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rha61Published on 02/16/08 at 21:02 (This content has been automatically translated from French)Lower manufactures in Korea
basswood body, maple neck, key in synthetic ebonol
24 cases, 1 micro Ibanez bridge
easel quick change strings
volume and low and high qua
ramp to different techniques of right hand
USE
Handle very fine and a very quick thanks low action and a low spacing of the strings
ebonol not prevent the n button a warm sound and ensures a perfect homogeneity notes all over the neck
access to acute perfect
ergonomics close to the ideal: very low Legre and balance, short, very practical mechanical easel
also superb finish with a very nice bag provided
Branch and it was on SOUND
SONORITS
Remarkable fretless sound with a little bit of hardness in …Read moreLower manufactures in Korea
basswood body, maple neck, key in synthetic ebonol
24 cases, 1 micro Ibanez bridge
easel quick change strings
volume and low and high qua
ramp to different techniques of right hand
USE
Handle very fine and a very quick thanks low action and a low spacing of the strings
ebonol not prevent the n button a warm sound and ensures a perfect homogeneity notes all over the neck
access to acute perfect
ergonomics close to the ideal: very low Legre and balance, short, very practical mechanical easel
also superb finish with a very nice bag provided
Branch and it was on SOUND
SONORITS
Remarkable fretless sound with a little bit of hardness in acute can be of the ebonol
is at best (old Jazzbass included)
c is very versatile yet with its unique micro and qua 2 strips
seen remarkable sonority of linden and the ebonol has worth to replace its prampli by more efficient (the Barto NTBT for ex.)
you can also replace the microphone with a more soft and dull if you like (I think of Barto yet)
NOTICE GLOBAL
After a few gigs, repeated and a disc, it is a remarkably low
super quality for money as tjrs Ibanez (see BTB556!)
I have it selected after lots of tests without consideration price
I have the team after qq months of a micro Barto Jazzbass CMJB59 and a switch passive / active
PS: I made the studio, the ing has nothing been done as has sounded forth
I also owns the GWB1 which is not better but simply differente (except the preamp more effective)See less00- zorglug10
electronic change
Published on 09/24/11 at 08:15 (This content has been automatically translated from French)All original.
UTILIZATION
The bass is nice and playable.
SOUNDS
I've always had a problem with this bass. A problem setting sound. Too low output and not a lot of treble. As if the electron was passive.
With this new electronic NOLL is the day and night.
OVERALL OPINION
This is just to say that I changed my electronics GWB35 by electronic NOLL purchased on Luthimate.fr.
The bass is unrecognizable. The sound is clear, with a nice grain. More problem of too low. I also thought by changing the micro CREL but I think waiting a little longer. Finally, the original microphone is pretty good.
That's it.
Musically.
PhilippeRead moreAll original.
UTILIZATION
The bass is nice and playable.
SOUNDS
I've always had a problem with this bass. A problem setting sound. Too low output and not a lot of treble. As if the electron was passive.
With this new electronic NOLL is the day and night.
OVERALL OPINION
This is just to say that I changed my electronics GWB35 by electronic NOLL purchased on Luthimate.fr.
The bass is unrecognizable. The sound is clear, with a nice grain. More problem of too low. I also thought by changing the micro CREL but I think waiting a little longer. Finally, the original microphone is pretty good.
That's it.
Musically.
PhilippeSee less61 
BassbreakerPublished on 03/01/08 at 06:16 (This content has been automatically translated from French)The bass comes from Korea, the finish is good to very good, 2 octave fretless, an active micro GWB custom wound sfr, eq gwb2, Accu-Cast B105 bridge, régages theft, treble-bass, maple neck
UTILIZATION
If I made this purchase is that the specifications of the handle matched that of my SRDG 905, which suited me, access to acute is easy, the shape is the same as the 905, the weight, c is a happiness, I do not feel almost, when the sound, I plug the volume to max, the bass / treble following the sound I want is impeccable.
SOUNDS
I play different styles, but for some songs (composed or otherwise), I use my other guitars (905 + line 6705), I play on Ampeg BA 500 Combo + svt …Read moreThe bass comes from Korea, the finish is good to very good, 2 octave fretless, an active micro GWB custom wound sfr, eq gwb2, Accu-Cast B105 bridge, régages theft, treble-bass, maple neck
UTILIZATION
If I made this purchase is that the specifications of the handle matched that of my SRDG 905, which suited me, access to acute is easy, the shape is the same as the 905, the weight, c is a happiness, I do not feel almost, when the sound, I plug the volume to max, the bass / treble following the sound I want is impeccable.
SOUNDS
I play different styles, but for some songs (composed or otherwise), I use my other guitars (905 + line 6705), I play on Ampeg BA 500 Combo + svt 410 HLF ampgeg, the sound is what I ' I searched for a long time, I have no prior on to the sounds, so ...
OVERALL OPINION
I use it for a month, ras, as usual I bought at Piens on-line at a price of 599 Euros, in terms of choice, we will see later, but if it the same quality as the 905, yes.
after one year, I changed the strings for-5 with Flatwound ecb81 D'Addario, the sound is better (in my opinion) and the game is over flowing. Very good fretless for its price and quality.See less71
