PDAL out the late 60's, with his colleague, the fuzz-wah. Limited success. Removed from the Fender catalog for over 20 years. So why it appears? But because we are in the mode of "vintage"!
While this is REALLY pedals?

- Fully analogiqur
- Input / output device and a direct exit to the second tuner or amp or whatever you want ...
- Switches for pedals
- Turntable rested on the scales for the passive Tone
- No power supply because the pedals are passive

The quality and finish are srieuses. The chromium is prsentation trs beautiful and the cover in felt Fender logo adds a touch chic.

UTILIZATION

Trs simple: on the volume rocker on the turntable Tone.
The pedals are heavy and imposing. Trs impressive. The inertia switch is far from being a ngligeable. Tiring when used intensively and a little handicap for precision. But we are talking about a volume pedals. So it's not serious trs.
Whether for the volume or the Tone Controller are prcis and sensitive.

SOUND QUALITY

The PDAL is transparent. The Tone Corrector is simple but of quality. This is not a 10-band equalizer, but it allows for the effects of tonality much fun playing at the foot of the dernire.

10/10 difficult to see the "effects" on offer. But this PDAL fulfills its mission.

OVERALL OPINION

Good volume pedals. Well built, although Submitted. The switch handle is quite heavy, but nothing major.
His most? A passive Tone Corrector contrlable foot at the same time as the volume.
A simple but ide INTERESTED.
Rvolution not, but between a single volume pedals and this MODEL, the choice will be easy on this dernire.