BassBeGood « Little known but impressive. »
Published on 02/09/11 at 10:17Status The Shark was manufactured in the early 90s in Britain in small numbers.
It's 24 frets with an easel like a badass, the stick thin enough (which leaves me a ATK300 is something else). We have a simple microphone, volume and tone.
UTILIZATION
The neck is very pleasant, quite fine. Presence of a fret 0.
The bass itself is not very heavy (around 6Kg if I remember correctly) and is well balanced: the Shark is not itchy nose (oh what a joke).
Access to acute is an impressive facility, we are very comfortable and even the 24th box is accessible. However I prefer the bass with a larger radius, so I would not put that 9.
It quickly gets a good sound, at about the time we put the fingers on it. She has a particular sound close to the P-bass, but with any other power, we believe the force when it can not.
SOUNDS
The music I play ranges from progressive metal, post-rock and noisecore. With great astonishment I realized that this bass sounds perfectly contented that I seek, as stated above, a sort of "precision bass boosted. It's a versatile bass, with good reason: the former owner was a jazz bassist / fusion and he adored her.
The sound is pretty clear but the volume pot allows you to find dial tone sounds more "heavy" with big bass. I like the versatility of this instrument, because despite its particular sound, I alternate easily solos in treble and thick lines on the rope Mi
I did so far tested only on a SWR 15 ", but a test with Peavey various effects can not delay.
This instrument is astonishing, slap, harmonics, playing in agreement ... Everything goes perfectly with a very nice playability.
OVERALL OPINION
I had an hour for the time to try it, but it will soon be mine, so a more comprehensive review will be given.
I had two main low, an ESP LTD B-50 and an Ibanez ATK300. These three instruments have nothing to do with the ESP config precision-jazz, and ATK closest to a Stingray.
The Shark valuable to me because it is a good compromise between the deep tones of the ATK and treble precision.
€ 360 for this bass seems a very good price considering its "rarity" and the quality of his violin. It was my age and has aged better than me for now: 'D
In short, a massacre.
It's 24 frets with an easel like a badass, the stick thin enough (which leaves me a ATK300 is something else). We have a simple microphone, volume and tone.
UTILIZATION
The neck is very pleasant, quite fine. Presence of a fret 0.
The bass itself is not very heavy (around 6Kg if I remember correctly) and is well balanced: the Shark is not itchy nose (oh what a joke).
Access to acute is an impressive facility, we are very comfortable and even the 24th box is accessible. However I prefer the bass with a larger radius, so I would not put that 9.
It quickly gets a good sound, at about the time we put the fingers on it. She has a particular sound close to the P-bass, but with any other power, we believe the force when it can not.
SOUNDS
The music I play ranges from progressive metal, post-rock and noisecore. With great astonishment I realized that this bass sounds perfectly contented that I seek, as stated above, a sort of "precision bass boosted. It's a versatile bass, with good reason: the former owner was a jazz bassist / fusion and he adored her.
The sound is pretty clear but the volume pot allows you to find dial tone sounds more "heavy" with big bass. I like the versatility of this instrument, because despite its particular sound, I alternate easily solos in treble and thick lines on the rope Mi
I did so far tested only on a SWR 15 ", but a test with Peavey various effects can not delay.
This instrument is astonishing, slap, harmonics, playing in agreement ... Everything goes perfectly with a very nice playability.
OVERALL OPINION
I had an hour for the time to try it, but it will soon be mine, so a more comprehensive review will be given.
I had two main low, an ESP LTD B-50 and an Ibanez ATK300. These three instruments have nothing to do with the ESP config precision-jazz, and ATK closest to a Stingray.
The Shark valuable to me because it is a good compromise between the deep tones of the ATK and treble precision.
€ 360 for this bass seems a very good price considering its "rarity" and the quality of his violin. It was my age and has aged better than me for now: 'D
In short, a massacre.