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Bear2Beer
Published on 01/26/10 at 10:15
Dedicated to dynamic mic for live guitar amp with boost and attenuation to 4kHz (practice). The format is now well known proven and is still valid.
OVERALL OPINION
I have two past 6 months, but already knew. I can say they have their place in a park mic scene. This is different from 57, you can enjoy for other qualities, ideally, have both is interesting! His sound is balanced, accurate and fast. 0 output noise! Why it is fabulous; cons by its low sensitivity and Directivity (super) make him a precision tool, which is a good thing when you're pusser but bad for nags: they do not understand why one day " it sounds and the next "it does not sound"! <img class="smiley" src="/images/audiofanzine/interface/smileys/icon_lol.gif" alt="" /> Pros: its flexibility on the equalizer, his realism, his frankness. Another plus: its directivity can effectively separate the sources, which is very easily live! The least: a very frank tone color and a clean cut at the top of the spectrum, the opposite of an electrostatic loudspeakers. the sound is really modern.
OVERALL OPINION
I have two past 6 months, but already knew. I can say they have their place in a park mic scene. This is different from 57, you can enjoy for other qualities, ideally, have both is interesting! His sound is balanced, accurate and fast. 0 output noise! Why it is fabulous; cons by its low sensitivity and Directivity (super) make him a precision tool, which is a good thing when you're pusser but bad for nags: they do not understand why one day " it sounds and the next "it does not sound"! <img class="smiley" src="/images/audiofanzine/interface/smileys/icon_lol.gif" alt="" /> Pros: its flexibility on the equalizer, his realism, his frankness. Another plus: its directivity can effectively separate the sources, which is very easily live! The least: a very frank tone color and a clean cut at the top of the spectrum, the opposite of an electrostatic loudspeakers. the sound is really modern.