El_Becko
Published on 12/11/09 at 04:16
This dun static versatile attachment system. Several systems are planned (guitar, violin ...) The overall quality seems very good.
OVERALL OPINION
I waited a long time to test the microphone to finally have a real acoustic guitar sound on stage. Done: - in my home studio is not bad at all, it can make a decision without worrying too much movement in front of microphone and placing it well get good results, comparable to good static "cigarillos" - but attention on stage: it is unmanageable, do not listen to the marketing department that you are talking about lack of feedback ... if you play alone and with a return ok not too strong, but in group c is not worth it, it hangs around .. in short, quick fix has not arrived yet .... so we submitted a Shoeps my guitar before I can move, I also have some problems with grip but at least J have a great sound. So a very good mic but on stage it is not at all suitable, and yet it is what the importer communicates!. Gaff gaff so before buying, because at 450 € it would be a shame for you to put it back in his box at the end of the scales, annoyed, put your jack in the DI <img class="smiley" src="/images/audiofanzine/interface/smileys/icon_wink.gif" alt="" /> Note that I did not test all alone in my corner but Surrounded by famous musicians and a technical team that references in my area, so it is not a review of basic moaner you read but that of someone who's still looking for the solution once a transplanted acoustic guitar "on stage ".... and has still not found. Because of this little deception in the marketing department and the distributor in my area I'll put out a 3 / 10 because it is not good for the scene. on the other hand I said it's still a good mic in the studio, except that at this price point you have choices and sometimes much better, and then there is no need to have a microphone attached to your instrument. Go a 6!
OVERALL OPINION
I waited a long time to test the microphone to finally have a real acoustic guitar sound on stage. Done: - in my home studio is not bad at all, it can make a decision without worrying too much movement in front of microphone and placing it well get good results, comparable to good static "cigarillos" - but attention on stage: it is unmanageable, do not listen to the marketing department that you are talking about lack of feedback ... if you play alone and with a return ok not too strong, but in group c is not worth it, it hangs around .. in short, quick fix has not arrived yet .... so we submitted a Shoeps my guitar before I can move, I also have some problems with grip but at least J have a great sound. So a very good mic but on stage it is not at all suitable, and yet it is what the importer communicates!. Gaff gaff so before buying, because at 450 € it would be a shame for you to put it back in his box at the end of the scales, annoyed, put your jack in the DI <img class="smiley" src="/images/audiofanzine/interface/smileys/icon_wink.gif" alt="" /> Note that I did not test all alone in my corner but Surrounded by famous musicians and a technical team that references in my area, so it is not a review of basic moaner you read but that of someone who's still looking for the solution once a transplanted acoustic guitar "on stage ".... and has still not found. Because of this little deception in the marketing department and the distributor in my area I'll put out a 3 / 10 because it is not good for the scene. on the other hand I said it's still a good mic in the studio, except that at this price point you have choices and sometimes much better, and then there is no need to have a microphone attached to your instrument. Go a 6!