cayrex
Note : 10 sur 10
Published on 02/01/09 at 02:49
It's a fuzz, or rather is the fuzz!
UTILIZATION
Very easy to use, three knobs: volume, distortion, tone ..
We can not be fed by an external power supply.
Extremely heavy box, has not thrown a fiure the guitarists ....
SOUND QUALITY
I'm bassist, I play with precision in amplification ampeg (HLF svtIIpro + 610). This fuzz is definitely the one that sounds really with a bass. We always have problemnes frequency (too fat, too high) or low consistency (Flight of the Bumblebee way) with other pedals on the market. Here we come to have a huge distortion without losing the attack and not be swallowed alive by our fellow guitarists.
Everything is there: the big sound of a crying feedback ...
OVERALL OPINION
I have been using ... almost 20 years ... I must say that it is a legacy of the period grunge (Nirvana, L7, etc ...). It has almost no paint but it is still 50% of my sound. It is therefore impossible without it.
A few small weaknesses (still): A tone hard to tame, which sometimes gives the impression of being controlled by outside forces ... and also a "clock" unpleasant produced by the inter.
A try by all rock bassists thrill seekers!
UTILIZATION
Very easy to use, three knobs: volume, distortion, tone ..
We can not be fed by an external power supply.
Extremely heavy box, has not thrown a fiure the guitarists ....
SOUND QUALITY
I'm bassist, I play with precision in amplification ampeg (HLF svtIIpro + 610). This fuzz is definitely the one that sounds really with a bass. We always have problemnes frequency (too fat, too high) or low consistency (Flight of the Bumblebee way) with other pedals on the market. Here we come to have a huge distortion without losing the attack and not be swallowed alive by our fellow guitarists.
Everything is there: the big sound of a crying feedback ...
OVERALL OPINION
I have been using ... almost 20 years ... I must say that it is a legacy of the period grunge (Nirvana, L7, etc ...). It has almost no paint but it is still 50% of my sound. It is therefore impossible without it.
A few small weaknesses (still): A tone hard to tame, which sometimes gives the impression of being controlled by outside forces ... and also a "clock" unpleasant produced by the inter.
A try by all rock bassists thrill seekers!