Behringer DX500

It is possible to have complete information on the Behringer website, this address:
http://www.behringer.com/DX500/index.cfm?lang=FRE

What I particulirement attracted (by its price) c'tait having a master XLR output (symtrique) and more than 2 channels. The small addition to this table, the sampler. We can not synchronier easily, you can just rgler reading speed and reading dclencher Manir 2: we give the dpart, he plays the rest once or loop and then we give the dpart and stopped. It's nice to put the tracks.

UTILIZATION

This is a simple table. Everything is arranged as one can conceive of a standard DJ table.
Management prcoute is nice. Can be assayed in the headphone the balance between the master and the ways to select the pre-cost. Volume at the headphone output is more than enough for my Sennheiser HD 25 (potentiomtre is the 1 / 3 max).
Nothing singal of spcial either in earnings: I could always rcuprer any signal (photo or line) for a correct level.

SOUNDS

At this price point of the wonders.
Somewhat reassuring to everyone, I would say it's okay.

The large black dot, it is the EQ that does not really cut at all. Call the little black buttons of kills, it is even a little spunk from the jaws of the world. I found myself often trs with bass knob to the mini being yelling: "But shit, I do not want to hear this sound".

Another problem: the crossfader. Let me explain: there is absolutely no use adapted scratch. The curve is gradual and slow. For the techno mix, I think it's against nickel. As for the scratch to save the table, there's "Transform" button. Those who can bring the sound of a cross cutting way (those of each of the cross ct). Moreover, these buttons can CRER parasites when used hard.
For against excellent for cross: it is trsrsistant for this price range. I have a table of 2001, and there is no default of notable quality. I prcise I scratch with relatively often for more than six months and it has always served in my mixes Drum'n Bass trs not always soft.

Note: the curve is not linear upfaders. The sound is really happening when the knobs are close to the max. It's a shame. on the other hand, they have an excellent glide, even after 4 years of use.

After 2 years I have had trslger buzz in the headphones. It is always the need to hear but be home and not to hard.

OVERALL OPINION

Simply put: excellent RAPORT qualitprix.

When I buy, I wanted the "cheap". I got it on sale on the net, because c'tait a product end of life. Rsultat: I still use it.
This table had a hard life, rev. In the collection's outdoor accessories, ashes, signal too strong in between and surout use from a lease. None of the components has lach if not in the logo Lumire Behringer. The legalization of potentiomtres are harder than beginners, but it is not Gnant. To be honest I am surprised that it works again.

- Is the rack?
Yes.
- How many lanes, bus attendant, departures, returns ...?
3-way with eqs hi, mid and lo (function kill the 3) + gain.
2 departures area and the master (ie possibility of sound with two separate areas).
Sampler "pocket".
Pfl on three tracks and punch (for cuts and scratches) on 2 and 3.
Crossfader only gradual and not adjustable.
- What is the type of connectors (RCA, Jack, XLR ...)?
Interesting connections for the price: for tracks but RCA XLR output.
- The effects section is it integrated? ...
Send (but no built-in effects).

UTILIZATION

- The general configuration is it simple?
Single table that does not require manual (in which n 'is not much anyway). It is a basic mixer.
- The usual functions are they easily accessible?
Yes, the use of effects is just "special" for my taste, since there is no way to adjust the level on the console. There's just one button to activate the effects return.
- The manual is clear and sufficient?
Not really, but the console is pretty simple.
Accuracy very important in my opinion: The crossfader does not intend too to mix rap and absolutely not the scratch (or it will learn to use punches, which seems to me inappropriate).

SOUNDS

- The console is transparent?
Instead.
- Introduced she breath?
Improperly or not really problematic, but we should be wary if you push the console
- The equalizer is effective?
For the price is pretty decent, I find the equalizers allow a real job and for me that uses a lot of old records (60's or 70's), the mediums are quite effective.
The bass is fairly well restored
We can already play with the kill, even if it is actually not a true "kill", as a net Nuo example (but it's not just that in the mix).
Obviously this is not a Freevox ... but for having a DJM500 hands, far more expensive to render moot and eqs rather poor, I find the sound very correct to use "recreational".

