The table is flamed maple (the most beautiful effect!), The neck-in maple, rosewood fingerboard and 24 frets.
A 3-Band EQ, black chrome hardware and bridge mono rail.
All armed with Bartolini custom pavers, very good finish.

UTILIZATION

Ergonomics is the first surprise: relatively light, the SR1000 is above all very comfortable, especially when sitting.
the handle has a slim expensive brand (comondit) a highway, no tolls,
and ease of play, in particular the top of the handle ... that borders on insolence.
In terms of sound is the bass makes you say you "thought j'me not so good."

SOUNDS

The SR1000 is a truly versatile my ears about the sounds.
it allows a round that very "present" a game that allows flexible and subtle;
but when you push it, Bartolini and Ibanez agree to send everything
be in the presence and power without losing précision.Elle appears perfectly suited
Players who like to jump off the schizophrenic "soft and smooth" to "hard and loud" ..
to some extent all the same.

OVERALL OPINION

I adopted the SR1000 6 months ago and a rather average player like me
she spreads significantly the field of technical possibilities, because of
easy to walk on the handle and release a sound.
In addition to its "capacity", it forces the condition by a kind of personality
in the sense that it was more like a play maker's model range, and also
given its fragility (sensitivity) and its need for maintenance (of attention)
regular.
The SR1000EFM is for me a true sniper rifle, whose only fault is to be delivered
without the bezel