?