OVERALL OPINION

- How long have you use it?
I used 2 years.
- What is so special that you like most and least?
The sampler is in the realm of the gadget (no sync and no editing), do not buy the table just for that.
- Have you tried many other models before buying it?
Many and all: FTE, Vestax, Pioneer, Technics, ...
- How would you rate the quality / price?
The price / quality ratio is very good (as often elsewhere with Behringer, no offense to some) and I advise to start or to train and mix for fun. You just have to know which one to buy it. If you want the high-end mix on mainframes or club, it goes on elsewhere. But in 2800 new balls at the time or today in the $ 100 I did not see masses of competition! This explains my notes.
- With experience, you do again this choice?
Under the same conditions, I would buy without hesitation.

- Is the rack?
Yes.
- How many lanes, bus attendant, of dparts, returns ...?
3-way with eqs hi, mid and lo (function kill the 3) + gain.
2 dparts his master and zone (ie possibility of sound with two separate areas).
Sampler "pocket".
Pfl on three tracks and punch (for cuts and scratches) on 2 and 3.
Crossfader only gradual and not adjustable.
- What is the type of connectors (RCA, Jack, XLR ...)?
INTERESTED connectivity for the price: for tracks but RCA XLR output.
- The effects section is it intgre? ...
Dpart effect (but no effect Intgr).

UTILIZATION

- The configuration gnrale Is it easy?
Single table that does not ncessite instructions (in which there is not much of any fawn). It is a basic mlangeur.
- The usual functions are they easily accessible?
Yes, the use of effects is just "particulire" my taste, since there is no way to rgler level on the console. There's just one button to activate the effects return.
Trs precision I think important: The crossfader does not really intended a mix rap-type "shell game" - and absolutely no scratch (or it will learn to use the punch, which I seems inappropriate.
In addition, the sampler Relva gadget, and nothing is on the samples adjustable effectus.
- The manual is clear and sufficient?
Not really, but the console is pretty simple.

SOUNDS

- The console is transparent?
Plutt.
- Introduced she breath?
Fawn not abusive, but we should be mfier if you push the console.
- The qualiseur is it effective?
For the price it plutt correct; I find that eqs allow a real job and for me that uses a lot of old records (60's or 70's), the mdiums plutt are effective.
The bass is fairly well rendered and do not invade the entire tract.
You can always play with the kill, but it is actually not a true "kill", as a net Ecler Nuo example (well, it's not just in a mix).
Obviously this is not a Freevox ... but for having a DJM500 hands, far more expensive to render moot and eqs mdiocres enough, I find the sound trs correct for use "recreational".

OVERALL OPINION

- How long have you use it?
I used two years with no particular concerns.
- What is the particular feature you like best and least?
As I said, the sampler is in the realm of the gadget (no sync and no shipping), and the business case Relva almost malhonnte and it is important not just buy the console for a.
- Have you tried many other models before acqurir?
Lot and any range: Chesley, FTE, Vestax, Pioneer, Technics, ...
- How do you report qualitprix?
The report qualitprix trs is good (as often elsewhere with Behringer, dplaise not certain). You just have to know which one the achte.
If you want the high-end mix on large Systmes or club, we will of course look elsewhere (Freevox, A & H, Rodec). To scratch or do work as hip-hop trs (Vestax, Rane).
I therefore advise to beginners or to train and mix for fun.
2800 new era or the balls today in the $ 100 I did not see masses of competition! This explains my notes.
- With the exprience, you do again this choice?
Under the same conditions and for the same purpose, without hsiter I Rasht.

(N / B: This opinion is one of Previous told that I could not help it, forcing closure of account)