All user reviews for the Amek DMCL Dual MicPre/Compressor/Limiter

Say anything, the SPECIFICATIONS are respected.
All zero: -131 db noise in analog.
Gain knobs for mic background (72 dB): -95 dB S / N ratio
on measuring the output of my Apogee Rosetta 200 SERIES!
Rarely seen since forcment not hear!

UTILIZATION

Should not have big fingers especially rgler compressors!
But they are so effective that it quickly prcis oublibr /> I was talking about compressors course ...

SOUND QUALITY

It's been 35 years since I've been in broadcasting, I never heard a sound like that!
Ass a EMT 948 that reads the double white vinyl of the Beatles, cost on Genelec 8050, you can have all your CD ... rditions

OVERALL OPINION

Should be banned so this is good ...

The double DMCL preamp compressor with low-cut filters and cut up and converter if you have the option intgrbr /> between two instrument input faade 2.2M ohm
possibility fits securely
Option numrique AES SPDIF optical clock ... (chantillonage 44.1 48 88.2 96)
1u rack
was really pleased we feel that we thought Ruppert
the only thing it says looking small and space is used faade

UTILIZATION

Trs simple tool is well thought
there are some subtle option on the filters such that can be switched from 24 to 18 low-cut and 18 12 for a cut above I confess I have not yet been used ...

SOUND QUALITY

Also had the pleasure
good clear sound good Dfine, compression without staining
just a little surprised if you enter above 0 and up (for the record level of 26 and maximum well above the 10 on the small of Baragraph!) we immediately find a well diffrent drier with more body
here I have taken the voice and went with the sampler I walked too

OVERALL OPINION

I like the philosophy of this tool trs flexible and quality.
numrique option is a plus
all in a u
I wanted something to make the sound system and studio, registered to vote for the post prod, or taken a couple of guitars and live multi srieux
and if you want grain you can always go red ......
amek ceased production (because here must balance and redeemed by sound craft) there are still new ones lying around right from left
good luck!

Pr Stereo amplifier with mic and line pass filters adjustable up and down, and reduce compressor with side chain internally or externally.
converters AES EBU and SPDIF DA 24/96 with sync BNC
no power switch

UTILIZATION

Trs simple, one amp pr trs great race with a fine gain APRS + or - 12 dB
high pass filter and low pass that can act directly on the signal or serving side chain to the detection circuit of the compressor (desseur, dpopper etc ...) compressor perennial prcis trs. pai and it's really the opposite of many manufacturers of high-end machines (Focusrite, Avalon etc.) I do not find it here dfaults comparable. it's just big sound without flattteries unnecessary, a good pre amp trs, trs a good compressor and that's it!
- 4 dB qualibrage a little biased we must go a little into the red to keep a 0dB!

SOUND QUALITY

- It's a simple device with a full and effective, not by his flattering, even if the sound is a very personal coloring, it's tough, the pre amp line and all the beauty pr amp micro demonstrated a powerful sweetness!!
- The compressor is also superb, trs own, type in the SSL comp hard knee, with his office & MM (and much more) that justifies its name, it becomes TRRS "neve" and enhances the sound nicely trs remains soft and vibrant, it is versatile trs (voice sings to large battery through the brass, percussion, he is comfortable anywhere!
- Ds is the big sound that you type into it a bit, much like the pre-amp API, I love this cot massive sound that is properly trs ger and not too intrusive .

OVERALL OPINION

In short, a machine made for both the live studio, with its versatile trs converter that numrique possde a worldclock In and out (and even the pro tools Superclock)
it makes you want to mix an album on a 9098i
LOVE !!!!!!!
if I could afford right now I achte 16 channels to my PRO TOOLS !!!!!!