All user reviews for the Behringer Ultra-Dyne Pro DSP9024

Incredible unit for mastering. I've had mine for many years, it has more than served me incredibly well in the recording studio mastering tracks. The quality of the sound comparing raw tracks to mastered is like night and day. Was one of the best purchases I made for the studio

Model 2U 19 ". Compressor 6 strips with 6 gates 44.1 or 24-bit digital to 48khz choice.
By band: threshold counting rate., Attack, release, output level, with gate attack.
Link strips with on / off.
Other effects: key comp. réglable.Simulation of 4 tubes with either addition of even harmonics, odd or both, all measurable.
General output limiter with measurable release.
100 markers, lithium battery backup.
General display configuration, or display band réglages.Affichage level or digital level to-10dB or output level at +4 dB nominal.
There is a programmable system that is the low levels.

The sound that comes out of this machine is pumping clear without a band on the other the opposite of a comp. mono-bande.Revenir a single band compressor: I do not even think about.
XLR and TRS analog outputs, AES / EBU and noon.

UTILIZATION

Of course, he must know how to take control, but once that's done, we have fun. There are many possibilities. Can make progs for MP3 or more types of mastering since it has 100 memory .
After, go find a prog. is a breeze (not leading).
It can be full of sound: warm, dynamic, highly dynamic or balanced; between.
The display guides you through the various programming, so you move from one screen to another, but you still need time to adapt.
As there are many settings, it will necessarily slower than a single band by turning the knobs.

SOUND QUALITY

Excellent effects. I use it in comp. general and voice.

OVERALL OPINION

This is my machine company for 10-12 ans.J have tried single band compressors of various brands, some very good, but it's not worth a multiband effects with more bonus mentioned above.
Important! This device is very educational: they learn to hear the difference between a sound with more or less fishing (tubes and simulated harmonics) and this out compression.Pour me it is just fantastic. I get to catch up with old records, or records failures. It is top '.

This is a compressor / gate 6-band limiter with wideband ULTRAMIZER (sort of level before the Tagus compression). Basic inputs are analog symtrique, of course Jack / XLR. A map can be added for I / O numriques. The unit is also equipped with a midi interface to edit the settings from a computer (I know, only Windows PC). MODEL is a 19 "rack, but you can remove Querre rack.

UTILIZATION

The configuration is very simple, the manual and everything is well provided for a regular trs clear of such devices.
We can work frquences rgler the bands, all custom settings compressor / gate usual, the time limit is adjustable, and there is a fake emulator amp lamp is o choose the type of lamp, and the level of color desire nothing else trs original.

SOUND QUALITY

So first, I prciser I did test the analog I / O. The rglage levels performed (not enough prcis my taste, viewing levels to hound the well at all), I pass the config processing. The compressor is not too dguelasse, a trend well pump, even by adjusting the attack / release with onions. The gate works well without hatching, the device knows apprhender signal (more prcis recess with a longer time limit). The limiter is carrment dgueulasse is puke, so we work more with this type of treatment, compressors, just to avoid the limiter. + It is by the security as a last resort to avoid the release of crter that to strengthen the signal, but it's a little order to a broadband limiter. Otherwise the simulator lamp, I'm not tense it, I let each his own apprciate we like it or not.
Ultramizer function gives a little more EHJV, but the sound is as much DGRAD +. If you have a fairly clean and efficient compression, this option is not.
This device is rather average in quality, in line with Behringer products, but for the price, do not expect either a TC Electronics. Well enough to make models, and to get their hands on the multiband compressor, do not ask him more.

OVERALL OPINION

I use this device in broadcast application for emergency treatment, with two beginners in audioprism Texar chain, making the work less behringer, so we arrived in benefit more, but that I would never device alone.
The report is qualitprix honnte, knowing that by dbrouillant well, we just found this device to 250 Euros.

So it is a compressor / limiter / noise gate with multi-band simulation lamps while numrique. All the effects are ditables and XLR connections or jacks. MODEL is a rack of two units.

