Rate this LS9 32 The connection is made only in XLR and RCA S-PDIF is a console that estconsu 100% for the scene. No way to put it in your studio, you record against "live" in 32 tracks as I do frquement adding MY16AT two cards (2 slots available) with ADAT Optical and return to a recorder ALESI or a card M Audio PipeLight example. I do not like the effect section and the rverbe More precisely! I therefore serves as an external effect TC Electronic M-One via inputs / outputs S-PDIF RCA. The top of it. The sycho takes the BNC type video cable with 75 Ohm composite. The 16 outputs are very welcome and make it easy multicasting. Every one of 16 outputs is also diluted. The internal rack, configuring them notament enEQ 31 bands, allow management of 10 dparts (from memory) with a 31 band EQ (15 bands Reduces usable). EQs are available on each parameter bands and each departure. I read that EQ taient a little slack! this is not my opinion. What is important about this console is the memory of the scene which included the gain rglage prampli with the scenes. When the festivities fetival is very very comfortable ... The chantillonage is 48 kHz at 24 bits for the resolution, which is ample in sound (especially RESOLUTION DE24-bit) I rather regret that the compressors are among numriques LS9 32.Ceux on this in my console D32XD are analog Korg allow me to charter her full 24-bit register in the same ditto that, I reget also the failure to take an insert.

UTILIZATION

The manual should include concrete examples, I think a should not be empty to address this console as it comes from the analog world

OVERALL OPINION

I use it for a year, I used (I still use) and a Yamaha 01V96 Korg D32XD which is also very clean. I would do this choice because I appreciate some festival and Quazi is essential.