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Yamaha DM1000
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Yamaha DM1000
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kidji kidji
Published on 09/01/09 at 10:39
As we have already described, I stay there.

UTILIZATION

I work with for almost 5 years, and when we know well everything is possible.
I work with mostly live (recording too) and although it was not originally designed for it I find it very ergonomic
with easy access to all features, or 12 outputs we can assign any signal above, delay on all inputs and output (as opposed to the LS9, which I frankly find much less live)
With a very small console, two external equalos, 2 front speakers and 4 returns we can really have a big sound like the big shows ..

SOUNDS

Super converters, good dynamics for a digital console (it is still not a midas)
He lacks great multi effects and dynamics processing (I envy the owners of VCM ...)

OVERALL OPINION

I never ever would sell.
I work a lot with music and sound on this point is a killer.
I started with Yamaha digital consoles in 1996 with promix 01 (very nil ..), 01V (already a first revolution ..) 01V96 (already super ..) and after the DM 1000 (which still impresses me sometimes ) then PM5D and LS9 (The one who did not give me more at Yam)

With this console I do a balance when the system is well timed in 10 minutes stalling front and back together (sometimes even 5 minutes ..)

Level value for money there are no pictures, very correct