UTILIZATION

I leave it alone and I only lure that trs rarely Obviously as reported by Mr Cyberseb, the limiter should be used sparingly, it will be only limited usefulness as the most limiting Behringer home. This multi-purpose rack sits comfortably between my mixer and effects qualiseur house and my power amp. I must say that I find the bowl of custom settings in DSIR trs short time as a bassist, compressors that we are familiar. The manual provided did not t very helpful because, as said above, trs though I knew what to expect.

SOUND QUALITY

For efficiency it is because it gives me some prsence, a warm sound without the hustle and bustle in the output of my speakers. All connectors on my mixing desk going through this studio, it's my squenceur, my bass or my microphone singing, and indeed it (the song) is thereby enhanced and ultra prcis with a warm voice never in default. I can not be the Spar Behringer, it really gives me more and I love her collection's outdoor appearance. Only small problem, the power button is back and more in a tui rack, must be aching to turn it on. Otherwise, I think I can use the clutch with a little patience. I'm beginning to understand them ptits Teutonic Behringer and there are ways to do something.

OVERALL OPINION

Nearly a year it makes me not infidlit it is still brilliant and joule. I think this compressor a little more compared to the products that I knew (as DBX for example), that little something is absolute trust and conveniences to the rgler in a period of trs minimal time. It never moves, my rglages are in memory and it adapts well to my trs exprimentaux DLIR. And again, I did not exploit the bottom, but in all simplicity trs is effective and does not even flinch when I accuse him of being the source of my inspiration not. His report qualitprix is ​​one of the best and the eyes closed, I would do this choice. My music is a product I own thanks.

Multiband dynamics processor for instruments (basse. ..) or mastering (or semi-pro models).

6-band compressor + gate + limiter / enhancer
3 strips of exciting
+ Tube emulation
In short, it has all the functions of the tenors of its kind!

Automatic control (he is listening to the signal to be processed, and choose among five options for setting, the more drastic than discrete).

24-bit 48kHz, XLR connector / jack, optional ES / EBU (70 €)

Publisher PC Free download behringer.com

2U.

UTILIZATION

The settings are speaking, but require a good banding technique.
The automatic settings are very close to what you get "by hand": they are an excellent choice for the neophyte, and a good working basis for the sound engineer.

By confining themselves to automatic settings, the newcomers will do a few hours to master the device (in fact the time to understand the main principles of dynamics processing, explained in very educational in the manual).

Otherwise, as the adjustment parameters are comprehensive for each section, this is the kind of gear that takes time to edit.

SOUND QUALITY

It sounds much better and more versatile than the Focusrite Platinum ("Penta "...), TC Alesis Masterlink and TripleC. At least with Behringer, we pay for!
Obviously, compared to bikes of mastering studios, it loses some of its luster and is less premium (the price very aggressive dessert as much in terms of image ...).

It is very transparent as they are not asking for extreme settings: it gets harder if not necessarily, and it takes some time to solve the problems of pumping and gate too audible.
For cons, I do not agree with Behringer indicates that noise reduction: better filter type SNR 2000, the same multiband noise gate will never be as efficient and easy to use.

I recommend it for bass players, reducing the number of bands with 2 or 3, and for mastering models or semi-pro. It will also sound service, to increase the power of a system.

OVERALL OPINION

I use it for 3 years.
Its price / quality ratio is unbeatable. If one has good plug-ins like me now (Creamware, Waves, BLUETUBE), it is redundant. Otherwise, it beats hands down the plug "mastering" offered by Cubase and Logic, even in their most pro versions.
It is also used as a "simple" compressor, but it's a little mess, and the settings are necessarily more time with a digital camera with an analog. The remark is reverse in a home studio, where it will be appreciated instantly find its settings to make its decision.

Multiband dynamics processor for instruments (basse. ..) or mastering (or semi-pro models).

6-band compressor + gate + limiter / enhancer
3 strips of exciting
+ Tube emulation
In short, it has all the functions of tnors of its kind!

