Line 6 LowDown LD150

Modeling amp power 150 W
Loudspeaker 12 "
The beast is around 24 kilos and is adjustable
Active and passive input input
Selector amp models, 6 amp models:

-Clean: a low light, normal serious, acute slammin. Results from a study of an Eden Traveler.

-R & B bass sound clear but thicker than the clean. Results from a study of a B-15 Flip Top, 1968.

Rock: bass sound more distinctive than the previous two, the bass is fatter and warmer. Results from a study of an Ampeg SVT 1974.

-Brit: still a very distinctive sound, there is a little more than a rock, a little more grain but less fat. Results from the study of a Marshall Super Bass, 1968.

-Grinde: its really disgusting and distortion, very aggressive. Results from a study of a SansAmp PSA-1 with distortion feeding a SVT.

-Synth: then it's madness, synth sound (good bass synth not become either!) Really crazy, you come quickly to sounds kind science fiction, sounds a little Marios Bros, or still bass sounds interesting to use in groups of Electro or Metal Electronics.

Note that there have opportunity to use any amp models above and so operate in "manual" like an amp lambda.

Possibility to record up to 4 settings in the internal memory, which is really great when you want to be bored to fix everything, especially in rehearsal. The internal memory consists of 4 pre registered presets that can be retrieved later without a problem.

Drive
Orders for stamps (BASS, LOW MID, HI MID and TREBLE)
Channel Volume (adjusts the volume of sound effects stored + amp)
Compressor
Commands covered:
Envelope-Filter
-Octave
-Chorus

Master volume (rule just the overall volume of the amp)
Deep: Controls which operates a special equalizer gives more punch to the sound.
Tuner clip button: activates the tuner built
XLR Direct Out
Tweeter
Enter cd to play along to demos of his favorite bands
Ability to use a foot FVB Shortboard, FBV Express or FBV2 to control some functionality to the foot.
Phones output for listening through headphones

UTILIZATION

Setup is simple.

We obtain easily the sound one wants, and we get the same sounds that we do not expect to find!

The manual is very clear and is necessary because my taste in synth mode other commands (including orders for stamps) change feature, as well as the compressor used to determine which waveform is used which changes the sound very much .
It also explains how to save its settings (hold down a simple order memory) and how to fit (each LED of the amp selector is a string bass. Ex LED of the Rope Rock = this is completed by four memory buttons, two of the circles light up in green when you are granted)

SOUNDS

I play in a band influenced Metal Indus SOMETIMES I need a big round SOMETIMES well need an electronic sound strange, for that the Line 6 is really great.

But this is my first bass amp (I played on a 100W amp Earthquake to do everything before) and I guess everyone does not necessarily need a synth sound or change the amp models ( but it's always fun to play things different from what we usually play and have the sound of music style)

I play on a low entry level, a Storm PGB 700 (a force) and find a partner to this amp it sounds good.

There have no sound in general the amp, however I imagine that there are amps hotter and more bold in sound is probably the complaint I have with this amp, missing can be a bit of a more organic, but rest assured you it is very convincing, and the diversity of his sound palette is breathtaking.

OVERALL OPINION

I use it only for a week but I could not help but notice (the first I just signed up!) And since it is new I can not tell you how it will behave in two years.

The variety of sounds, especially the synth sound is what I prefer, it's really amazing sounds that can be obtained.
I do not necessarily some amp models but mainly because it is not a sound that sticks to what I play, but moreover I do not think that anyone would use any sounds this amp.

I have not really tried other models before buying, the salesman showed me and I immediately flashed.

I paid 460 euros, it is 400 on the internet see a little less on some sites. The value for money seems to me correct, it's a modeling amp that gives sounds that do not ring true (we really feel a change of amp) and it is still powerful.

The fan starts up by itself from a certain level of heat, making a slight noise when we play but we do not hear it.

Hard to say what I would do qi choice because I did not really back yet from this purchase, so I put 8, I guess we can do better with more expensive amps and with a lot effects not incorporated.

Finally, I advise everyone to go to the website of Line 6 to see the video presentation, but also to go in the store just to try it and see what you think!
I'm already convinced.

C to start a 150W amp transistor modeling, even when 25 kg
available its dun
rock: while c ampeg sound very heavy and round jaime bcp
brit: study dun marshall 68's that the more saturated rock
grind: to nag disto
synth: very nice it is daft punk home

UTILIZATION

So the setup is quite simple after reading the manual if you sen out more or less even if the fact that he is able to offer bcp sy loses a little ^ ^

SOUNDS

I play thrash punk (black flag circle jerks and all the rest) I play an Epiphone Thunderbird IV ac Ebony
the sound is nice for cons I do not c or they von tchercher the 150w it is 100 watts maximum for concerts enfn c c Pepere to repeat a bit more complicated especially if your drummer is a nag over and if the room is lacoustique mauvaiz I put her in that 6
Although the sound quality is to go vows

OVERALL OPINION

Ac I play this amp for about 7 months
jaime bcp being able to have the greatest amps in a single whole for its "only" 450 euro

by jaime against a little less power a bit feeble to me
and weight, it is really heavy and bulky

I think so I would do if I had that choice the same level but I have evolved vrois direct me to the heavier and more powerful
nempeche it that this remains a good amp