Rglage automatic mode (it is made to cost the signal processing, and choose among five options rglage, the more drastic than discrete).

24-bit 48kHz, XLR connector / jack, optional ES / EBU (70)

Publisher free download on PC behringer.com

2U.

UTILIZATION

The rglages are talking, but a good ncessitent banding technique.
Rglages The machines are similar to trs what you get "by hand": they are an excellent choice for nophyte, and a good working basis for the Eng.

By confining themselves to automatic rglages the nophytes few hours will not master the machine (in fact the time to understand the main principles of dynamics processing, explained Manir trspdagogique in the manual).

Otherwise, as the custom settings rglages are comprehensive for each section, this is the kind of gear that takes time to edit.

SOUND QUALITY

It sounds much better and more versatile than the Focusrite Platinum ("Penta "...), TC Alesis Masterlink and TripleC. At least with Behringer, we pay for!
Obviously, compared to BCAN mastering studios, it loses some of its luster and is less premium (the price the trs aggressive dssert as much in terms of image ...).

Trs is transparent until you ask him not rglages extreme: if a forcment is complicated, and it takes some time to resolve problems of pumping and gate too audible.
For cons, I do not agree with the Behringer which indicates rduction noise: better SNR such a filter 2000, a multiband noise gate same will never be as efficient and easy to use.

I recommend it for bassists in rduisant the number of bands 2 and 3, and for mastering models or semi-pro. It will also sound service, to increase the power of a system that.

OVERALL OPINION

I use it for 3 years.
His report qualitprix is ​​unbeatable. If one has good plug-ins like me now (Creamware, Waves, BLUETUBE), it is redundant. Otherwise, it beats hands down the plug "mastering" offered by Cubase and Logic, even in their most pro versions.
It is also used as a "simple" compressor, but it's a bit gcher, and rglages ncessairement take more time with a device with an analog numrique. The remark is reverse in a home studio, where to find it apprciera instantanment its rglages to its decision.

Multiband Compressor (6 tapes)
each band is fully editable,
+ Some settings of all

UTILIZATION

Getting started is easy if you know the behringer digital machines, or if we know the parameters of a multi-band available.
otherwise it is a little longer.

SOUND QUALITY

I use it for stereo mix, mastering.
The result is very efficient and clean, no breath. Nothing to say.
Hard to believe that a device that price can do a job of this quality!

OVERALL OPINION

Often, a mix that sounds on the monitors of quality is less comfortable on less balanced systems such as in cars or mini systems, it is often the very unpleasant surprise to hear some frequencies returned so oversized, then we had not seen the mix.
a passage (or two) in 9024 and presto, the problem goes away!
in short, we begin to do the mastering and get closer to some of the sounds dense, compact, found on the CD trade.
Behringer thank you to a range of home studio like a machine!

multiband dynamics processor 2U Digital stereo. Analog I / O (a / Balanced) and digital (optional - max 24bit/48kHz).


UTILIZATION

Menus and submenus on the available fields using the associated button. It must still pass through the box "cramming the book before. Once digested, Extreme is logical. Like virtually all

SOUND QUALITY

Multiband is a mix L / R we employ and the settings range from very fine to very marked. In general it is better to use "light" because once you start forcing a little compression ratios it quickly becomes unlistenable especially in a chain where there are A / D conversion from the 9024. In a fully digital chain, however, the beast is doing much better! and I would say this is how it should operate the processor. I guess this is due to converters made in china for Behringer ... Too bad the card is equipped with optional connectors AES and not S / PDIF optical or even (what they **** us with their e AES useless!)

OVERALL OPINION

J ' has one since 2 / 3 years and for the price I will ever be the choice, on the other hand in analog it is downright unusable and it must know before you buy! Personally I use it like this - PC spdif -9024 - DAT, mini disk, etc. ...
In short, do not expect miracles anyway! but considering the price ...
In comparison, the finalizer entry-TC are not much more powerful when we go out at all digital and they are usually much more expensive.